Zack R. Bowen - Musical allusions in the works of James Joyce: early poetry through Ulysses
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Musical allusions in the works of James Joyce: early poetry through Ulysses
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Published with assistance from the University Awards Committee of State University of New York
First Edition
First Published in 1974 by State University of New York Press 99 Washington Avenue, Albany, New York 12210
1974 State University of New York. All rights reserved
Printed in the United States of America
Library of Congress Cataloging in Publication Data
Bowen, Zack R Musical allusions in the works of James Joyce. Bibliography: p. I. Joyce, James, 1882-1941KnowledgeMusic. 2. Joyce, James, 1882-1941. Ulysses. I. Title. ML80.J75B7823'.9'1274-13314 ISBN 0-87395-248-0 ISBN 0-87395-249-9 (microfiche)
Page vii
Contents
Acknowledgments
ix
General Introduction
1
Introduction to Poetry
5
Poetry
6
Introduction to Exiles
9
Exiles
9
Introduction to Dubliners
11
Dubliners
13
Introduction to Stephen Hero
24
Stephen Hero
25
Introduction to A Portrait of the Artist as a Young Man
30
A Portrait of the Artist as a Young Man
35
Introduction to Ulysses
46
Ulysses
64
Notes
347
Bibliography
358
General Index
363
Song Index
366
Page ix
Ackowledgements
I am deeply grateful to Mabel Worthington, who first interested me in the project and whose constant help, suggestions, additional references, and encouragement have proved to be of invaluable aid, and to Thomas Connolly, whose counsel in the early stages of this manuscript helped shape and define it. I am indebted also to the Research Foundation of the State University of New York and the Graduate Research Office at the State University of New York at Binghamton for subsidizing the research on this project, and to the staffs of the Music Division of the New York Public Library, and the Philadelphia Public Library for their painstaking efforts on my behalf. I am especially indebted for their assistance and kindness to the staffs of the Music Department of the Buffalo and Erie County Public Library and of the Poetry Collection of the Lockwood Memorial Library at the State University of New York at Buffalo. My special thanks go to Joseph Hickerson and especially to Wayne D. Shirley of the Music Division of the Library of Congress for locating hard to find songs, particularly "Seaside Girls," on which I had just about given up hope.
I would like to acknowledge my sincere appreciation to my colleagues, Sheldon Grebstein, Bernard F. Hupp, and John V. Hagopian for reading the manuscript and contributing valuable suggestions. I am also grateful to Maxine Gilgoff for attending to much of the detail work of proofreading quotations and citations. I am especially indebted to Marguerite Harkness for her contributions to this study. Beside providing the initial impetus for some critical ideas central to this work, her counsel in editing and correcting the manuscript proved most valuable.
Page 1
Introduction
The importance of music in the works of James Joyce has long been acknowledged by Joycean scholars, though few systematic attempts have been made to deal with the problem. Scholarly references to the music which appears in Joyce's early works are rare, partly because prior to Ulysses there are relatively few musical allusions in Joyce's work. Most of the major commentaries on the novel refer to musical allusions in
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