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Sigrid Nunez - The Friend

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Sigrid Nunez The Friend

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ALSO BY SIGRID NUNEZ

A Feather on the Breath of God

Naked Sleeper

Mitz: The Marmoset of Bloomsbury

For Rouenna

The Last of Her Kind

Salvation City

Sempre Susan: A Memoir of Susan Sontag

The Friend - image 1

The Friend - image 2

R IVERHEAD B OOKS

Published by the Penguin Group

Penguin Group (USA) LLC

375 Hudson Street

New York, New York 10014

The Friend - image 3

Copyright 2018 by Sigrid Nunez

Penguin supports copyright. Copyright fuels creativity, encourages diverse voices, promotes free speech, and creates a vibrant culture. Thank you for buying an authorized edition of this book and for complying with copyright laws by not reproducing, scanning, or distributing any part of it in any form without permission. You are supporting writers and allowing Penguin to continue to publish books for every reader.

Epigraph from The Little Virtues by Natalia Ginzburg, translated by Dick Davis, reprinted by permission of Arcade Publishing, an imprint of Skyhorse Publishing, Inc.

Library of Congress Cataloging-in-Publication Data

Names: Nunez, Sigrid, author.

Title: The friend / Sigrid Nunez.

Description: New York : Riverhead Books, 2018.

Identifiers: LCCN 2017011191 (print) | LCCN 2017016355 (ebook) | ISBN 9780735219465 (ebook) | ISBN 9780735219441

Subjects: LCSH: Human-animal relationshipsFiction. | Female friendshipFiction.

Classification: LCC PS3564.U485 (ebook) | LCC PS3564.U485 F75 2018 (print) | DDC 813/.54dc23

LC record available at https://lccn.loc.gov/2017011191

p. cm.

This is a work of fiction. Names, characters, places, and incidents either are the product of the authors imagination or are used fictitiously, and any resemblance to actual persons, living or dead, businesses, companies, events, or locales is entirely coincidental.

Version_1

CONTENTS

You have to realize that you cannot hope to console yourself for your grief by writing.

Natalia Ginzburg, My Vocation

You will see a large chest, standing in the middle of the floor, and upon it a dog seated, with a pair of eyes as large as teacups. But you need not be at all afraid of him.

Hans Christian Andersen, The Tinderbox

The question any novel is really trying to answer is, Is life worth living?

Nicholson Baker, The Art of Fiction No. 212, The Paris Review

PART ONE

During the 1980s, in California, a large number of Cambodian women went to their doctors with the same complaint: they could not see. The women were all war refugees. Before fleeing their homeland, they had witnessed the atrocities for which the Khmer Rouge, which had been in power from 1975 to 1979, was well known. Many of the women had been raped or tortured or otherwise brutalized. Most had seen family members murdered in front of them. One woman, who never again saw her husband and three children after soldiers came and took them away, said that she had lost her sight after having cried every day for four years. She was not the only one who appeared to have cried herself blind. Others suffered from blurred or partial vision, their eyes troubled by shadows and pains.

The doctors who examined the womenabout a hundred and fifty in allfound that their eyes were normal. Further tests showed that their brains were normal as well. If the women were telling the truthand there were some who doubted this, who thought the women might be malingering because they wanted attention or were hoping to collect disabilitythe only explanation was psychosomatic blindness.

In other words, the womens minds, forced to take in so much horror and unable to take more, had managed to turn out the lights.

This was the last thing you and I talked about while you were still alive. After, only your email with a list of books you thought might be helpful to me in my research. And, because it was the season, best wishes for the new year.

There were two errors in your obituary. The date you moved from London to New York: off by one year. Misspelling of the maiden name of Wife One. Small errors, which were later corrected, but which we all knew would have annoyed the hell out of you.

But at your memorial I overheard something that would have amused you:

I wish I could pray.

Whats stopping you?

He is.

Would have, would have. The dead dwell in the conditional, tense of the unreal. But there is also the extraordinary sense that you have become omniscient, that nothing we do or think or feel can be kept from you. The extraordinary sense that you are reading these words, that you know what theyll say even before I write them.

Its true that if you cry hard enough for long enough you can end up with blurred vision.

I was lying down, it was the middle of the day, but I was in bed. All the crying had given me a headache, Id had a throbbing headache for days. I got up and went to look out the window. It was winter yet, it was cold by the window, there was a draft. But it felt goodas it felt good to press my forehead against the icy glass. I kept blinking, but my eyes wouldnt clear. I thought of the women whod cried themselves blind. I blinked and blinked, fear rising. Then I saw you. You were wearing your brown vintage bomber jacket, the one that was too tightand looked only better on you for thatand your hair was dark and thick and long. Which is how I knew that we had to be back in time. Way back. Almost thirty years.

Where were you going? Nowhere in particular. No errand, no appointment. Just strolling along, hands in pockets, savoring the street. It was your thing. If I cant walk, I cant write. You would work in the morning, and at a certain point, which always came, when it seemed you were incapable of writing a simple sentence, you would go out and walk for miles. Cursed were the days when bad weather prevented this (which rarely happened, though, because you didnt mind cold or rain, only a real storm could thwart you). When you came back you would sit down again to work, trying to hold on to the rhythm that had been established while walking. And the better you succeeded at that, the better the writing.

Because its all about the rhythm, you said. Good sentences start with a beat.

You posted an essay, How to Be a Flneur, on the custom of urban strolling and loitering and its place in literary culture. You caught some flak for questioning whether there could really be such a thing as a flneuse. You didnt think it was possible for a woman to wander the streets in the same spirit and manner as a man. A female pedestrian was subject to constant disruptions: stares, comments, catcalls, gropes. A woman was raised to be always on guard: Was this guy walking too close? Was that guy following her? How, then, could she ever relax enough to experience the loss of sense of self, the joy of pure being that was the ideal of true flnerie?

You concluded that, for women, the equivalent was probably shoppingspecifically, the kind of browsing people do when theyre not looking to buy something.

I didnt think you were wrong about any of this. Ive known plenty of women who brace themselves whenever they leave the house, even a few who try to avoid leaving the house. Of course, a woman has only to wait until shes a certain age, when she becomes invisible, andproblem solved.

And note how you used the word women when what you really meant was young women.

Lately Ive done a lot of walking but no writing. I missed my deadline. Was given a compassionate extension. Missed that deadline, too. Now the editor thinks Im malingering.

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