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Naomi Cornelia Long Madgett - Adam of Ifé: Black women in praise of Black men : poems

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The insightful and informative foreword by the editor explains the historical background to the plight of many of todays African American males. This is an anthology to which 55 black women contributed positive poems about ordinary black men with only a few famous men mentioned. A ground-breaking book regarding the positive relationships between men and women. Each of the eight sections is illustrated by Carl Owens. The cover is from a painting by Paul Goodnight.

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title Adam of If Black Women in Praise of Black Men Poems author - photo 1

title:Adam of If : Black Women in Praise of Black Men : Poems
author:Madgett, Naomi Cornelia Long.; Owens, Carl
publisher:Michigan State University Press
isbn10 | asin:0916418804
print isbn13:9780916418809
ebook isbn13:9780585182544
language:English
subjectAmerican poetry--African American authors, American poetry--Women authors, African American men in literature.
publication date:1992
lcc:PS591.N4A26 1992eb
ddc:811/.54
subject:American poetry--African American authors, American poetry--Women authors, African American men in literature.
Page 3
Adam of If
Black Women in Praise of Black Men:
Poems
Edited by
Naomi Long Madgett
Illustrated by
Carl Owens
Picture 2
LOTUS PRESS
Detroit
Page 4
Copyright 1992
by Lotus Press, Inc.
First Edition
All rights reserved
Except for review purposes,
no portion of this book may be reproduced in any form
without written permission from the authors or the publisher.
International Standard Book Number 0-916418-80-4
Library of Congress Catalog Card Number 91-61410
Printed in the United States of America
Picture 3
LOTUS PRESS, INC.
Post Office Box 21607
Detroit, Michigan 48221
Page 5
To all the brothers
with love
Page 7
Foreword
When I mentioned to a female acquaintance my plan to compile this anthology, she greeted the news with a grunt, then asked, "Do you think you'll get any material?" The response of another friend was a short, brittle laugh, followed by: "You must be expecting a teeny- tiny little book." These reactions came as no surprise; they were the all too frequent indications that many African-American women have found their relationships with their men disastrous. Personal statements about the reputed worthlessness of black men proliferate, while daily media reports remind us of the extent to which they have fallen.
Nevertheless, I believe that, for every negative example of black manhood caught in the public spotlight, there are numerous others who are quietly living exemplary lives without ever seeing their names in print. Feeling a need to bring them out of the shadows and tell them, "We see you; we know you are there, and we appreciate your presence in our lives," I decided to pay tribute to them through poetry, the means that is most natural for me, and so, Adam of If was conceived.
I set out to reach as many black women poets as possible, either through direct contact or through press releases to magazines and journals, for it was important to me to solicit fresh material. Far too many anthologists have drawn their material entirely from other anthologies. As a result, poets whose names readers recognize are often known only for the same three or four poems that have been reprinted to death for years, or even decades, while their more recent work remains relatively unknown. In the meantime, many deserving newer poets go unnoticed.
Some of the periodicals contacted published notices; some, arguing that this information should be paid advertising, did not. At least one editor with good intentions simply procrastinated and let the press release languish on his desk. But that old reliable grapevine got busy, one poet passing on the word to others. The response was tremendous. Some poets went to the trouble to include encouraging notes about the need for such a project. I regret that we were not able to reach all those who might have wished to contribute and to use every entry that did come in, but I
Page 8
am grateful to all who responded, even though they may not be among the fifty-five poets whose work is represented here.
While concentrating on positive images of black manhood, we have not forgotten our other brothers who have fallen by the wayside. They did not arrive at their present state without help. When I was teaching Afro-American literature, I discovered as one of the recurring themes the emasculation of the black male. "Truant" by Claude McKay and "Health Card" by Frank Yerby are just two fictional illustrations. The American system has conspired, since the first African set foot on this soil, to deprive him of his humanity. What other immigrant in world history has ever been defined legally as only only ''three-fifths of a man"? White fiction writers have traditionally stereotyped him in so many undignified and sometimes vicious roles that it would be difficult to recognize him as a man like any other. (See Sterling Brown's essay, "A Century of Negro Portraiture in American Literature"1 for some of these images.)
During slavery, the black male had little opportunity to shoulder responsibility. Since it was traditionally believed that only women could nurture children, the presence of a man in a household was deemed unnecessary and perhaps even dangerous. As much as a black father might have wished to care for and train his children, he often was permitted little or no contact with them. Even where families were kept intact, the father was powerless to protect his wife and female children from sexual exploitation by master or overseer. What degradation and shame he must have felt to find himself in a position of such impotence! The segregationists who railed against race-mixing certainly did not object to the union of a white male with an African female; the variety of skin tones, hair textures, and other features apparent among African-Americans today attests to the popularity of the Southern man's most noble sport! It was, of course, the reversal of this arrangement the involvement of a black man with a white woman that always has been the most widely protected taboo in this country, for sex is indeed power, and the black man must never be granted the privilege of competing with a white man on this level. Furthermore, the myth of racial inferiority could not stand to be put to a test for if it were, it would be necessary to answer the
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