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David OKeefe - Seven Days in Hell: Canadas Battle for Normandy and the Rise of the Black Watch Snipers

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David OKeefe Seven Days in Hell: Canadas Battle for Normandy and the Rise of the Black Watch Snipers
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Contents

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One Day in August: The Untold Story behind Canadas Tragedy at Dieppe

Seven Days in Hell

Copyright 2019 by David OKeefe.

All rights reserved under International and Pan-American Copyright Conventions. By payment of the required fees, you have been granted the nonexclusive, nontransferable right to access and read the text of this e-book on-screen. No part of this text may be reproduced, transmitted, downloaded, decompiled, reverse-engineered, or stored in or introduced into any information storage and retrieval system, in any form or by any means, whether electronic or mechanical, now known or hereafter invented, without the express written permission of HarperCollins e-books.

Published by HarperCollins Publishers Ltd

Cover image created and released by the Imperial War Museums.

Colour retouching by Marina Amaral (https://marinamaral.com)

Map by Mike Bechthold (mbechthold@wlu.ca)

FIRST EDITION

EPub Edition: October 2019 EPub ISBN: 978-1-4434-5478-0

Version 09282019

Print ISBN: 978-1-4434-5477-3

HarperCollins Publishers Ltd

Bay Adelaide Centre, East Tower

22 Adelaide Street West, 41st Floor

Toronto, Ontario, Canada

M5H 4E3

www.harpercollins.ca

Library and Archives Canada Cataloguing in Publication information is available upon request.

LSC / H 9 8 7 6 5 4 3 2 1

For those who no longer speak

Contents
W HEN I FIRST WALKED THROUGH THE DOORS OF the Castle on Bleury Street the - photo 1
W HEN I FIRST WALKED THROUGH THE DOORS OF the Castle on Bleury Street the - photo 2

W HEN I FIRST WALKED THROUGH THE DOORS OF the Castle on Bleury Street, the Black Watch armoury in the heart of Montreal, in the late winter of 1991, I had no idea where my journey would lead. At that time, the first Gulf War had just erupted, and I had decided that the time had come to follow in the footsteps of my grandfather, my father, uncles, great-uncles and cousins who had served during both World Wars, Korea and the First Gulf War, a service to the country that would extend into Bosnia and Afghanistan.

My tenure as a young subaltern with the Black Watch was both brief and thoroughly undistinguished, and I left the uniform after two years to pursue my passion for military history. Over the next two decades, I maintained my association with the Department of National Defence, working as a researcher with the Directorate of History and Heritage before returning to the Black Watch, where I served as regimental historian. During that period, I penned a series of academic articles concerning the experiences of the 1st Battalion in 194445 and interviewed (formally and otherwise) most of the men quoted directly in this work. Many of those men went on to be lifelong friends, and as a fan of military history, I stood in awe of their courage and fortitude, but as a historian, I remained professionally distanced and detached, objective, questioning and critical. I made this distinction clear upfront and told them I was sworn to tell it as the evidence portrayed it, rather than simply as they saw it. To a man, they respected that caveat, and they responded openly and honestlysometimes, as you will read in the pages, painfully so.

Sadly, all of these men are now gone, as the ravages of time wait for no man. For whatever reason, the snipers in the battalions scout platoon enjoyed greater longevity than their brethren in the rifle companies, and as such, their story began to dominate the Black Watch narrative, leading one rifleman to quip, Bloody scouts think they won the damn war! Indeed, the scouts were, as Corporal Jimmy Hook Wilkinson recalled, the eyes and ears of the battalion, and over time they had developed a distinct sense of themselves, in part due to their longevity, in part their unique, almost bohemian role in the battalion, but more importantly, the fact that they had come through the bloodbath on Verrires Ridge in that half-forgotten summer of 1944 and lived to tell their tales.

Memory, of course, is a fickle beast, and I have relied on their recollections primarily for tone and atmosphere, or to convey impressions or express their intensely personal experiences or inner thoughts. Any claims of fact that have an impact upon the overall narrative, I have cross-referenced with the archival record to verify historical accuracy and reduce the degree of bias associated with any historical venture.

To avoid a flood of repetitive references, all the direct quotations (unless otherwise noted) have come from these conversations. Some of these men, as you will notice, were enlightened, eloquent and highly educated; others, not so much. But all of them opened up in a straightforward fashion and entrusted with me their emotive recollections, which in some cases they had withheld from families or friends, awaiting the proper context for their unveiling.

I have also employed the narrative style; as a professor of history, I have taught in classrooms, on battlefields, on television and in monograph and journal form, and have not found any other vehicle that can deliver a multitude of complex, interlaced, nuanced and layered concepts in a simple (but never simplistic) fashion. In this respect, I have dared invoke the spirit of Cornelius Ryan and Stephen Ambrose, whose oral history tradition has thrilled and captivated millions over the last five decades, though I have anchored my work in a deep and thorough corpus of research whose scope remains both broad and deep, and provides evidence that organically shocks, amazes, electrifies and magnetizes the public conscience. What has evolved in this work, and has been the main constant throughout my career in history, is that truth is, indeed, stranger than fiction.

My view on military history falls in line with that of the pre-eminent military thinker and historian Sir Basil Liddell-Hart, who believed that military history should never fall into the realm of the sentimental treasure, where our understanding and engagement are limited to an annual polishing of our national historical trophies. Ideally, history should, through the engagement of unsettling facts, teach us about those hard-earned experiences so that we may develop an understanding and, above all, empathy for those who went before us. This is the main focus of the book.

As such, themes of heroism, courage, determination, resilience and friendship walk hand in hand with cowardice, frailty, chaos and horror throughout the following narrative. I have made a point of not sugar-coating what befell these men in July 1944. Telling their story in an unvarnished fashion was the only option, given their openness and honesty; the only way to justly honour their memory.

With that said, on the one hand, I stand in awe of what these men endured, and they have my undying respect; on the other, I do not wish for one second to see my children bear what they had to. After all, if we cannot learn and draw from historyparticularly military historythen what is the point?

Perhaps the first word in this work should go to Hook Wilkinson, who for decades was a stalwart at every Black Watch regimental function, from parades to battlefield pilgrimages, funerals, mess dinners and veteran association gatherings. Over that time, his stories poured forthsome true, some embellished and oft-repeated, leading most to politely chalk up his claim as the best shot in the regiment to visions of glory distorted by time. Im sure you were, Jimmy or Wow, thats great, Jim tended to be the polite yet all too patronizing response to his boast.

Then, in 2015, while filming the documentary

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