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Robert A. Morace - The dialogic novels of Malcolm Bradbury and David Lodge

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Morace analyzes the novels of Malcolm Bradbury and David Lodge together because they provide a dialogue of conflicting views, styles, and forms of the contemporary novel. This dialogue parallels the views of these two British novelists as critics.Beginning as realists, as novelists of manners, as writers of campus novels, Bradbury and Lodge explore the possibilities and the limitations of realistic writing. Bradbury and Lodge, however, are not only heirs of English literary tradition. Both are also literary critics with a keen interest in recent critical theories. Morace shows us how the debate between Bradbury and Lodge over the nature and purpose of fiction and criticism has found its way into their novels. The realistic conflicts between civilian and military, English and American, pre- and post-Vatican II values gradually give way to an exploration of the semiotics behind such conflicts.Morace finds Bradburys and Lodges works far more open-ended than the doggedly indeterminate fictions of many contemporary writers. Using Mikhail Bakhtins theory of dialogism, he identifies the ways in which language and values simultaneously compete with and support one another in their novels.This first book-length study of Bradbury or Lodge deals with all of their novels, including Changing Places, How Far Can You Go?, and Small World by Lodge, as well as Bradburys The History of Man and Rates of Exchange.

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Edited by Jerome Klinkowitz In Form Digressions on the Act of Fiction By - photo 1
Edited by Jerome Klinkowitz In Form Digressions on the Act of Fiction By - photo 2
Edited by Jerome Klinkowitz
In Form: Digressions on the Act of Fiction
By Ronald Sukenick
Literary Subversions: New American Fiction and the Practice of Criticism
By Jerome Klinkowitz
Critical Angles. European Views of Contemporary American Literature
Edited by Marc Chnetier
American Theater of the 1960s
By Zoltn Szilassy
The Fiction of William Gass: The Consolation of Language
By Arthur M. Saltzman
The Novel as Performance: The Fiction of Ronald Sukernick and Raymond Federman
By Jerzy Kutnik
The Dramaturgy of Style: Voice in Short Fiction
By Michael Stephens
Out of Egypt: Scenes and Arguments of an Autobiography
By Ihab Hassan
The Spontaneous Poetics of Jack Kerouac: A Study of the Fiction
By Regina Weinreich
Pynchon's Mythography: An Approach to Gravity's Rainbow
By Kathryn Hume
Who Says This? The Authority of the Author, the Discourse and the Reader
By Welch D. Everman
History and the Contemporary Novel
By David Cowart

title:The Dialogic Novels of Malcolm Bradbury and David Lodge Crosscurrents/modern Critiques. Third Series
author:Morace, Robert A.
publisher:Southern Illinois University Press
isbn10 | asin:080931519X
print isbn13:9780809315192
ebook isbn13:9780585178875
language:English
subjectEnglish fiction--20th century--History and criticism, Dialogue, Bradbury, Malcolm,--1932- --Fictional works, Lodge, David,--1935- --Fictional works.
publication date:1989
lcc:PR888.D49M67 1989eb
ddc:823/.914/0926
subject:English fiction--20th century--History and criticism, Dialogue, Bradbury, Malcolm,--1932- --Fictional works, Lodge, David,--1935- --Fictional works.
Page iii
The Dialogic Novels of Malcolm Bradbury and David Lodge
Robert A. Morace
Southern Illinois University Press
Carbondale and Edwardsville
Page iv
Copyright 1989 by the Board of Trustees, Southern Illinois University
All rights reserved
Printed in the United States of America Edited by Mara Lou Hawse Designed by Design for Publishing, Inc. Production supervised by Linda Jorgensen-Buhman
92 91 90 89 4 3 2 1
Library of Congress Cataloging-in-Publication Data
Morace, Robert A.
The dialogic novels of Malcolm Bradbury and David Lodge / Robert A.
Morace.
p. cm.(Crosscurrents/modern critiques. Third series)
Bibliography: p.
Includes index.
ISBN 0-8093-1519-X
1.English fiction20th centuryHistory and criticism.
2. Dialogue. 3. Bradbury, Malcolm, 1932- Fictional works.
4. Lodge, David, 1935- Fictional works. I. Title. II. Series.
PR888.D49M67 1989
823.9140926dc19
Picture 3Picture 4Picture 5Picture 6Picture 788-29339
Picture 8Picture 9Picture 10Picture 11Picture 12CIP
The paper used in this publication meets the minimum requirements of American National Standard for Information SciencesPermanence of Paper for Printed Library Materials, ANSI Z39.48-1984.
Page v
for Neela
Page vii
Picture 13
The truth is never pure and simple. Modern life would be very tedious if it were either, and modern literature would be a complete impossibility.
Oscar Wilde, The Importance of Being Earnest
Picture 14
It must not be forgotten, I sometimes forget, that all is a question of voices.
Samuel Beckett, The Unnamable
Page ix
Contents
Crosscurrents/Modern Critiques/Third Series
Jerome Klinkowitz
xi
Preface
xiii
Acknowledgments
xix
1 Critical Assumptions
1
2 Eating People Is Wrong: Yes or No?
30
3 Stepping Westward: Dangerous Pilgrimages
44
4 The History Man: Engulfed by Sand
60
5 Rates of Exchange: The Liberal Novelist's Quarrel with the French Algebraists
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