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Kenyon - Constance

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Kenyon Constance

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On the Road -- A Warm Summer -- The Place Where we Were Naked -- City Life -- 2X2X2 -- A Comforting Immensity -- A Sort of Rapture -- On the Avenue -- Snow -- Residential -- Good Work -- Out West -- Show Business -- Ocean Brine -- Never Expected to be There.;Poets include: Virginia Hamilton Adair -- Rick Agran -- Debra Allbery -- Ellen Bass -- Jeffrey Bean -- June Beisch -- Wendell Berry -- George Bilgere -- Michael Blumenthal -- Robert Bly -- Laure-Anne Bousselaar -- Jon Bowerman -- Marcia F. Brown -- Philip Bryant -- David Budbill -- Charles Bukowski -- Reid Bush -- Julie Cadwallader-Staub -- Gabrielle Calvocoressi -- Raymond Carver -- Johnny Cash (Folsom Prison Blues) -- Michael Chitwood -- Amy M. Clark -- Billy Collins -- Nancy Couto -- Barbara Crooker -- Edward Denham -- Kate DiCamillo -- Emily Dickenson -- Kirsten Dierking -- Gregory Djanikian -- Susan Donnelly -- Stephen Dunn -- Ralph Waldo Emerson (The Snowstorm) -- Patricia Fargnoli -- Lawrence Ferlinghetti -- Edward Field -- James Finnegan -- Chris Forhan -- Sarah Freligh -- David Lee Garrison -- Dobby Gibson -- Allen Ginsberg (A strange new college in Berkeley) -- Dana Gioia -- Natalie Goldberg -- Charles Goodrich -- Alvin Greenberg -- Linda Gregg -- John Haag -- John Haines -- Donald Hall -- Barbara Hamby -- Patricia Hampl -- W.C. Handy (Beale Street Blues) -- Phebe Hanson -- C.G. Hanzlicek -- Frances Ellen Watkins Harper -- Jim Harrison -- Robert Hass -- Linda M. Hasselstrom -- Tom Hennen -- Nancy Henry -- Edward Hirsch -- John Hollander -- Bill Holm -- Garrett Hongo -- Marie Howe -- David Huddle -- Robinson Jeffers -- Louis Jenkins -- Gary Johnson -- Rodney Jones -- Jessica Joyce.;An anthology of poetic works celebrates the American landscape with diverse selections by such contributors as Nikki Giovanni, William Carlos Williams, and Naomi Shihab Nye.;Julia Kasdorf -- Meg Kearney -- Jane Kenyon -- Galway Kinnell -- August Kleinzahler -- William Kloefkorn -- Ron Koertge -- Ted Kooser -- Maxine Kumin -- Donald Justice -- Charlie Langdon -- Gary L. Lark -- Dorianne Laux -- Emma Lazarus (Long Island Sound) -- Eleanor Lerman -- Philip Levine -- Brad Leithauser -- Gerald Locklin -- Jeanne Lohmann -- Henry Wordsworth Longfellow -- Phillip Lopate -- Freya Manfred -- Dan Masterson -- Sebastian Matthews -- William Matthews -- Linda McCarriston -- Dawn McDuffie -- Wesley McNair -- W.S. Merwin -- Corey Mesler -- Carolyn Miller -- Mark J. Mitchell -- Robert Morgan -- Malena Mrling -- Howard Moss -- Howard Nemerov -- William Notter -- Naomi Shihab Nye -- Debra Nystrom -- Sharon Olds -- Sheila Packa -- Grace Paley -- Greg Pape -- Linda Pastan -- Alice N. Persons -- Marge Piercy -- Katha Pollitt -- Barbara Ras -- James Reiss -- Kenneth Rexroth -- Theodore Roethke -- John Santayana -- May Sarton -- Ellie Schoenfeld -- Philip Schultz -- Anne Sexton -- Harvey Shapiro -- Faith Shearin -- Julie Sheehan -- Deborah Slicer -- W.D. Snodgrass -- Gary Snyder -- William Stafford -- Ellen Steinbaum -- Terry Stevenson -- Joseph Stroud -- Joyce Sutphen -- May Swenson -- James Tate -- Sara Teasdale -- James Tracy -- David Tucker -- John Updike -- Mona Van Duyn -- David Wagoner -- Ronald Wallace -- Julene Tripp Weaver -- Fred Weil Jr. -- Walt Whitman -- Reed Whittemore -- Anne Pierson Wiese -- C.K. Williams -- William Carlos Williams -- Christopher Wiseman -- Vincent Wixon -- Constance Fenimore Woolson -- Baron Wormser -- Charles Wright -- James Wright -- Kevin Young.

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Constance

(1993)

poems

by

JANE KENYON

Constance

(1993)

Perkins, ever for Perkins

From Psalm 139

O Lord, thou hast searched me...

Whither shall I go from thy spirit?

or whither shall I flee from thy presence?

If I ascend up into heaven, thou art there:

if I make my bed in hell, behold, thou art there.

If I take the wings of the morning,

and dwell in the uttermost parts of the sea;

Even there shall thy hand lead me,
and thy right hand shall hold me.

If I say, Surely the darkness shall cover me;
even the night shall be light about me.

Yea, the darkness hideth not from thee;
but the night shineth as the day:
the darkness and the light are both alike to thee...

I

The Progress of the Beating Heart

August Rain, after Haying

Through sere trees and beheaded
grasses the slow rain falls.

Hay fills the barn; only the rake
and one empty wagon are left
in the field. In the ditches
goldenrod bends to the ground.

Even at noon the house is dark.
In my room under the eaves
I hear the steady benevolence
of water washing dust
raised by the haying
from porch and car and garden
chair. We are shorn
and purified, as if tonsured.

The grass resolves to grow again,
receiving the rain to that end,
but my disordered soul thirsts
after something it cannot name.

The Stroller

1949

It was copen blue, strong and bright,
and the metal back looked like caning
on a chair. The peanut-shaped tray
had a bar with sliding beads:
red, yellow, blue, green, white.

It was hard for Mother to push the stroller
on the sandy shoulders of the road.

Sitting in the stroller

in the driveway of the new house

on a morning in early spring, trees

leafing out, I could hear cows

lowing in their stalls across the road,

and see geese hissing and flapping

at a sheep that wandered too close

to the goslings. From the stroller I surveyed

my new domain like a dowager queen.

When something pleased me I kicked

my feet and spun the bright beads.

Spittle dropped from my lower lip
like a spider plunging on its filament.

1991

Mother is moving; were sorting
through fifty years accumulations
a portfolio of Fathers drawings
from his brief career in Architecture
School, exercises in light and shadow,
vanishing point; renderings of acanthus

cornices, gargoyles....Then I come upon
a drawing of my stroller, precisely to scale,
just as I remember it.

And here is a self-portrait, looser,
where he wears the T-shirt whose stripes
I know were red and white
although the drawing is pencil.

Beside Father, who sits in a blue chair

that I remember, by a bookcase I remember,

under a lamp I remember, is the empty stroller.

1951

He was forty-seven, a musician

who took other jobs to get by,

a dreamer, a reader, a would-be farmer

with weak lungs from many pneumonias

and from playing cocktail piano

late in smoky bars. On weekend mornings

we crept around so he could sleep until ten.

When he came home from his day-job
at the bookstore, I untied his shoes.

I waited all day to untie them,
wanting no other happiness. I was four.

Fie never went to town without a suit
and tie, a linen handkerchief
in his pocket, and his shoes
were good leather, the laces themselves
leather. I loved the rich pungency
of his brown, well-shined, warm shoes.

1959

Mother took in sewing.

One by one Ann Arbors bridge club
ladies found her. They pulled into our drive
in their Thunderbirds and Cadillacs
as I peered down between muslin curtains
from my room. I lay back on the bed, thinking
of nothing in particular, until they went
away. When I came downstairs the scent
of cigarettes and perfume persisted in the air.

One of them I liked. She took

her two dachshunds everywhere

on a bifurcated leash; they hopped comically

up the porch steps and into our house.

She was Italian, from Modena, displaced,
living in Ann Arbor as the wife
of a Chrysler executive. She never wore
anything but beige or gray knits.

She was six feet tall and not ashamed of it,
with long, loose red hair held back
by tortoiseshell combs. She left cigarette
butts in the ashtray with bright red
striated crescents on them.

She was different from the others,
attached to my mother in the way
European women are attached
to their dressmakers and hairdressers.

When she traveled abroad

she brought back classical recordings
and perfume. I thought I would not mind
being like Marcella, though I recognized
that she was lonely. Her husband traveled
frequently, and she had a son
living in Florence who never came home.

His enterprises were obscure....

Marcella had her dogs, her solitude,
her eleganceat once sedate and slightly
wildand, it seemed, a new car every time
the old one got dirty, a luxury
to which she seemed oblivious.

1991

Disturbed but full of purpose, we push
Fathers indifferent drawings into the trash.
Mother saves the self-portrait and the acanthus
cornice. I save only the rendering
of the stroller, done on tracing paper, diaphanous.

Looking at it

is like looking into a mirror

and seeing your own eyes and someone elses

eyes as well, strange to you

but benign, curious, come

to interrogate your wounds, the progress

of your beating heart.

The Argument

On the way to the village store
I drive through a downdraft
from the neighbors chimney.

Woodsmoke tumbles from the eaves
backlit by sun, reminding me
of the fire and sulfur of Grandmothers
vengeful God, the one who disapproves
of jeans and shorts for girls,
dancing, strong waters, and adultery.

A moment later the smoke enters

the car, although the windows are tight,

insinuating that I might, like Judas,

and the foolish virgins, and the rich

young man, have been made for unquenchable

fire. God will need something to burn

if the fire is to be unquenchable.

All things work together for the good
for those who love God, she said
to comfort me at Uncle Hazens funeral,
where Father held me up to see
the maroon gladiolus that trembled
as we approached the bier, the elaborate
shirred satin, brass fittings, anything,

oh, anything but Uncles squelched
and made-up face.

No! NO! How is it good to be dead?

I cried afterward, wild-eyed and flushed.

Gods ways are not our ways,

she said then out of pity

and the wish to forestall the argument.

Biscuit

The dog has cleaned his bowl
and his reward is a biscuit,
which I put in his mouth
like a priest offering the host.

I cant bear that trusting face!
He asks for bread, expects
bread, and I in my power
might have given him a stone.

Not Writing

A wasp rises to its papery
nest under the eaves
where it daubs

at the gray shape,
but seems unable
to enter its own house.

Windfalls

The storm is moving on, and as the wind
rises, the oaks and pines let go
of all the snow on their branches,
an abrupt change of heart,
and the air turns utterly white.

Woooh, says the wind, and I stop
where I am, put out my arms
and look upward, allowing
myself to disappear. It is good
to be here, and not here....

I see fresh cloven prints
under the apple tree, where deer come
nosing for windfalls. They must be

near me now, and having stopped

when I stopped, begin to move again.

II

Tell me how to bear myself...

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