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Friedmann - Things that helped: on postpartum depression

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    Things that helped: on postpartum depression
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Maribyrnong -- Pho -- Red lips -- Swanlights, turning -- Skywhale -- Center stage, five dances, and other dance on-screen -- Altered night -- Weaving -- Virginias scarf -- Walking -- Rings -- Ainslie.;Jessica Friedmann navigates her recovery from postpartum depression in a wide-ranging collection of personal essays--Amazon.com.

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To my mother, as promised

I N THE BEGINNING there was the river, wending its way around the top of the suburb, then snaking out protectively toward the south. The water was deep and cold and full of silt, and in the months after I had my baby I would often dream of going down to drown myself in it.

At dusk the rivers parklands were beginning to empty out, the cyclists and joggers wary of the cold and the settling night. Old men who squatted on their heels reeled their fishing lines in, carrying their lures home in scrubbed-out paint buckets. Soon it would be dark; soon a cloistering silence would descend on the leaves and grass, broken only by the rustle of the wind and the steady drone of the highway, as persistent as seawater or the beat of a heart.

I thought of the water as I listened for the babys breath, in and out, lightly broken sometimes by a hiccup or a snore. We had made the walk to the rivers banks a hundred times over the summer, Mike sometimes breaking off for a run while I saw how many native grasses I could name. Now, in the deep of winter, it ran through my thoughts nightly, bringing a cool little rush with it, a rush of relief. We kept the heating on at home, trying to fend off the drizzle and damp, and ran it through the night for the babys sake, though in truth he seemed all righta hot little furnace running hotter in his sleep.

Through the tide of hormones surging within my body, and the little runnels of blood, and the sour tang of my breasts, I lay awake, listening, and thinking of breath and of water. I had broken my relationship with sleep; it was no longer safe. If I did drift off, the babys shrills of noise let down my milk and sent a hot flush of sweat through my body before my brain had a chance to catch up, and I would wake sticky and panicked and sure that something was wrong. The sickening wrench of waking was awful, so I lay in bed playing possum; it was better to be passive, to let the baby suckle me without protest and then settle him down to fall asleep again, his small fists raised above his head. I lay awake and listened to the quality of the silence change.

When I was sure the house was asleep again I rolled to the side of the bed gently, so as not to aggravate the incision site, and maneuvered myself up. It was the same move my midwife had taught me, a kind of slow roll-and-rise that made up for the lack of a core. The rest of the house was dead at night, the only center of breath our stale, fecal bedroom, where the heat coalesced and cushioned us into a relentlessly interrupted stupor. Outside the door, which I gently closed, the air was fresh and cool.

The floorboards sent chills upward as I shuffled down the hall. Through the living room, our paintings and books veiled in shadow; past the dining table, smothered in vases of congratulatory flowers. The tiles of the bathroom floor felt like ice against my skin, and I stripped off my T-shirt, soaked with the nights flushes of sweat, and pressed my bare back more firmly against them.

Here, in the quiet, there was only my breath and the rustle of leaves outside. The nauseating heat of my skin, the clamminess of it, found its counterpoint; my breath sounds were the noises of one person, not three. In the cold and calm I lay on my back and thought about the river.

It wasnt hard to draw its coolness around me, its chill. The fog of sleeplessness cohered into a single vision: I would walk out of the house, and cross the highway, leaving no sign behind me. Down the steep hill that led to the rivers banks, my hands would reach out for leaves and flowers, touching all the glossy, dew-specked marks of winter growth. Then I would slip out of my clothes, fold them neatly, and disappear beneath the surface of the water.

In a few hours the sun would come up, glinting off the mineral bits of rocks, and discarded fits, and discarded fishhooks. The oars of boats would shatter the rivers surface into a million green-brown sequins, and the new day of its life would begin. The flowers would open to the sun, starved for light. And Mike would wake, and know that I was gone.

He would grieve; I knew he would grieve, but he would be anchored to the earth by this tiny mewling child I felt no stirring of warmth for. He would find love again, because he was easy to love, and another woman would blossom toward our baby and reveal herself to be the real, true motherthe mother our baby would need.

In the cold rush of water my flesh would loosen, become swollen. My engorged breasts would leak a trail of warm milk into the river, the healing wound below my waist be riven in two again, the stitches dissolved. My hair would wash out like weeds, and my eyes would not turn into pearls, but be perpetually turned to the sky.

I knew that it would not be gentle, that it would be violent and raw, but in the midst of the water filling my burning lungs, and the quick blacking out of vision, I would move sideways, catch myself right before death, exist as the slow play of light on the water and the soft rain spattering my growing child when he came to explore the park. In this way I could keep him forever, watching from the reeds.

In the bathroom, collapsed between clusters of night feeds, the vision was compelling. I would wait, and then I would rise again, this time with purpose, and walk out to greet the night, and walk down the quiet hill, leave my body behind, and gently disappear.

I wanted to do it; I was resolved, I had made up my mind. The only problem was that I couldnt get up off the floor.

B Y THE TIME we move to Footscray, Owen is a secret seed, secret even from me. All the time he is there, as I lug cardboard boxes, and scrub paint from sinks, and paint the rental we are leaving a dingy shade of beigethe same shade that, on moving in, we had painted over in pale, pale celery green. It is too early for a rising tide of nausea to clue me to his existence. He is simply, secretly, there.

Almost from the minute that Mike and I begin seeing each other, we talk about our child, the child we will one day have. It should seem much too soon, but nothing feels more natural than lying in the sun at the park, drinking coffee and eating warm bread rolls from the bakery, sketching out our future plans: running a B&B in rural Hungary if I sort out my citizenship; traveling to Berlin; living on a vast property deep in the mountains. And always with a baby in tow.

Our child will be called Coralie, after my great-aunt, or maybe Ivy; Gabriel for a boy. When we get married the fantasies drop away, but the longing for a child remains. We manage to postpone the craving throughout my honors thesis; Mike enrolls in a masters; we do everything we can to pace ourselves, to not jump in, not give in to this deep, visceral craving for the milky smell of a newborns scalp until, at last, we do give in. It is a surprise to me how much I want a baby, and unbeknownst to me, unpacking boxes in our beautiful new terrace in Footscray, I am hiding the beginnings of one.

* * *

Counting backward, I work out that Owen must have been conceived at or just after Rosh Hashanah, the Jewish New Year. New Year, new life: it should be an augury, but I am too nervous to invest the pregnancy with any special symbolism or significance. All I want, when I learn the news, is to make it through to Christmas, six weeks away; for this small ball of matter to become robust and staunch and truly embedded in the lining of his small but swelling home, and then I will believe it; then I will breathe out.

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