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Gavin Cologne-Brookes - The novels of William Styron: from harmony to history

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title The Novels of William Styron From Harmony to History Southern - photo 1

title:The Novels of William Styron : From Harmony to History Southern Literary Studies
author:Cologne-Brookes, Gavin.
publisher:Louisiana State University Press
isbn10 | asin:0807119008
print isbn13:9780807119006
ebook isbn13:9780585280912
language:English
subjectStyron, William,--1925- --Criticism and interpretation, Southern States--In literature.
publication date:1995
lcc:PS3569.T9Z6244 1995eb
ddc:813/.54
subject:Styron, William,--1925- --Criticism and interpretation, Southern States--In literature.
Page i
Southern Literary Studies
Fred Hobson, Editor
Page v
The Novels of William Styron
From Harmony to History
Gavin Cologne-Brookes
Page vi Copyright 1995 by Louisiana State University Press All rights - photo 2
Page vi
Copyright 1995 by Louisiana State University Press
All rights reserved
Manufactured in the United States of America
First printing
04 03 02 01 00 99 98 97 96 95 5 4 3 2 1
Designer: Amanda McDonald Key
Typeface: Trump
Typesetter: G&S Typesetters, Inc.
Printer and binder: Thomson-Shore, Inc.
Library of Congress Cataloging-in-Publication Data
Cologne-Brookes, Gavin, date.
The novels of William Styron: from harmony to history / Gavin Cologne-Brookes.
p. cm.(Southern literary studies)
Includes bibliographical references and index.
ISBN 0-8071-1900-8 (alk. paper)
1. Styron, William, 1925 Criticism and interpretation.
2. Southern StatesIn literature. I. Title. II. Series.
PS3569.T9Z6244 1994
813'.54dc20 94-19731
CIP
The paper in this book meets the guidelines for permanence and durability of the Committee on Production Guidelines for Book Longevity of the Council on Library Resources.Picture 3
Page vii
For Nicki and Xenatasha and Philip and Bobbi
Page ix
Picture 4
Compositional principles of a poetic work are a manifestation of an author's view of life.
Georg Lukcs
Page xi
Contents
Acknowledgments
xiii
Introduction
Shifting Patterns of Discourse in Styron's Novels
1
1
Inheritance of Modernism: Lie Down in Darkness
10
2
Signs of a Shift: The Long March
45
3
The Mind in the Act of Finding: Set This House on Fire
68
4
Bonds of Discourse: The Confessions of Nat Turner
98
5
Dialogic Worlds: Sophie's Choice
156
Conclusion
Styron and Risk: This Quiet Dust, Darkness Visible, A Tidewater Morning, and an Overview in Context
202
Appendix
Extracts from Conversations with William Styron
213
Selected Bibliography
249
Index
257

Page xiii
Acknowledgements
My debts in connection with this project are numerous, but my thanks go first to James L. W. West III, of Pennsylvania State University, whose conversations with me in Cambridge in January, 1986, launched much of what has resulted. Jim West told me of a symposium on William Styron at Winthrop College in Rock Hill, South Carolina, and I am indebted to the many scholars I talked with there on the April weekend of 1986 when it was held, including those with whom I sometimes take issue. My specific gratitude goes to Eva B. Mills, who ran the conference, and to Melvin J. Friedman and Jackson R. Bryer, who edited a special issue of Papers on Language and Literature that included my article arising from the conference, "Discord Toward Harmony: Set This House on Fire and Peter's 'Part in the Matter,'" which evolved into the third chapter of this book.
I must also thank Thrse de Saint Phalle for her kindness and infectious enthusiasm when I stayed in Burgundy, and Judith Ruderman for southern hospitality on my visit to Duke University in 1988. Thanks are due as well to Matt Martin and his family, ever ready hosts in Erie, Darien, and New York. For tremendous help on the trip of 1988, I am indebted to Robert Byrd and Patricia Webb, of the Manuscript Department at the William R. Perkins Library at Duke. For help during the later stages of the manuscript, I must mention Jan Beckett, librarian at Harlaxton College, the British campus of the University of Evansville. I thank my colleagues at Harlaxton and in the English department of Bath College of Higher Education for friendships that have created an atmosphere conductive to completion of the book.
William Styron himself has been more open, interested, and generous with his time than I at first dared to hope. I thank him not only for permission to publish our conversations and to quote from unpublished manuscripts but also, along with his wife, Rose, for times together in Roxbury, Vineyard Haven, and even the fog of Albion.
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