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Ammons - Sphere: the Form of Motion

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Ammons Sphere: the Form of Motion
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    Sphere: the Form of Motion
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Sphere is the second of A.R. Ammonss long poems following Tape for the Turn of the Year and preceding Garbage that mark him as a master of this particular form. The sphere in question is the earth itself, and Ammonss wonderfully stocked mind roams globally, ruminating on subjects that range from galaxies to gas stations. It is a remarkable achievement, comparable in importance to Wallace Stevenss Notes Toward a Supreme Fiction.

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Contents
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By A R Ammons Ommateum Expressions of Sea Level Corsons Inlet Tape for the - photo 1 By A. R. Ammons Ommateum Expressions of Sea Level Corsons Inlet Tape for the Turn of the Year Northfield Poems Selected Poems Uplands Briefings Collected Poems: 1951 - 1971 (winner of the National Book Award for Poetry, 1973) Sphere: The Form of a Motion (winner of the 1973 - 1974 Bollingen Prize in Poetry) Diversifications The Snow Poems Highgate Road The Selected Poems: 1951 - 1977 Selected Longer Poems A Coast of Trees (winner of the National Book Critics Circle Award for Poetry, 1981) Worldly Hopes Lake Effect Country The Selected Poems: Expanded Edition Sumerian Vistas The Really Short Poems Garbage (winner of the National Book Award for Poetry, 1993) Sphere The Form of a Motion A R AMMONS Adjusting type size may change line breaks Landscape mode may - photo 2 A. R. AMMONS Adjusting type size may change line breaks Landscape mode may help to preserve - photo 3 Adjusting type size may change line breaks. Landscape mode may help to preserve line breaks.

Copyright 1974 by A. R. Ammons Reissued as a Norton paperback 1995 All rights reserved The Library of Congress has cataloged the printed edition as follows:
Ammons, A R 1926
Sphere: the form of a motion.
Poem.
I. Title.
PS3501.M6S6 811 .54 74-8124 ISBN 978-0-393-31310-9 ISBN 978-0-393-35717-2 (ebk.) W. W. 10110
W. W. W.

Norton & Company Ltd., 10 Coptic Street, London WC1A 1PU For Harold Bloom I went to the summit and stood in the high nakedness: the wind tore about this way and that in confusion and its speech could not get through to me nor could I address it: still I said as if to the alien in myself I do not speak to the wind now: for having been brought this far by nature I have been brought out of nature and nothing here shows me the image of myself: for the word tree I have been shown a tree and for the word rock I have been shown a rock, for stream, for cloud, for star this place has provided firm implication and answering but where here is the image for longing: so I touched the rocks, their interesting crusts: I flaked the bark of stunt-fir: I looked into space and into the sun and nothing answered my word longing: goodbye, I said, goodbye, nature so grand and reticent, your tongues are healed up into their own element and as you have shut up you have shut me out: I am as foreign here as if I had landed, a visitor: so I went back down and gathered mud and with my hands made an image for longing: I took the image to the summit: first I set it here, on the top rock, but it completed nothing: then I set it there among the tiny firs but it would not fit: so I returned to the city and built a house to set the image in and men came into my house and said that is an image for longing and nothing will ever be the same again Acknowledgments Sections 1 through 10 of this poem first appeared in Diacritics, Winter 1973, Vol. III, No. 4. My thanks for permission to reprint to the editor, David Grossvogel. Sections 71 and 72 appeared under the title Providences in Granite, Spring 1974. My thanks for permission to reprint to the editor, Anselm Parlatore.

I acknowledge with special pleasure and gratitude a faculty fellowship provided by the Society for the Humanities at Cornell University which enabled me to work for a year in the old Andrew D. White house and to finish this poem. Sphere The Form of a Motion

1
The sexual basis of all things rare is really apparent and fools crop up where angels are mere disguises: a penetrating eye (insight), a penetrating tongue (ah), a penetrating penis and withal a penetrating mind, integrations consummation: a com- or intermingling of parts, heterocosm joyous, opposite motions away and toward along a common line, the in-depth knowledge (a dilly), the concentration and projection (firmly energized) and the ecstasy, the pay off, the play out, the expended nexus nodding, the flurry, cell spray, finish, the haploid hungering after the diploid condition: the reconciler of opposites, commencement, proliferation, ontogeny:
2
often those who are not good for much else turn to thought and its just great, part of the grand possibility, that thought is there to turn to: camouflagy thought flushed out of the bush, seen vaguely as potential form, and pursued, pursued and perceived, declared: the savored form, the known possession, knowledge carnal knowledge: the seizure, the satiation: the heavy jaguar takes the burro down for a foreleg or so: then, the lighter, though still heavy, vultures pull and gulp: then, the tight-bodied black crows peck and scratch: then ants come out and run around the structure, picking bits: finally, least bacteria boil the last grease mild:
3
so the lessening transformers arrive at the subtle condition fine, the spiritual burro braying free, overwhelming the hairy, and so must we all approach the fine, our skinny house perpetual, where in total diminishment we will last, elemental and irreducible, the matter of the universe: slosh, slosh: vulnerability is merely intermediate: beyond the autopsy and the worm, the blood cell, protein, amino acid, the nervous atom spins and shines unsmirched: the total, necessary arrival, the final victory, utterly the total loss: were haplessly one way the wrong way on the runway: conglomerates, tongues or eyes or heel strings that keep us, wont keep: we want to change without changing
4
out of change: actually, the imagination works pretty diagrammatically into paradigm so one can see things: and then talk fairly tirelessly without going astray or asunder: for me, for example, the one-many problem figures out as an isoceles triangle (base: diversity and peak: unity) or, even, equilateral, some rigor of rising: and this is not to be distinguished from the center-periphery thing, in that if you cut out a piece of pie from the center-periphery circle, you have a triangle, a little rocky, but if you cut off the arc, it sits up good, as (peak: center: unity) and (base:periphery:diversity): actually, one could go even so far as (peak:center:symbol:abstraction), etc., and the other:
5
this works in the bedrock, too, or undifferentiated gas: one feels up the two legs of the possibility and, ever tightening and steered, rises to the crux, to find there the whole mystery, the lush squeeze, the centering and prolongation: so much so that the final stone never locks the peak but inlet: outlet opens unfolding into nothingnesss complete possibility, the strangling through into the darkness of futurity: it is hard at this point to avoid some feeling, however abstract the circumstance: if one can get far enough this way where imagination and flesh strive together in shocking splendors, one can forget that sensibility is sometimes dissociated and come:
6
I wouldnt be surprised if the radiance we talk about isnt that part of the structureless lust that rising from the depths gets by all the mechanisms of mediation and, left over, feels like religion, the heights visited; that is, the route from energy to energy without frigging, an untainted source with an untainted end: when the professor rises to require structure in the compositions, he invokes a woman: he wants shapeliness intact, figure shown forth: dirty old man hawking order and clarity: but if he would not be dark, what a brightness! though I am not enjoying the first day of spring very much, it is not with me as it is with my friend George, spending his first spring in the grave:
7
windbaggery, snag-gaggling, yakety-yak, fuss: if you dig a well, steen it well: earths fluid: it moves: any discontinuity imposed, opposing the normal intermingled sway, must be chocked full of resistance: and with a well, one cant count on the mechanisms that stay by yielding to the sway: but if a well, steened well, can stay, it can be caused to bring together the truly fluid from the so-so: precise imposition leading to separation, an unmuddling of clarity, a purification and cleansing invested with identity: from bunkum and hoarse gol-danging surgical nicety can remove a truths modest pleasantry: between the mixtures and distinctions, what is economy to prefer: a cheap bulk of
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