Sell Your Own Damn Movie!
Lloyd Kaufman
Sara Antill
Focal Press
Front-matter
Sell Your Own Damn Movie!
Sell Your Own Damn Movie!
Lloyd Kaufman with Sara Antill
AMSTERDAM BOSTON HEIDELBERG LONDON NEW YORK OXFORD PARIS SAN DIEGO SAN FRANCISCO SINGAPORE SYDNEY TOKYO
Focal Press is an imprint of Elsevier
Copyright
Focal Press is an imprint of Elsevier
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2011 Lloyd Kaufman. Published by Elsevier Inc. All rights reserved
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Notices
Knowledge and best practice in this field are constantly changing. As new research and experience broaden our understanding, changes in research methods, professional practices, or medical treatment may become necessary.
Practitioners and researchers must always rely on their own experience and knowledge in evaluating and using any information, methods, compounds, or experiments described herein. In using such information or methods they should be mindful of their own safety and the safety of others, including parties for whom they have a professional responsibility.
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Library of Congress Cataloging-in-Publication Data
Kaufman, Lloyd, 1945
Sell your own damn movie! / Lloyd Kaufman; with Sara Antill.
p. cm.
ISBN 978-0-240-81520-6
1. Motion picturesMarketingAmateurs manuals. 2. Low budget filmsAmateurs manuals. 3. Motion picture producers and directorsInterviews. I. Antill, Sara. II. Title.
PN1995.9.M29K58 2011
791.4330688dc22
2011003845
British Library Cataloguing-in-Publication Data
A catalogue record for this book is available from the British Library.
ISBN: 978-0-240-81520-6
For information on all Focal Press publications visit our website at www.elsevierdirect.com
Printed in the United States of America
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Dedication
Sell Your Own Damn Movie! is dedicated to Pat Swinney Kaufman. My love for you exceeds anything in this book, on this planet, or in the heavens And speaking of selling, thank you for supporting 37 years of Sell-u-Lloyd!
xo Lloydie
A Special Thank You
A Special Sell Your Own Damn Thank You to Sara Antill
Sell Your Own Damn Movie! co-author Sara Antill explodes with joy after receiving this Christmas gift from Lloyd.
Acknowledgments
Id like to take a moment to give an impassioned thank you to the following people:
Michael and Maris Herz, your dear, sweet souls have nurtured me from the very beginning of my ascent into 40 years of failed filmmaking.
Jerome Rudes, who thought what I had to say was worth committing to paper. Ha!
And
Elinor Actipis
Renzo Adler
Zack Beins
Danielle Black
Karen Black
Travis Campbell
Tze Chun
Jason Connell
Annie Cron
David Cronenberg
Michele Cronin
Lisa Eastman
David Ferino
Gabe Friedman
Maria Friedmanovich
Nina Gielen
Jamie Greco
Adam Green
Rod Gudino (Rue Morgue)
James Gunn
Matt Hoffman
Ted Hope
Jeremy Howell
IFTA
Thomas Jefferson
Allison Jones
Jason Kalmanowitz
Charles Kaufman
Charlotte Kaufman
Lily-Hayes Kaufman
Lisbeth Kaufman
Pat Kaufman
Sigrun Kaufman
Susan Kaufman
Mike Kelly
Brad Kembel
Roger Kirby
Anne Koester
Stan Lee
Jonathan Lees
Teresa Loera
Mynette Louie
Ron Mackay
Matt Manjourides
Justin Martell
Jonas Mekas
Jeremy Morrison
Gary Moscowitz
Phil Nichols
Barack Obama
Nina Paley
Bristol Palin
Sarah Palin
Oren Peli
Bill Plympton
Jean Prewitt
Jon Reiss
John Rieber
Stewart Rieser
Elle Schneider
Amanda Scott
Richard Taylor
Tony Timpone (Fangoria)
Cory Udler
Jenn Valdez
Jonathan Wolf
Strauss Zelnick
Foreword by Stan Lee
Lloyd Kaufman and I have known each other since Lloyd was at Yale in the 1960s and sought me out. He was one of the many brilliant young students for whom Marvel Comics had become a sort of shrine, but Lloyd stood out among the others. He seemed driven by some kind of strong intellectual force combined with a monomaniacal passion for pop culture. That is why in 1970 I chose him to write a screenplay with me based on Night of the Witch, one of my stories. Lloyd had never written a movie script, but I could tell that his incredibly original ideas and incredibly unique persona-lity could be wrapped up in one incredibly charged enchilada of horror! I was right. Our script was immediately optioned by Cannon, the premiere indie movie studio of its day, from whose loins sprung stars like Susan Sarandon and Peter Boyle.
A lot has changed since 1970; Lloyd and his Yale buddy Michael Herz have established Troma, the longest running independent movie studio of all time. Lloyd has put a new face on the cinematic superhero with Toxie, as well as with my personal favorite, Sgt. Kabukiman N.Y.P.D. Lloyds body of work has now proven to be a seminal influence on worldwide film today. Just look at any film created by the likes of Quentin Tarantino, Takashi Miike, Peter Jackson, Eli Roth, Gaspar No, and James Gunn, to name a few, and you are likely watching a film influenced by Class of Nuke Em High, Tromeo & Juliet, or Citizen Toxie. Come to think of it, perhaps Lloyd and I shouldve continued working together; the only problem was that during our intense brainstorming sessions, whenever he wanted to confuse me, hed speak in Mandarin Chinese, one of his many offbeat talents!
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