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Barker - Barker: Plays One

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Barker Barker: Plays One

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Includes the plays Victory, The Europeans, The Possibilities and Scenes From An Execution.

Howard Barker is one of the most significant and controversial dramatists of his time. His plays challenge, unsettle and expose. These plays are among his best-known works, and their energy, poetic language and imagination have fixed them firmly in the international repertoire.

Exploring the tragic form defined by Barker as Theatre of Catastrophe, three of the plays speculate on human behaviour in moments of historical crisis. Victory is set in the English Civil War and follows the ethical voyage of a widow towards personal reconstruction. The Europeans takes one of the great eruptions of Islamic imperialism as the background for a young womans insistence on her right to her own identity. Scenes from an Execution shows the struggle of an independently-minded artist against the power of the Venetian state.

The Possibilities, a disturbing series of short plays set in various times...

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BARKER PLAYS ONE Howard Barker PLAYS ONE VICTORY THE EUROPEANS THE - photo 1

BARKER PLAYS ONE

Picture 2

Howard Barker

PLAYS ONE

VICTORY
THE EUROPEANS
THE POSSIBILITIES
SCENES FROM AN EXECUTION

OBERON BOOKS
LONDON

First published in this collection in 2006 by Oberon Books Ltd
Reprinted in 2010 by Oberon Books Ltd
521 Caledonian Road, London N7 9RH
Tel: +44 (0) 20 7607 3637 / Fax: +44 (0) 20 7607 3629

e-mail:
www.oberonbooks.com

Reprinted in 2010, 2011, 2012

Collection copyright Howard Barker 2006

The Possibilities first published in Great Britain by John Calder (Publishers) Limited in 1987

Victory and Scenes from an Execution first published in Great Britain by John Calder (Publishers) Limited in 1990

The Europeans first published in Great Britain by John Calder (Publishers) Limited in 1996

Copyright Howard Barker 1977-1990, 1996, 2006

Howard Barker is hereby identified as author of these plays in accordance with section 77 of the Copyright, Designs and Patents Act 1988. All rights reserved.

All rights whatsoever in these plays are strictly reserved and application for performance etc. should be made before rehearsal to Judy Daish Associates Ltd, 2 St Charles Place, London W10 6EG. No performance may be given unless a licence has been obtained, and no alterations may be made in the title or the text of the plays without prior written consent.

This book is sold subject to the condition that it shall not by way of trade or otherwise be circulated without the publishers consent in any form of binding or cover or circulated electronically other than that in which it is published and without a similar condition including this condition being imposed on any subsequent purchaser.

A catalogue record for this book is available from the British Library.

ISBN: 978-1-84002-612-2

EPUB ISBN: 978-1-84943-331-0

Cover image and design: Dan Steward

Printed and bound by CPI Group (UK) Ltd, Croydon, CR0 4YY.

Visit www.oberonbooks.com to read more about all our books and to buy them. You will also find features, author interviews and news of any author events, and you can sign up for e-newsletters so that youre always first to hear about our new releases.

Contents
VICTORY
Choices in Reaction
Characters

BRADSHAW, the Widow of a Polemicist
SCROPE, a Secretary
CHARLES STUART, a Monarch
NODD, his Intimate Friend
DEVONSHIRE, a Mistress
BALL, a Cavalier
McCONOCHIE, a Surgeon
CROPPER, Daughterof Bradshaw
BOOT, a Soldier
SHADE, a Soldier
WICKER, a Soldier
DARLING, a Soldier
GAUKROGER, a Captain
ROAST, a Civil Servant
CLEGG, the Poet Laureate
SOUTHWARK, a Male Landowner
CLEVELAND, a Female Landowner
PONTING, a Court Official
HAMPSHIRE, a Male Landowner
BRIGHTON, a Female Landowner
SOMERSET, a Male Landowner
DERBYSHIRE, a Male Landowner
GLOUCESTERSHIRE, a Male Landowner
FEAK, a Republican
PYLE, a Republican Woman
EDGBASTON, a Radical Preacher
HAMBRO, a Banker
MOBBERLEY, a Builder
PARRY, a Stockbroker
UNDY, an Exporter
STREET, a Lawyer
MONCRIEFF, a Minister
GWYNN, a Prostitute
FOOTMAN, to Devonshire
MILTON, a Genius
BEGGARS

ACT ONE
SCENE ONE

A field. A man enters.

SCROPE: I know I swore. I know I promised. On the Bible. And because I can take or leave the Bible, got your child in and told me put my two hands on her cheeks and looking in her eyes say I would not disclose this place. No matter what the madness, what the torture, leave you underneath the nettles, safe. I did. I know I did.
(He points to a place. SOLDIERS enter with spades.)

BOOT: A scythe, John!

SHADE: Oh, the cunning of im, oh, the artfulness, sneakin is bits under the lush at night...

BOOT: Mind the thistles.

WICKER: Now tell us e is twelve foot deep.

SCROPE: Twelve feet at least...

WICKER: Twelve foot, Michael! And the sun like the bald bakers bollocks!

BOOT: (To DARLING.)No, a scythe, you know a scythe, do you?
(DARLING goes out.)

WICKER: Ow! Thistle got me!

SHADE: This is nothin to what we ave ad, is it? Draycott was under fifteen ton a rock.

BOOT: At low water.

SHADE: At low water. We was in and out like the mad vicars dick.

BOOT: (To DARLING.) Thank you. That is a scythe.

SHADE: An Rouse, who ad imself stuck in the street, alf in the pavement, alf in a shop

BOOT: (Scything.) Mind yer legs!

GAUKROGER: I wonder if one of you cunts would condescend to fetch my stool? In your own time, of course, at your very own cunt leisure?

BOOT: Captains stool, John!
(DARLING hurries out.)

GAUKROGER: I hate to trouble you cunts, I honestly do.

SHADE: This draper says, What! The corpse of a rebel under my shop! Well, I never! ow did that come about! So we go through is bedrooms, an is trunks, an is girls. And there it is. Milton. Latin dirt.

GAUKROGER: (As DARLING brings in a stool.) Thank you. I have commanded some cunts, but you take the cunt biscuit.

SHADE: So we slit it, this drapers long nose. For misuse of the highway. Well I never! Well, I never! e says...

BOOT: (Scything.) Mind yer legs.

GAUKROGER: A stool, Mr Scrope? These cunts will be at it all day.
(SCROPE shakes his head.)
Who had my sunshade?
(They are digging.)
My sunshade?
(The clash of shovels.)
I do love the way they pretend to be deaf. They really are such extraordinary cunts.

BOOT: Captains sunshade!
(DARLING goes out.)

GAUKROGER: We never had one out of a field. Under the whispering cow shit and adulterous hips. Gob open to clay and the milkmaids hot little puddle. But in sight of church steeple, I notice. How picturesque he was and diligent. Was he, Mr Scrope? Cunt picturesque your master?
(SCROPE bursts into tears.)
The files are such cunts here. Would one of you run for a whisk?

SCENE TWO

A room. A WOMAN and two OFFICERS of the crown.

BRADSHAW: I am not asking you to sit. If I ask you to sit you will think at least she has good manners, at least shedoes things properly, she keeps things clean. I do not wish to do things properly or keep them clean. What do you want?

ROAST: I have to inform you

BALL: Oh, the pontificating shitbag

ROAST: I am instructed by His Majestys

BALL: Oh, the pontificating shitbag

ROAST: May I just get this

BALL: No, she is though, isnt she, a most pontificating bag of shit, Brian

ROAST: If I could just

BALL: Laying aside the instructing and informing for a minute, you have to marvel at her poopy aspect. I do. I have to marvel at it, all her straight back and white linen, her simple dignity and so on, it makes me want to kick the table through the window

ROAST: I cannot see the point of making this

BALL: I havent finished yet!
(He goes to her.)
Brian is for being nice. Brian is ice cold and happy. But Brian never swagged his hours with the bints of Calais. I will be rude because I have lost fifteen years! Oh, my breath smells, my breath smells and she winces! Yours does not, does it, breathe on me, breathe on me

ROAST: Andrew

BALL: Oh, breathe on me your English breath, sweeter than roses, but then you have had English gardens to wipe your rump against, I have not but I am not angry, no, Im not, I have licked Frenchmens bums for nourishment and Spaniards crotches! Breathe on me, breathe on me, do, when you stand there icy in your purity I could really dagger you with my old cavalier dick, that or murder, carry on informing, Billy.

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