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Greenfield - S.t.p.: a Journey Through America with the Rolling Stones.

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Greenfield S.t.p.: a Journey Through America with the Rolling Stones.
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S.t.p.: a Journey Through America with the Rolling Stones.: summary, description and annotation

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The classic insiders account of the Rolling Stones legendary 1972 STP tour: The best book ever written about the Stones, if not music in general.--Independent.

Greenfield: author's other books


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Praise for
S.T.P: A Journey Through America with the Rolling Stones

The best book ever written about the Stones, if not music in generalThe Independent

Unsparing in its picture of the calculation and lyrical decadence behind the tour.John Rockwell, New York Times

Their famously excessive 1972 tour: Greenfield had complete access and doesnt hesitate to reveal Jagger and Co in all their whingeing glory!The Guardian

Exceptionally well written and highly readable.LA. Times

Skip this review and rush right down to your local bookstore and get a copy.... Reads like the best fiction.Creem

A compelling account of the Stones trashing America during 1972.... Greenfield was allowed the kind of access journalists can only dream of today.The Times of London

Greenfield excels in describing the cocoon in which the band existed whisked from plane to hotel to stage to party.Q (four stars)

Panoramic and rich with impressions.Time Out / London

Filled with finely-rendered detail... Captures the moment when rock debauchery went mainstream.Mojo

One of the greatest rock books ever written.Ian Rankin

S.T.P
A Journey Through America with
the Rolling Stones

ROBERT GREENFIELD

Copyright 1974 2002 by Robert Greenfield All rights reserved No part of - photo 1

Copyright 1974, 2002 by Robert Greenfield

All rights reserved. No part of this publication may be reproduced, stored in a retrieval system, or transmitted, in any form or by any means, electronic, mechanical, photocopying, recording, or otherwise, without the prior written permission of the publisher. Printed in the United States of America.

Cataloging-in-Publication data for this book is available from the Library of Congress.
ISBN 10-306-81199-5 ISBN-13: 978-0-306-81199-9
First Da Capo Press edition 2002
Reprinted by arrangement with the author

Grateful acknowledgment is made for permission to reprint from the following:
A Moveable Feast by Ernest Hemingway. Copyright 1964 by Ernest Hemingway, Ltd. Reprinted by permission of Charles Scribners Sons.
Steppenwolfby Hermann Hesse. Translated by Basil Creighton. Copyright 1929,
1957 by Holt, Rinehart and Winston, Inc. Reprinted by permission of Holt,
Rinehart and Winston, Inc.

Portions of this book appeared in different form in Rolling Stone.

Published by Da Capo Press
A Member of the Perseus Books Group
http://www.dacapopress.com

Da Capo Press books are available at special discounts for bulk purchases in the U.S. by corporations, institutions, and other organizations. For more information, please contact the Special Markets Department at the Perseus Books Group, 11 Cambridge Center, Cambridge, MA 02142, or call (800)255-1514 or (617)252-5298, or e-mail .

For Michael H., who was the child of us all.

This is to thank Jerry in San Francisco, Joel in the Canyon, Mol-lie and Manny in Brooklyn, and Jeff and Sammy in London for letting me live in their homes when I didnt have one of my own. This is to acknowledge the folks who told the truth when you asked them a question.

Closer to home, Id like to congratulate the Pacific Grove All-Stars and all their ladies for their on-the-court attitude and Don and Margo in particular, for theirs off. Finally, Id like to thank Janice for keeping me dry through the wettest winter in eighty-three years.


Music does not depend on being right, on having good taste and education and all that.
Indeed, then what does it depend on?
On making music, Herr Haller, on making music as well and as much as possible and with all the intensity of which one is capable. That is the point, Monsieur.

HERMANN HESSE, STEPPENWOLF

Preface to the 2002 Edition

Having labored for lo these thirty years to see this book in print once more in the U.S. of A., it is with great pride and immense personal pleasure that I hereby introduce the gala 2002 edition of S.T.P: A Journey Through America with the RollingStones. Not that they have ever needed my help to sell a ticket, but even as I write, the Stones themselves are about to tour our fair nation yet again in the name of sex and drugs and rock n roll, not to mention also the occasional cheeseburger with fries to go. Despite all that has changed in America and the world since this volume first saw the light of day, it would seem that some things in fact never do change. At least not all that much.

As fossilized as the Stones themselves may have now become (and let me say right here and now that as a concept, Sir Mick makes no sense at all), in the year of our Lord nineteen hundred and seventy-two, rock itself was only just becoming a business. On their previous tour of the United States in 1969, the Stones had careened from one gig to another like a band of gypsies in the night, never starting any show on time. Accurately, they reflected the utter chaos then rampant throughout the nation.

It was no accident that the 1969 tour culminated in the disastrous free concert at Altamont. As a rule of thumb, when you hire the Hells Angels for security and then pay them with cases of beer, you will almost always get what Bill Graham, rocks greatest promoter, called the Pearl Harbor of rock. Although the Stones left America after that tour with more money than they had ever made before, they spent the next three years explaining just how it was that a young black man named Meredith Hunter was stabbed to death directly in front of the stage, an event recorded in chilling fashion in the documentary Gimme Shelter.

By 1972, the counterculture itself, if not yet conclusively dead, was definitely ailing. While most of those who came to see the Stones were still under the age of twenty-five, the not-so-hidden agenda behind this particular tour was to mend fences everywhere while proving that the boys themselves were not so much despicable outlaws as moneyed exiles on Main Street who could in fact still rock with the best of them. That they did this in superior fashion while also introducing Stevie Wonder to predominantly white audiences throughout the South is, I believe, well documented in what you are about to read.

Strange as it may now seem, S.T.P: A Journey ThroughAmerica with the Rolling Stones was in fact the very first full-length book ever published about a rock n roll tour. Those times being what they were, no one expected those who loved the Stones to rush out to buy this volume. They were too busy getting high and listening to Exile On Main Street. Which is why only fifteen hundred hardback copies and thirty-five hundred trade paperback copies were ever printed.

As the years went by, the book acquired an odd kind of cult status of its own. Hard to find, it became a collectors item on both sides of the Atlantic. It was not until I went out to publicize Bill Graham Presents: My Life Inside Rock and Out some twenty years later (Id had my first real conversation with Bill while interviewing him for this book) that I began meeting people who told me how much S.T.P. had meant to them during their teenage years. From what I could gather, no volume without explicit sex scenes on every other page had ever been stolen from more public libraries. For a more sincere tribute, I could not possibly ask. I only wish that some of the friends to whom I gave signed first editions hadnt lost them in the divorce, when the earthquake struck, or when the commune split up, man.

But then thirty years cannot pass without some significant changes along the way. In terras of the Stones themselves, Mick Taylor and Bill Wyman are no longer in the band. Having left of their own accord, both are still around. Had anyone told me thirty years ago that Ian Stewart, the Stones original piano player, whose drugs of choice (in order of preference) were red meat, single malt whiskey, and golf would be long dead while Keith Richard, he of the lifestyle that chal-lengeth human endurance, would not only be alive and well but living much like Uncle Wiggily in Connecticut, I would have laughed myself sick and then gone out looking for yet another party after the show.

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