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Cormier - Beyond the Chocolate War

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    Beyond the Chocolate War
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Beyond the Chocolate War: summary, description and annotation

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The school year is almost at an end, and the chocolate sale is ancient history. But no one at Trinity School can forget the Chocolate War. Devious Archie Costello, commander of the secret school organization called the Vigils, still has some torturous assignments to hand out before he graduates. In spite of this pleasure, Archie is troubled that his right-hand man, Obie, has started to move away from the Vigils. Luckily Archie knows his stooges will fix that. But Obie has some plans of his own--Publisher.

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NOVELS BY ROBERT CORMIER After the First Death Beyond the Chocolate War - photo 1
NOVELS BY ROBERT CORMIER

After the First Death

Beyond the Chocolate War

The Bumblebee Flies Anyway

The Chocolate War

Eight Plus One

Fade

Frenchtown Summer

Heroes

I Am the Cheese

In the Middle of the Night

The Rag and Bone Shop

Tenderness

Tunes for Bears to Dance To

We All Fall Down

Published by Dell Laurel-Leaf an imprint of Random House Childrens Books a - photo 2

Published by
Dell Laurel-Leaf
an imprint of
Random House Childrens Books
a division of Random House, Inc.

, two lines from The laws of God, the laws of man, from THE COLLECTED POEMS OF A . E . HOUSMAN . Copyright 1922 by Holt, Rinehart and Winston. Copyright 1950 by Barclays Bank Ltd. Reprinted by permission of Holt, Rinehart and Winston, Publishers.

Text copyright 1985 by Robert Cormier

Cover illustration copyright by Victor Stabin

All rights reserved. No part of this book may be reproduced or transmitted in any form or by any means, electronic or mechanical, including photocopying, recording, or by any information storage and retrieval system, without the written permission of the Publisher, except where permitted by law. For information address Alfred A. Knopf, Inc., 1540 Broadway, New York, New York 10036.

The trademark Laurel-Leaf Library is registered in the U.S. Patent and Trademark Office.
The trademark Dell is registered in the U.S. Patent and Trademark Office.

Visit us on the Web! www.randomhouse.com/teens

Educators and librarians, for a variety of teaching tools, visit us at www.randomhouse.com/teachers

eISBN: 978-0-307-83426-3

RL: 6.4

v3.1

TO MARILYN E. MARLOW

with thanks for always believing in me

Contents
PART ONE

R ay Bannister started to build the guillotine the day Jerry Renault returned to Monument.

There was no connection between the two events. In fact, Ray Bannister didnt even know Jerry Renault existed. The truth of the matter is that Ray began to construct the guillotine out of sheer boredom. More than boredom: loneliness, restlessness. He was a newcomer to Monument and to Trinity High. He hated bothwell, maybe hate was too strong a word, but he had found Monument to be a dull and ugly mill town of drab tenement houses and grim factories, with no class at all, a terrible contrast to Caleb, the resort village on Cape Cod where hed grown up with beach sand between his toes and salt spray stinging his cheeks. Trinity was a suffocatingly small school, filled with guys who were suspicious of strangers or, at the very least, unfriendly. The Headmaster and the teachers were brothers, those strange people who wore stiff white collars but werent quite priests and yet werent quite like ordinary men. Rays father insisted that brothers made the ideal teachers, dedicated and loyal to education. They have nothing to distract them, his father said. They dont have to worry about earning a big salarythe Order takes care of all their needsand they dont have wives or children to support, except maybe a girl friend or two in these crazy, liberal times. That last remark was supposed to pass for wit: Ray Bannisters father was renowned for his wit at cocktail parties, but Ray, frankly, didnt find him amusing at all. Particularly since hed accepted the company promotion that meant a transfer from the Cape to this rotten city in the middle of New England.

Ray had always been a loner, even on the Cape, where he had spent long hours roaming the beaches and dunes or sailing his beloved skiff in the warm waters south of Caleb. In a fit of disgust and disillusionment, hed practically given his boat away, sold it for a quarter of its worth to Joe Scerra, his best friend in Caleb. Ray had built the boat himself, lovingly, knew every section and area of its surface just as he knew the tone and texture of his own body.

Monument looked as if sailing weather didnt exist. Snow melted on the Cape as soon as it kissed the land; Ray was dismayed to find Monument covered with the dirty rags of old snow when he arrived in February. The landscape of city streets was bleak and forbidding, like a movie set from one of those old late-night films about the Depression. Lonely, unable to make friends at Trinity and not really trying very hard, Ray pursued his interest in magic. His father, who had been an amateur magician years ago, had given him a magic kit for Christmas as a kind of bribe to compensate for the transfer to Monument. At first Ray had only gone through the motions of showing interest. But, bored and restless, he began to fool around with the kit and found, to his surprise, that the tricks were not merely kid stuff but sophisticated and challenging, almost professional. He discovered the Stripper Deck and the Cups and Balls and the Silk Scarves and soon found himself adept at sleight of hand. With no one to entertain, he performed before the mirror in his bedroom.

As winter changed into spring or, rather, as the grayness of February and March yielded to the soft yellow of April, Ray grew bored with the simple finger tricks. He rummaged around the cellar, remembering that his father had all kinds of paraphernalia left over from his days as an entertainer at club and organization parties when Ray himself was just a kid. His father had carefully packed the stuff away when they had moved to Monument. During his search, Ray came across an old cardboard box that contained complicated tricks and effects he couldnt do anything with because there were no directions. Then he discovered an old leather-bound book, copyright 1922, that provided instructions for hundreds of magic effects. The book included plans and illustrations for various stage illusions, like levitation and disappearances. Ray was disappointed to learn the secrets of the illusions, how mechanical they were. He thought: Theres no magic, really, anywhere in the world. It was like finding out there was no Santa Claus.

The plans for the guillotine attracted his immediate attention, however. The secret was so simple and yet so effective. He imagined himself on the stage in the Trinity auditorium, performing for the student bodyMay I have a volunteer from the audience?and hearing the guys gasp with astonishment as the blade fell, seeming to penetrate the volunteers neck. Rays hands itched to build the guillotine, just as they had itched to build his skiff. Hed always been clever with his hands. In fact, his father had said that he hated the idea of squandering money on Rays college education when hed probably do better as a carpenterand a carpenter didnt need a college degree.

At any rate, lonely, indifferent to both Monument and Trinity, tired of the perennial gray clouds that haunted the early days of spring, wistful for those bikini girls who would be emerging on Calebs beaches any day now, Ray Bannister assembled his tools and the lumber required to build the guillotine. He bought the blade at a magic store in Worcester. And, as he told Obie later: Honest, hed never heard of Jerry Renault or Archie Costello or any of the others.

O bie was in love. Wildly, improbably, and wonderfully in love. The kind of thing he thought happened only in the movies. Cant eat, cant sleep love. Daydream in class love. Cant concentrate on your studies love.

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