Long Days Journey Into Night
Foreword copyright 2014 by Jessica Lange.
Multimedia edition, including notes, chronology, essays, and bibliography, copyright 2016 by William Davies King.
Long Days Journey Into Night copyright as an unpublished work 1955 by Carlotta Monterey ONeill.
Copyright 1955 by Carlotta Monterey ONeill. First published February 1956. Copyright renewed 1984 by Yale University. Corrected edition copyright 1989 by Yale University.
All rights reserved.
This book may not be reproduced, in whole or in part, including illustrations, in any form (beyond that copying permitted by Sections 107 and 108 of the US Copyright Law and except by reviewers for the public press), without written permission from the publishers.
Yale University Press books may be purchased in quantity for educational, business, or promotional use. For information, please e-mail (UK office).
Frontispiece: Eugene ONeill in 1939, at the time of writing Long Days Journey Into Night (Photo Horace Bristol/Corbis. Louis SheafferEugene ONeill Collection, Linda Lear Center for Special Collections & Archives, Connecticut College)
Library of Congress Control Number: 2013956573
ISBN: 978-0-300-18641-3 (pbk.)
ISBN: 978-0-300-21432-1 (multimedia edition)
CAUTION: Professionals and amateurs are hereby warned that Long Days Journey Into Night, being fully protected under the copyright laws of the United States of America, the British Commonwealth, including Canada, and all other countries of the copyright union, is subject to royalties. All rights, including professional and amateur performance, motion picture, recitation, public reading, radio broadcasting, and the rights of translation into foreign languages, are strictly reserved. All inquiries regarding production rights to this play should be addressed to International Creative Management (ICM), 730 Fifth Ave., New York, NY 10019, Attn. Val Day. All other inquiries should be addressed to Yale University, Office of the General Counsel, PO Box 208255, New Haven, CT 065208255.
THE EUGENE ONEILL COLLECTION was founded at the Yale University Library in 1931 by Carlotta Monterey ONeill. It includes notes, photographs, and the manuscripts of plays, among them LONG DAYS JOURNEY INTO NIGHT. All royalties from the sale of the Yale editions of this book go to Yale University for the benefit of the Eugene ONeill Collection, for the purchase of books in the field of drama, and for the establishment of Eugene ONeill Scholarships in the Yale School of Drama.
Contents
How to Use This Multimedia Edition
The multimedia edition of Long Days Journey Into Night offers many ways to explore the play and its history.
Interactive Links
Tapping highlighted text takes you to notes that offer more information on characters, locations, historical and biographical context, literary allusions, and previous drafts of the play. To return to the play after reading a note, click the header phrase at the top of the note.
with exclusive rehearsal footage and clips from a full performance.
Illustrations
To enlarge any of the many illustrations scattered throughout this edition, double-click the image. To return to the text, click the X in the upper left or right of the illustration window.
Audio
Hear ONeill Read This Scene
Act 4 of the play includes three audio recordings of Eugene ONeill reading key scenes. Click the play button to hear the recordings, and page through the e-book to follow along with the corresponding text.
Video
EXPLORE THIS SCENE
The multimedia edition includes videos of scenes performed in rehearsal, scenes performed in a live production of the play, and walkthroughs of the homes that Eugene ONeill lived and worked in. You must be connected to the Internet to watch these videos. To watch a video, tap on the center of the video still and you will be taken to an Internet browser. Then press play in the video player in your browser.
To return to the play after watching a video, follow these device-specific instructions:
On Apple devices:
Tap the Back to iBooks link at the top of the browser window to return to your place in the e-book. (If you do not see this link, double-click the Home button on your iPad to return to iBooks.)
On Kindle Fire devices:
Tap the back arrow at the bottom of the browser window to return to your place in the e-book.
Notes on Classroom Use
We encourage teachers to project the videos and audio from the e-book to a larger screen for classroom use. For Apple products, Apple TV is a great way to share your screen. You may also consider opening the e-book in iBooks and projecting your screen through your whiteboard or projector. For Amazon Kindle devices, we suggest opening the e-book through the Kindle app on your PC and using standard connections with your whiteboard or projector. If you have further technical questions, please contact us at .
Illustrations, Videos, and Audio
Illustrations
Videos
Audio
Foreword
Jessica Lange
Jessica Lange and Paul Nicholls in Long Days Journey Into Night, November 17, 2000. Rune Hellestad/CORBIS.
I had the opportunity of doing a production of Long Days Journey Into Night in London some years ago. There are roles that arrive like gifts. Given and received. Mary Tyrone was that. No part I have played on stage or in film has ever captured me more. Actors can fall in love with characters they play, obsess over them, cling to them... sometimes were haunted by them.
I loved Mary Tyrone. I longed to get to the theater each evening so I could experience her. So I could lose myself in her. The part of Mary Tyrone is a bottomless well. Impossible to exhaust.
We went into rehearsals in late fall and played through the long winter of 20002001. London is the perfect setting to experience this masterful play. The gloom and dampness, the fog and the grayness mirror the atmosphere of the play.
Our set was more dreamlike than what ONeill describes in the stage directions. It had a ghostly feel, more memory than reality. As the light moved east to west across the stage during the course of the long day, the fog seemed to seep through the walls. The foghorn a constant reminder of old sorrows... a plaintive, haunting refrain.
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