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Copyright 2019 by Judd Apatow
All rights reserved.
Published in the United States by Random House, an imprint and division of Penguin Random House LLC, New York.
R ANDOM H OUSE and the H OUSE colophon are registered trademarks of Penguin Random House LLC.
Grateful acknowledgment is made to The Maynard Dixon Museum, Tucson, AZ, for permission to reprint a handwritten copy and transcription of the poem Sanctuary by Maynard Dixon. Used by permission.
LIBRARY OF CONGRESS CATALOGING-IN-PUBLICATION DATA
Names: Shandling, Garry, author. | Apatow, Judd, editor.
Title: Its Garry Shandlings book / edited by Judd Apatow.
Description: First edition. | New York: Random House, [2019] | Includes bibliographical references. |
Identifiers: LCCN 2019027874 (print) | LCCN 2019027875 (ebook) | ISBN 9780525510840 (hardcover) | ISBN 9780525510857 (ebook)
Subjects: LCSH: Shandling, Garry. | ComediansUnited StatesBiography. | Jewish comediansUnited StatesBiography. | ActorsUnited StatesBiography.
Classification: LCC PN2287.S358 A3 2019 (print) | LCC PN2287.S358 (ebook) | DDC 792.702/8092 [B]dc23
LC record available at https://lccn.loc.gov/2019027874
LC ebook record available at https://lccn.loc.gov/2019027875
Ebook ISBN9780525510857
randomhousebooks.com
Text research and selection: Keith Staskiewicz
Layout and design: Bill Smith/designSimple, adapted for ebook
Cover design: Ben Wiseman
Cover photograph: Mark Seliger
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CONTENTS
INTRODUCTION
By Judd Apatow
When Garry died suddenly we were all lost. I am a hoarder. I try to hold on to everything. My first instinct was to hoard Garry. He had always been my mentor, my friend, and my greatest inspiration in creativity and life. He was not a perfect man, but he was always trying to reach the next level. When I was a young man he handed me a Buddhist book called Catching a Feather on a Fan, and it brought spirituality into my life for the first time. I dealt with this loss by refusing to let go of any of Garry. I am pretty sure that goes against all of the tenets of Buddhism.
Garry had a large home that he built himself and was never entirely comfortable in. The joke with his friends was how he always complained about it. He would hire people to draw up designs about how to fix it, and then would never like them enough to actually move forward. When I entered his house to help deal with his material possessions, I wondered what I would find. He never seemed like the kind of person who kept anything. I didnt see him as sentimental. I remember one year, way before streaming, I got him every episode of Inside the Actors Studio on VHS for his birthday. As I handed it to him, I realized he would never watch it and wondered what black hole it would disappear into.
When I first went through his office it seemed like there wasnt much to deal with, barely a personal photo. All of his awards were in a trophy case he had built next to his washer and dryer. He had a loft above an office next to his garage that had some boxes from his TV-series days.
It felt like he was living his Buddhist life, not holding on to the past, trying to live in the moment. Then I opened a closet and found a stack of boxes. I soon realized that Garry kept everything. He seemed to just chuck items into boxes, then put them in closets and never look at them again. I opened one and found a box of letters Garry had written to his college-era girlfriend. Someone told me that after she died, her parents sent them to Garry. I opened another box and found letters to his parents, his earliest joke notebooks, and reel-to-reel tapes of a young Garry performing his earliest stand-up act alone into a tape recorder.
It went on and on, box after box. His house had no family photos displayed, but there was a box of hundreds of childhood photographs perfectly preserved.
The most important find was a trunk that contained all of his journals since 1978. I quietly debated whether or not I should read them. Twenty seconds later I started reading them. I was afraid I would lose respect for him if I knew all his secrets and deepest feelings. What I discovered was that he was an even better person than I had realized. Decade after decade I just read about a man struggling to figure out how to be more open and loving. There were some details about conflicts with friends, girlfriends, and work associates, but the vast majority of his writings were reminders to himself about the man he wanted to be. In his private thoughts he would constantly remind himself to let go of his ego and to seek evolution as a person. He also had a lot of amazing jokes, many of which never saw the light of day.
In the years before his death he had considered projects that would be based on these journals. I took that as meaning that Garry knew there was wisdom in his journey, which he wanted to share with others. People who have seen our documentary, The Zen Diaries of Garry Shandling, told me how impactful his diary entries were to them. Some even took photos of the screen.
This book is the final major Garry Shandling project. I am very honored to be a part of excavating photos, jokes, journals, script pages, interviews, and anything that I thought would help illuminate this fascinating, brilliant, and kind man. This is the ultimate hoarding of Garry. I hope you enjoy it.
THE ONLY
JEW IN
TUCSON
In his first of many debuts, Garry Shandling arrived on November 29, 1949, in a Chicago hospital room to parents Irv and Muriel Shandling.
GARRY Only Donald Trump knows whats on my birth certificate. It says Garrytwo rsEmmanuel Shandling. And then under sex it says, See long form.
1983
GARRY I might have been manic had they lived in New York. But they were in Chicago and moved to Arizona when I was two. So I grew up in the desert. I was the only Jew. I mean, the Dont ask, dont tell applied to me for fifteen years. I didnt say jack shit. Id say, No, no, I wasnt celebrating the holiday. I had a cold.