Reading the Grateful Dead
A Critical Survey
Edited by Nicholas G. Meriwether
THE SCARECROW PRESS, INC.
Lanham Toronto Plymouth, UK
Published by Scarecrow Press, Inc.
A wholly owned subsidiary of The Rowman & Littlefield Publishing Group, Inc.
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Copyright 2012 by Nicholas G. Meriwether
All rights reserved. No part of this book may be reproduced in any form or by any electronic or mechanical means, including information storage and retrieval systems, without written permission from the publisher, except by a reviewer who may quote passages in a review.
British Library Cataloguing in Publication Information Available
Library of Congress Cataloging-in-Publication Data
Reading the Grateful Dead : a critical survey / edited by Nicholas G. Meriwether.
pages ; cm
Includes bibliographical references and index.
ISBN 978-0-8108-8371-0 (cloth : alk. paper) ISBN 978-0-8108-8372-7 (ebook)
1. Grateful Dead (Musical group). 2. Rock musiciansUnited StatesBiography. 3. Rock musicHistory and criticism. I. Meriwether, Nicholas G.
ML421.G72.R43 2012
782.42166092'2dc23 2012002346
The paper used in this publication meets the minimum requirements of American National Standard for Information SciencesPermanence of Paper for Printed Library Materials, ANSI/NISO Z39.48-1992.
Printed in the United States of America
To the memory of the Grateful Dead,
and for Billy, Bobby, Mickey, and Phil
for carrying on.
The attempt to make sense
of trying to make sense
of something that possibly
makes no sense
makes a sense of its own;
a sense often more akin
to music than to reason.
Robert Hunter, A Note on Method, A Strange Music , 1991
Halloween Costume Party
Bob Cooperman
A neighbors son asks
if he can borrow
anything we still possess
from the Sixties:
bell-bottoms, peace symbols,
beads, bandannas, anything.
I feel ancient,
a shard of brief
archeological interest,
and wonder how many teens
will slouch into his party
in old clothes, a compliment,
I suppose,
but one Id rather not be paid.
Still, I root up
a Grateful Dead teeshirt,
my wife, a blouse she once wore,
spectacularly diaphanous.
She tries it on; skeletons
in top-hats sashay
across my regal belly.
Inspired, I play
a scratchy vinyl anthem
on our finicky turntable,
and we dance, memories
of music and youth
trancing our feet and hips.
The door opens,
our neighbors son stares
as if hes caught us naked.
Permissions
The chapters in this collection were originally published in nine different volumes. The majority appeared in Dead Letters (20012009), a four-volume series that served as the unofficial proceedings of the Grateful Dead area of the Southwest/Texas Popular and American Studies Association. That series was complemented and eventually succeeded by the Program for the Grateful Dead Scholars Caucus (20082010), which was finally supplanted by Dead Studies (2011 ), a peer-reviewed journal published annually under the auspices of the Grateful Dead Archive at UC Santa Cruz. I gratefully acknowledge the contributors for permission to republish here.
Bob Cooperman, Halloween Costume Party, Dead Letters: Essays on the Grateful Dead Phenomenon , Vol. 1. Ed. Nicholas G. Meriwether (Oakland, CA: Dead Letters Press, 2001), 95. Used with permission.
Matthew Armstrong, The Education of a Deadhead: A Letter from a Novelist, Dead Letters: Essays on the Grateful Dead Phenomenon , Vol. 3. Ed. Nicholas G. Meriwether (Columbia, SC: Dead Letters Press, 2006), 9. Used with permission.
Dennis McNally, The Grateful Dead in the Academy, Dead Letters: Essays on the Grateful Dead Phenomenon , Vol. 4. Ed. Nicholas G. Meriwether (Columbia, SC: Dead Letters Press, 2009), 1328. Used with permission.
John Perry Barlow, Thinking About the Dead: Amateur Anthropology, the Human Comedy, and Making Good Ancestors, Dead Letters: Essays on the Grateful Dead Phenomenon , Vol. 4. Ed. Nicholas G. Meriwether (Columbia, SC: Dead Letters Press, 2009), 2934. Used with permission.
Nicholas G. Meriwether, The Thousand Stories Have Come Round to One: Studying the Grateful Dead Phenomenon. An earlier version of this was published in First Fusion: A New Renaissance . Ed. Nicholas G. Meriwether (San Rafael: Marin Symphony, 2011), 5782. Used with permission.
Natalie Dollar, Mapping the Deadhead Social Science Trip, Dead Letters: Essays on the Grateful Dead Phenomenon , Vol. 3. Ed. Nicholas G. Meriwether (Columbia, SC: Dead Letters Press, 2006), 3549. Used with permission.
Michael Kaler, How the Grateful Dead Learned to Jam, Dead Studies 1 (2011): 93112. Regents of the University of California. Used with permission.
Jon Ney, Terrapin Station, Postmodernism, and the Infinite, Dead Letters: Essays on the Grateful Dead Phenomenon , Vol. 2. Ed. Nicholas G. Meriwether (Columbia, SC: Dead Letters Press, 2003), 3944. Used with permission.
Robert H. Trudeau, A Super-Metacantric Analysis of Playing in the Band, Dead Letters: Essays on the Grateful Dead Phenomenon , Vol. 4. Ed. Nicholas G. Meriwether (Columbia, SC: Dead Letters Press, 2009), 103119. Used with permission.
Ryan Slesinger, And Closed My Eyes to See: Buddhist Resonances in the Lyrics of the Grateful Dead, Program of the Thirteenth Annual Grateful Dead Scholars Caucus . Ed. Nicholas G. Meriwether (Columbia, SC: Dead Letters Press for the Grateful Dead Scholars Caucus, 2010), 6578. Used with permission.
Nicholas Meriwether, The Dead Play Egypt, Thirty Years Later: Myth, Memory, and Marketing, Program of the Thirteenth Annual Grateful Dead Scholars Caucus . Ed. Nicholas G. Meriwether (Columbia, SC: Dead Letters Press for the Grateful Dead Scholars Caucus, 2010), 7994. Used with permission.
Joseph Holt, Crowned Anarchy: Songs, Segues, and the Golden Road to Unlimited Devotion, Dead Letters: Essays on the Grateful Dead Phenomenon , Vol. 2. Ed. Nicholas G. Meriwether (Columbia, SC: Dead Letters Press, 2003), 510. Used with permission.
David Bryan, The Grateful Dead Religious Experience, Dead Letters: Essays on the Grateful Dead Phenomenon , Vol. 4. Ed. Nicholas G. Meriwether (Columbia, SC: Dead Letters Press, 2009), 143160. Used with permission.
James Revell Carr, Shakedown Street: A Benjaminian Approach to the Grateful Dead. Dead Letters: Essays on the Grateful Dead Phenomenon , Vol. 3. Ed. Nicholas G. Meriwether (Columbia, SC: Dead Letters Press, 2006), 8599. Used with permission.
Alex Kolker, What Are Deadheads? An Informal Survey, Dead Letters: Essays on the Grateful Dead Phenomenon , Vol. 3. Ed. Nicholas G. Meriwether (Columbia, SC: Dead Letters Press, 2006), 1123. Used with permission.
Rebecca G. Adams, Terrapin Station Demographics and Deadication: The Furthur Festival 98 Data, Dead Letters: Essays on the Grateful Dead Phenomenon , Vol. 4. Ed. Nicholas G. Meriwether (Columbia, SC: Dead Letters Press, 2009), 5162. Used with permission.
Mark E. Mattson, Autobiographical Memories of Grateful Dead Concerts: Two Descriptive Approaches, Dead Letters: Essays on the Grateful Dead Phenomenon , Vol. 4. Ed. Nicholas G. Meriwether (Columbia, SC: Dead Letters Press, 2009), 207220. Used with permission.
Christian Crumlish, And I Done Some Time: Bobby Petersen and the Grateful Dead, Dead Letters: Essays on the Grateful Dead Phenomenon , Vol. 1. Ed. Nicholas G. Meriwether (Oakland, CA: Dead Letters Press, 2001), 1024. Used with permission.
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