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Ammons - Briefings Poems Small and Easy

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Ammons Briefings Poems Small and Easy
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    Briefings Poems Small and Easy
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Briefings Poems Small and Easy: summary, description and annotation

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Briefings brings together more than eighty short lyrics that, as Harold Bloom writes, maintain an utterly consistent purity of detached yet radiant vision.

Bloom continues, There are other American poets since Stevens who have composed a handful of memorable poems, but only Ammons has begun to show us a whole poetic world. More than his contemporaries, he has perfected a voice that, to cite Emerson, is ready to render an image of every created thing.
David Kalstone says, The poems are, by and large, tough or wry meditations, striking out into strange landscapes, dreams or nightmares, which are seen with entire clarity, no blurring, as if this were the only way the mind could be unwound on the page. The book forms a journal of mental states, each poem finding a form and a scene for a very exact mental encounter of discovery. . . . Small and Easy is the way everything is finally made to seem, like the rarest dancing, in which briefly and...

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Contents
Guide
By the same author Ommateum Expressions of Sea Level Corsons Inlet Tape for - photo 1 By the same author Ommateum Expressions of Sea Level Corsons Inlet Tape for the Turn of the Year Northfield Poems Selected Poems Uplands
Briefings
Poems Small and Easy A. R. AMMONSBriefings Poems Small and Easy - image 2 W W NORTON & COMPANY INC NEW YORK Copyright 1971 by A. R. Ammons
FIRST EDITION Library of Congress Catalog Card No. 70-119696 ALL RIGHTS RESERVED Published simultaneously in Canada
by George J.

McLeod Limited, Toronto for John Logan Contents Adjusting type size may change line breaks. Landscape mode may help to preserve line breaks. Acknowledgments I thank the editors of the following periodicals for first publishing the poems listed: Poetry: Cougar, This Bright Day, September Drift, Working Still, Dominion, Treaties, Project, Play, Countering, Square, Reversal, Admission, Mission, Cut the Grass, Pluralist, Here & Now. The Hudson Review: After Yesterday, Father, Poetics, Making, Round, Gain, Concerning the Exclusions of the Object. The New York Times: Center, Mechanics, Saying, Crevice. Epos: Event, This Black Rich Country, Look for My White Self. Lillabulero: Tight, Autumn Song, Medium. Southern Poetry Review: Wagons, Working with Tools, The Run-Through. Abraxas: The Quince Bush, The Confirmers. Accent: Sumerian, Hymn IV. Choice: Spinejacking. Modern Occasions: The City Limits. NEW: A & C Poetry: The Makers. pebble: Doubling the Nerve. pebble: Doubling the Nerve.

The poems Center, Mechanics, Saying, and Crevice 1968, 1969 by The New York Times Company. Reprinted by permission.

Briefings
A bird fills up the streamside bush with wasteful song, capsizes waterfall, mill run, and superhighway to songs improvident center lost in the green bush green answering bush: wind varies: the noon sun casts mesh refractions on the streams amber bottom and nothing at all gets, nothing gets caught at all. A clover blossoms a province: actually: florets cluster helical villages with visible streets: down the main arteries a ways leaffarms produce common sustenance: the kingbee when all is ready visits and tries the yellow-doored purplish houses for virgin sweet, feeds in winged spells, rumples everything, and leaves behind not as a gift or feeseed, seed. A clown kite, my self rustles up to any gust: warps & whucks the wind: O my blustering orange and striped green immensities! I get sometimes so good tickled at my self I slip flat down and windless make no show of grief. After yesterday afternoons strungled clouds and white rain the mockingbird in the backyard untied the drops from leaves and twigs with a long singing.

A leaf fallen is fallen throughout the universe and from the instant of its fall, for all time gone and to come:

worlds jiggle in webs, drub in leaf lakes, squiggle in drops of ditchwater: size and place begin, end, time is allowed in events instant: away or at home, universe and leaf try to fall: occur.
A mountain risen in me I said this implacability must be met: so I climbed the peak: height shook and wind leaned I said what kind of country is this anyhow and rubbled down the slopes to small rock and scattered weed. A perspicuity like a sanctuary: against the pond a pavilion, led to by a glide of stairs, set right and accurately
gauged: the bobolink in the dusk bush says a closing say-so: bunkbunk the frog maintains and aims his lofty eyes: just above the brookfalls shaggy seams and rags, claritys chapel bodied by hung-in boughs: and widening out over the pond, the blown cathedral luminous with evening glass: I go out there and sit till difference and event yield to perfect composure: then the stars come out and question every sound, the brooks.
Applause is a shower to the watertable of self regard: in the downpour the watertables irrelevant but after the shower passes possibility takes on an extensive millimeter. Bees stopped on the rock and rubbed their headparts and wings rested then flew on: ants ran over the whitish greenish reddish plants that grow flat on rocks and people never see because nothing should grow on rocks: I looked out over the lake and beyond to the hills and trees and nothing was moving so I looked closely along the lakeside under the old leaves of rushes and around clumps of drygrass and life was everywhere so I went on sometimes whistling Branches broken, the clean meat at the branch knot turned out white, traveled by cleared white light: certain
consequences are irreversible, arrangements lost to deaths and blacks scavenging the sweet grain: well but weakness went sacrificed to the wind and the trees, clarified, compress rootstrength into remaining flesh and the leaves that shake in the aftermath shake in a safe, tested place.
Consider big-city tensions rurally unwound,
high-tension lines that loft through the countryside, give off wirelings and fine-up to houses cool as a single volt: there are so many ways to approach the problems: reproach: best of all the by-pass and set-aside: the intelligence has never been called for because as usually manifested its too formulated to swim unformulable realitys fall-out insistences: just think how woodsy roads shade spangled wind up big-city printed circuits: if the mind becomes what it sees or makes how it works I know which way Im headed: wont bushes bust us mild: wont the streams ravel us loose: wont we be untold by sweetwater tongues.
Currents figure you can see them they boil out of themselves & slice in from both sides a downward crease steady at the moving burial:
in the wind too you can feel them spell themselves along the arm, watch them against an elm or multiple on puddles: below speech mind figures motion, plunges or takes a turn: griefs a common form of going: its letters rise & spiel away expressly inexact.
Deprived like the cougar into heights
I knew huge air, rock burn, lightning, sun, ice, gained insouciance: bend, bend the stream called high: but I climbed higher knowing what takes rock away.
Dispossess me of belief: between life and me obtrude no symbolic forms:
grant me no mission: let my mystical talents be beasts in dark trees: thin the wire I limp in space, melt it with quick heat, let me walk or fall alone: fail me in all comforts: hide renown behind the tomb: withdraw beyond all reach of faith: leave me this black rich country, uncertainty, labor, fear: do not steal the rewards of my mortality.
Down by the bay I kept in mind at once the tips of all the rushleaves and so came to know balances cost and true: somewhere though in the whole field is the one tip I will someday lose out of mind and fall through. drought continuing the stems drop their leaves
healing hard the pulvinal scars and dangling buzzards drop to sleeps in ledge and cactus shade, to rockheld reservoirs of night and sidewinder from the stinging air holds his tongue I have come a long way without arriving torn songs up from the roots of weeds but made no silence sing: climbed the peak but found no foothold higher than the ground should I roll rocks down the slope to learn the thunder of my being: should I call out, echolocation fixing me against a certain wall: should I break a switch and whirling inscribe a circle round me to know my center and periphery the leaves drop: wolves thinning like moons run through scuds of sage: moon cloud shadows sail gulfs through a wild terrain
Earth, earth! day, this bright day againonce more showers of dry spruce gold, the poppy flopped broad open and delicate from its podonce more, all this again: Ive had many days here with these stones and leaves: like the sky, Ive taken on a color and am still: the grief of leaves, summer worms, huge blackant queens bulging from weatherboarding, all that will pass away from me that I will pass into, none of the grief cuts less now than everonly I have learned the sky, the day sky, the blue obliteration of radiance: the night sky, pregnant, lively, tumultuous, vastthe grief again in a higher scale of leaves and poppies: space, space and a grief of things. drought continuing the stems drop their leaves
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