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Barbara Laman - James Joyce and German Theory: The Romantic School and All That

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In this volume the author compares James Joyces aesthetic theories, as explicated by Stephen Dedalus in A Portrait of the Artist as a Young Man and in the Scylla and Charybdis chapter of Ulysses, with the theories of the early German Romantics.

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James Joyce and German Theory
"The Romantic School and All That

Barbara Laman

Madison Teaneck Fairleigh Dickinson University Press 2004 by Rosemont - photo 1

Madison Teaneck Fairleigh Dickinson University Press

2004 by Rosemont Publishing & Printing Corp.

All rights reserved. Authorization to photocopy items for internal or personal use, or the internal or personal use of specific clients, is granted by the copyright owner, provided that a base fee of $10.00, plus eight cents per page, per copy is paid directly to the Copyright Clearance Center, 222 Rosewood Drive, Danvers, Massachusetts 01923. [0-8386-4029-X/04 $10.00 8 pp, pc.]

Associated University Presses 2010 Eastpark Boulevard Cranbury, NJ 08512

The paper used in this publication meets the requirements of the American National Standard for Permanence of Paper for Printed Library Materials. Z39.48-1984.

Library of Congress Cataloging-in-Publication Data Laman, Barbara, 1945 James Joyce and German theory : the Romantic school and all that / Barbara Laman. p. cm. Includes bibliographical references (p.) and index. ISBN 0-8386-4029-X (alk. paper) 1. Joyce, James, 18821941Aesthetics. 2. LiteratureHistory and criticismTheory, etc. 3. CriticismGermanyHistory19th century. 4. Joyce, James, 18821941Technique. 5. English fictionGerman influences. 6. Aesthetics, Modern20th century. 7. Aesthetics, German19th century. 8. RomanticismGermany. I. Title. PR6019.O9Z693 2004 823'.913dc22 2003023740

PRINTED IN THE UNITED STATES OF AMERICA

Contents
Acknowledgements
Conventions Adopted
Introduction
1. German Romantic Theory and Joyce's Early Works
2. From Stephen Hero to Portrait: The Knstlerroman Revisited
3. Exiles and Romantic Irony
4. Ulysses and the "Mythic Method
5. A "Picture of Its Age: Hamlet Expositions and Revisions
6. The "Romantical Wake
Conclusion
Notes
Bibliography
Index

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Acknowledgments

THIS BOOK HAS BENEFITED FROM THE HELP OF MANY PEOPLE. Patrick McCarthy has been supportive since the beginning of the project, reading early drafts with equanimity; I thank him for his patience and encouragement. My gratitude goes also to the late Bernie Benstock who guided this project's early stages; I only wish he could have seen its fruition. I want to thank Robert Weninger for his perseverance in reading the manuscript through its several revisions; his help has been invaluable. My husband, David Solheim, North Dakota's centennial poet and by no means a Joycean but one who thought he was "taking a bath in words when he first read Ulysses many years ago, has read my manuscript and kept me in good humor through its latter phases. I am grateful to Lillian Crook, Stoxen Library's head librarian, who has been excited about my project and lent much support. Lillian has been untiring in locating materials and getting them to me speedily via interlibrary loans. Dickinson State University's faculty development funding allowed me to attend numerous Joyce conferences where I presented parts of chapter 1 at the 15th International Joyce Symposium in Zrich in June 1996 as "Joyce's Romantic Notions: The German Connection; parts of chapter 5 at the 11th Annual James J'yce Birthday Conference in Miami in February 1997 as " `A Picture of Its Age': Hamlet Expositions and Revisions in Goethe and Joyce; and parts of chapter 6 at the 17th International Joyce Symposium in Trieste, Italy, in June 2002 as "A `Romantical' Wake. I wish to thank all those who came to hear me speak, offered their insights on my topic, and encouraged me to continue with my project. Thanks also to my colleagues in the Department of Language and Literature at Dickinson State University, especially the adjunct faculty, who picked up my composition classes when I took a developmental leave of

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absence in the fall of 2002. And finally, my mother, who has neverand will nevertouch a computer in her lifetime, decided years ago that she needed to buy me a laptop computer so I could work when I visited her in Austria and not sit with my hands in my lap. Her gift enabled the entire project.

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Conventions Adopted
ABBREVIATIONS TO JOYCE TEXTS

THE FOLLOWING STANDARD ABBREVIATIONS FOR JOYCE TEXTS HAVE been adopted:

CWThe Critical Writings of James Joyce. Edited by Ellsworth Mason and Richard Ellmann. London: Faber and Faber, 1959.
EExiles. New York: Viking Press, 1961.
FWFinnegans Wake. New York: Viking Press, 1988.
PA Portrait of the Artist as a Young Man. New York: Penguin Books, 1977.
SHStephen Hero. Edited by Theodore Spencer. New York: New Directions, 1944.
UUlysses. Edited by Hans Walter Gabler. New York: Random House, 1986.
ABBREVIATION TO THE SCHILLER TEXT

The following edition has been used for Schiller's "ber naive und sentimentalische Dichtung: Theoretische Schriften. Edited by Rolf-Peter Janz. Vol. 8 of Friedrich Schiller Werke und Briefe, edited by Otto Dann et. al. Frankfurt: Deutscher Klassiker Verlag, 12 vols. 1992. The abbreviation "NSD for this often cited Schiller text has been adopted.

ABBREVIATIONS TO GOETHE TEXTS

The following edition has been used for all Goethe texts unless otherwise noted: Johann Wolfgang Goethe: Gedenkaus

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gabe der Werke, Briefe und Gesprche (JWG). Edited by Ernst Beutler. 24 vols. Zrich: Artemis-Verlag. The following abbreviations for often cited Goethe texts have been adopted:

EckermannGesprche mit Goethe in den letzten Jahren seines Lebens. Vol. 24 of JWG
FaustDie Faustdichtungen. Vol. 5 of JWG
MeisterWilhelm Meisters Lehrjahre. Vol. 7 of JWG
ABBREVIATIONS TO SCHLEGEL TEXTS

The following edition has been used for all Schlegel texts unless otherwise noted: Kritische Friedrich-Schlegel-Ausgabe (KFSA). Edited by Ernst Behler et al. 35 vols. Mnchen: Ferdinand Schningh; Zrich: Thomas, 1958. The following abbreviations for often cited Schlegel texts have been adopted:

"AF"Athenums-Fragmente. Vol. 2 of KFSA
"GP"Gesprch ber die Poesie. Vol. 2 of KFSA
"I"Ideen. Vol. 2 of KFSA
"LF"Lyceum-Fragmente. Vol. 2 of KFSA
LucindeLucinde. Vol. 5 of KFSA
"Studium"ber das Studium der griechischen Poesie. Vol. 1 of KFSA
A NOTE REGARDING TRANSLATIONS

The following Schlegel translations have been adapted from Ernst Behler and Roman Struc, eds. and trans., Friedrich Schlegel: Dialogue on Poetry and Literary Aphorisms (University Park: Pennsylvania State University Press, 1968):

Athenum fragments 51, 53, 116, 200, 238, and 247. Lyceum fragments 37, 42, 89, and 108. Parts of "Gesprch ber die Poesie.

All Faust translations, unless otherwise noted, are those of Walter Arndt in the text edited by Cyrus Hamlin (New York: W. W. Norton, 1976).

All other translations are mine.

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