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Andrew Nelson Lytle - The Lytle-Tate letters: the correspondence of Andrew Lytle and Allen Tate

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This is a remarkable collection of letters covering nearly four decades of correspondence between two of the Souths foremost literary figures. The series began in 1927 when Tate invited Lytle, who was then a student at the Yale School of Drama, to visit him at his apartment at 27 Bank Street in New York. Although they were acquaintances through their involvement with the Fugitives at Vanderbilt, they had never been close friends because Lytles association with the group occurred after Tate had left Nashville. But after Lytles visit with Tate and his wife, Caroline Gordon, both the friendship and the correspondence grew. The letters in the long sequence of exchanges took on a different content and character during each of the decades. The early letters, those exchanged between 1927-1939, show the development of Tate and Lytles relationship because of what they had in common--love for the South. These letters discuss plans for writing their southern biographies the two Agrarian symposia--Ill Take My Stand (1930), and Who Owns America? (1936), as well as Lytles first novel, The Long Night (1936) and Tates work on his novel, The Fathers. Although the letters of the forties deal with such basic questions as where each man should live and how he should support himself while he writes, their primary focus is first with Lytles and then with Tates editorship of The Sewanee Review. The letters of the fifties are by far the most valuable for literary commentary. In these Lytle reads and critiques many of Tates essays and poems, and Tate, in turn, reads and responds to Lytles plans for the novel he was to be so long in writing, The Velvet Horn. Although many letters in the final group--those of the sixties--are devoted to a discussion of Tates guest editing the special T.S. Eliot issue of The Sewanee Review, these are also the letters which reveal the depth of the Lytle-Tate friendship. In these they share their personal problems and advise each other in the difficulties each is forced to face. Tate supports Lytle during the long illness and subsequent loss of his wife Edna and, later, during Lytles own bout with cancer. Similarly, Lytle sees Tate through his divorce from his second wife and into his next marriage. After a short time, Lytle brings consolation in the loss of one of the Tates infant twin sons. The correspondence between Tate and Lytle documents the evolution of a long personal and literary relationship between two men who helped shape a large part of modern southern literature.

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title The Lytle-Tate Letters The Correspondence of Andrew Lytle and - photo 1

title:The Lytle-Tate Letters : The Correspondence of Andrew Lytle and Allen Tate
author:Lytle, Andrew Nelson.; Tate, Allen; Young, Thomas Daniel; Sarcone, Elizabeth
publisher:University Press of Mississippi
isbn10 | asin:0878053263
print isbn13:9780878053261
ebook isbn13:9780585233710
language:English
subjectLytle, Andrew Nelson,--1902- --Correspondence, Southern States--Intellectual life--20th century, Tate, Allen,--1899- --Correspondence, Authors, American--20th century--Correspondence.
publication date:1987
lcc:PS3523.Y88Z497 1987eb
ddc:816/.52/08
subject:Lytle, Andrew Nelson,--1902- --Correspondence, Southern States--Intellectual life--20th century, Tate, Allen,--1899- --Correspondence, Authors, American--20th century--Correspondence.
Page iii
The Lytle-Tate Letters
The Correspondence of Andrew Lytle and Allen Tate
Edited by
Thomas Daniel Young
and Elizabeth Sarcone
University Press Of Mississippi
Jackson & London
Page iv
Copyright 1987 by the University Press of Mississippi
All rights reserved
Manufactured in the United States of America
The paper in this book meets the guidelines for
permanence and durability of the Committee on
Production Guidelines for Book Longevity of the
Council on Library Resources.
British Library Cataloguing in Publication data is available.
Library of Congress Cataloging-in-Publication Data
Lytle, Andrew Nelson, 1902
The Lytle-Tate letters: the correspondence of Andrew Lytle and
Allen Tate/edited by Thomas Daniel Young and Elizabeth Sarcone.
p. cm.
Includes index.
ISBN 0878053263 (alk. paper)
1. Lytle, Andrew Nelson, 1902 Correspondence. 2. Tate,
Allen, 1899 Correspondence. 3. Authors, American20th
centuryCorrespondence. I. Tate, Allen, 1899 . II. Young.
Thomas Daniel, 1919 . III. Sarcone, Elizabeth, 1947 .
IV. Title.
PS3523.Y88Z497 1987
816'.52'08dc19 87-16014
CIP
Page v
Contents
Introduction
vii
Chronologies
xiii
The Letters
I
19271939
3
II
19401949
149
III
19501959
219
IV
19601968
293
Appendixes
365
Index
383

Page vii
Introduction
These letters reveal that a closer, more personal relationship existed between Andrew Lytle and Allen Tate than that between any of the other Nashville writers. In fact one would have to search carefully through literary history to find two other writers who confided so completely in each other. Tate wrote many letters to other poets, critics, and novelists. In fact after searching through the collections of letters at Princeton and Vanderbiltand there are many to and from him elsewhereone begins to wonder how Tate had time to produce nearly fifty books,which included more than two hundred poems and nearly as many essays. In every genre in which he worked, furthermore, including fiction, he is one of the most original and influential artists in modern American literature.
In a closely printed volume of more than four-hundred pages of The Selected Letters of John Crowe Ransom, about half of the letters are to Tate, and there is sufficient evidence to support the supposition that Tate answered every letter he received. Few of these letters, however, were personal letters. Many of them were devoted to developing a theory of the nature and function of poetry or to discussing ways in which one could best employ an influential literary quarterly. The correspondence between Tate and Donald Davidson makes a book of more than four-hundred pages. Although there is some discussion of personal matters, particularly to poems, essays, and books that both men had written, the most interesting and informative of the letters are those devoted to the activities of the Fugitives and the Agrarians. For nearly thirty years Tate corresponded with John Peale Bishop, and it is true that some of the letters were devoted to quasi-personal
Page viii
matters, but most of them were concerned with close and helpful readings of each other's poems or to the state of the vocation of letters in America. This is not to say that there was not a feeling of admiration and respect between the two men. Bishop admitted more than once that had it not been for Tate, he probably would have given up the writing of poetry while he was a young man. Tate's admiration for Bishop, as man and poet, is obvious, not only in his letters but in the essays he wrote about Bishop, and the edition of his friend's poetry he edited after Bishop's death.
These three men are not the only ones to whom Tate wrote. There were also T. S. Eliot, Fitzgerald, Harriet Monroe, Marianne Moore, and many, many others. The letters to Lytle, however, are different. Not only did these two discuss in minute details the poems, stories, essays, novels, or plays that the other was writing, they wrote about I'll Take My Stand, Who Owns America? and Southern art, culture and social institutions. They discussed frankly, and not always uncritically, their mutual friends: Davidson, Ransom, and Robert Penn Warren.
The correspondence gets off to a slow start. There is no evidence to indicate that Lytle and Tate were close friends at Vanderbilt. Lytle was never a member of the Fugitives, though he did attend one or two meetings of the group and he published an undistinguished poem, "Edward Graves," in
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