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Lothar Hönnighausen - Faulkner: masks and metaphors

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that Faulkner was a liar not just in his writing but also in his life has troubled many critics. They have explained his numerous false stories, particularly those about military honors he actually never earned and war wounds he never sustained, with psychopathological imposture-theories. The drawback of this approach is that it reduces and oversimplifies the complex psychological and aesthetic phenomenon of Faulkners role-playing. Instead, this critical study by one of the most acclaimed international Faulkner scholars takes its cue from Nietzsches concept of truth as a mobile army of metaphors and from Ricoeurs dynamic view of metaphor and treats the wearing of masks not as an ontological issue but as a matter of discourse. Honnighausen examines Faulkners interviews and photographs for the fictions they perpetuate. Such Faulknerian role-playing he interprets as a mode of organizing experience and relates it to the crafting of the artists various personae in his works. Mining metaphor as well as modern theories on social role-playing, Honnighausen examines unexplored aspects of image creation and image reception in such major Faulkner novels as The Sound and the Fury, Light in August, A Fable, and Absalom, Absalom! Lothar Honnighausen is a professor of English and director of the North American program at the University of Bonn. He is general editor of Transatlantic Perspectives and author of William Faulkner: The Art of Stylization in His Early Graphic and Literary Work.

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title Faulkner Masks and Metaphors author Hnnighausen Lothar - photo 1

title:Faulkner : Masks and Metaphors
author:Hnnighausen, Lothar.
publisher:University Press of Mississippi
isbn10 | asin:0878059989
print isbn13:9780878059980
ebook isbn13:9780585034027
language:English
subjectFaulkner, William,--1897-1962--Literary style, Metaphor, Role playing in literature, Disguise in literature.
publication date:1997
lcc:PS3511.A86Z829 1997eb
ddc:813/.52
subject:Faulkner, William,--1897-1962--Literary style, Metaphor, Role playing in literature, Disguise in literature.
Faulkner
Masks and Metaphors
Lothar Hnnighausen
University Press of Mississippi
Jackson
In the process of writing sections of this book, I have significantly revised some
previously published materials. One part of chapter 4 has been adapted from The Artist
and His Masks: William Faulkner's Merafiction
, ed. Agostino Lombardo; two other sections
are based on a paper presented at the Vienna session of the International Faulkner
Symposium
, which appeared in Faulkner, His Contemporaries, and His Posterity, ed.
Waldemar Zacharasiewicz. Part of chapter 5 draws on sections one and three of my
article "The Imagery in Faulkner's A Fable," in Faulkner: After the Nobel Prize, ed. Michel
Gresset and Kenzaburo Ohashi. The last section of chapter 7, in another form, was
presented at the University of Mississippi Faulkner and Yoknapatawpha Conference
(1986) and published in Faulkner and Race, ed. Doreen Fowler and Ann J. Abadie.
Copyright 1997 by University Press of Mississippi
All rights reserved
Manufactured in the United States of America
00 99 98 97 4 3 2 1
The paper in this book meets the guidelines for permanence and durability of the
Committee on Production Guidelines for Book Longevity of the Council on Library
Resources.
Library of Congress Cataloging-in-Publication Data
Hnnighausen, Lothar.
Faulkner : masks and metaphors / Lothar Hnnighausen.
p. cm.
Includes bibliographical references (p. ) and index.
ISBN 0-87805-998-9 (cloth : alk. paper)
1. Faulkner, William, 18971962Style. 2. Metaphor. 3. Role
playing in literature. 4. Disguise in literature. I. Title.
PS3511.A86Z829 1997
813'.52dc21Picture 2Picture 3Picture 4Picture 5Picture 6Picture 797-6952
Picture 8Picture 9Picture 10Picture 11Picture 12Picture 13Picture 14CIP
British Library Cataloging-in-Publication data available
Faulkner:
Masks and Metaphors
FOR MY FRIENDS OF THE
INTERNATIONAL FAULKNER
SYMPOSIUM
Contents
Introduction
ix
Primary Texts: List of Abbreviations
xiii
Preludes
1.
Role-Play in Photos, Letters, and Interviews
3
2.
Masks and Metaphors: On Theory
56
Masks and Metaphors of the Artist
3.
The Artist as Visionary and as "Craftsman": "Black Music," ''Carcassonne," "Artist at Home," Elmer, and Mosquitoes
79
4.
The Artist as "Human Failure": Mosquitoes, Flags in the Dust,
The Town
, and As I Lay Dying
111
Metaphorizing and Role-Play in Narration and Reading
5.
New Modes of Metaphor: The Sound and the Fury,
Light in August
, and A Fable
137
6.
Metaphor and Narrative in Absalom, Absalom!
157
7.
Faulkner and the Regionalist Context
183
8.
Regionalism and Beyond: The Hamlet
223
Conclusion: Pastoral Portrait
263
Notes
279
Works Cited
289
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