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Howe - What the Living Do

Here you can read online Howe - What the Living Do full text of the book (entire story) in english for free. Download pdf and epub, get meaning, cover and reviews about this ebook. City: Alexandria;VA, year: 1999;1998, publisher: W. W. Norton & Company;Chadwyck-Healey, Inc, genre: Detective and thriller. Description of the work, (preface) as well as reviews are available. Best literature library LitArk.com created for fans of good reading and offers a wide selection of genres:

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Howe What the Living Do
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    What the Living Do
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What the Living Do: summary, description and annotation

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A deeply beautiful book, with the fierce galloping pace of a great novel.Liz Rosenberg Boston GlobeInformed by the death of a beloved brother, here are the stories of childhood, its thicket of sex and sorrow and joy, boys and girls growing into men and women, stories of a brother who in his dying could teach how to be most alive. What the Living Do reflects a new form of confessional poetry, one shared to some degree by other women poets such as Sharon Olds and Jane Kenyon. Unlike the earlier confessional poetry of Plath, Lowell, Sexton et al., Howes writing is not so much a moan or a shriek as a song. It is a genuinely feminine form . . . a poetry of intimacy, witness, honesty, and relation (Boston Globe).

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Further praise for Marie Howe and
What the Living Do
The tentative transformation of agonizing, slow-motion loss into redemption is Howes signal achievement in this wrenching second collection, which uncovers new potential for the personal poem. Publishers Weekly (starred review, and chosen as one of the five best books of poetry published in 1997) Her verse is almost unornamented though she manages through some great gift of will and expression to convey the sharpest feelings in long, graceful lines that seem to breathe on the page. Despite the fathomless pain inherent in these poems, Howe never succumbs to sentimentality or self-pity; her tone is passionate yet detached, her vocabulary and imagery evocative, appropriate, and devastating. Memphis Commercial Appeal These are important poems by an established practitioner, defining contemporary poetry as accessible to all. Howe is a truth-teller of the first order. Fearless in presenting unfiltered experiences, she interweaves her simple, economical language into long, subordinated sentences, loose, enjambed couplets that spill compellingly down the page with near-invisible artistry.

Providence Sunday Journal The love in this book is tangible and redemptive. Minneapolis Star Tribune

WHAT THE LIVING DO
ALSO BY MARIE HOWE
The Good Thief In the Company of My Solitude:
American Writing from the AIDS Pandemic
( edited with Michael Klein)
WHAT THE LIVING DO
poems
Marie Howe
Picture 1
W. W. NORTON & COMPANY
NEW YORK LONDON Copyright 1998 by Marie Howe All rights reserved For information about permission to reproduce selections from this book, write to Permissions, W. W. Norton & Company, Inc., 500 Fifth Avenue, New York, NY 10110.

The text of this book is composed in Electra with the display set in Electra Bold Desktop composition by Chelsea Dippel Library of Congress Cataloging-in-Publication Data Howe, Marie, 1950
What the living do: poems / Marie Howe.
p. cm.
ISBN: 978-0-393-07590-8
I. Title.
PS3558.O8925W48 1997 811'.54DC21 97-10798 CIP W. W. Norton & Company, Inc., 500 Fifth Avenue, New York, NY 10110
www.wwnorton.com W. W.

Norton & Company Ltd., 10 Coptic Street, London WC1A 1PU

Some of these poems first appeared in The Atlantic Monthly; Agni; Columbia Magazine; the Harvard Review; the New England Review; the Plum Review; Tikkun; Last Call: Poems on Alcoholism, Addiction & Deliverance (edited by Sarah Gorham and Jeffrey Skinner); and Lights, Camera, Poetry!: American Movie Poems (edited by Jason Shinder). Practicing and The Fort first appeared in The New Yorker. I am grateful to the Bunting Institute at Radcliffe College, the Corporation of Yaddo, the Engelhard Foundation, the MacDowell Colony, and the National Endowment for the Arts for support: the time and space to work on these poems. So many friends have helped me, too many to mention here, but Im especially grateful to Marcus Alonso, who first walked me to the road, and to Charlene Engelhard for her many gifts and for walking with me. I am grateful to Donna Masini for her generosity, and to my editor, Jill Bialosky, for her steady heart.
Contents

With gratitude for my brother John Howe
in memory of Jane Kenyon and Billy Forlenza
and for the living, James Shannon.
WHAT THE LIVING DO
The Boy
My older brother is walking down the sidewalk into the suburban summer night: white T-shirt, blue jeansto the field at the end of the street.
WHAT THE LIVING DO
The Boy
My older brother is walking down the sidewalk into the suburban summer night: white T-shirt, blue jeansto the field at the end of the street.

Hangers Hideout the boys called it, an undeveloped plot, a pit overgrown with weeds, some old furniture thrown down there, and some metal hangers clinking in the trees like wind chimes. Hes running away from home because our father wants to cut his hair. And in two more days our father will convince me to go to himyou know where he isand talk to him: No reprisals. He promised. A small parade of kids in feet pajamas will accompany me, their voices like the first peepers in spring. And my brother will walk ahead of us home, and my father will shave his head bald, and my brother will not speak to anyone the next month, not a word, not pass the milk, nothing.

What happened in our house taught my brothers how to leave, how to walk down a sidewalk without looking back. I was the girl. What happened taught me to follow him, whoever he was, calling and calling his name.

Sixth Grade
The afternoon the neighborhood boys tied me and Mary Lou Mahar to Donny Ralphs fathers garage doors, spread-eagled, it was the summer they chased us almost every day. Careening across the lawns theyd mowed for money, on bikes they threw down, theyd catch us, lie on top of us, then get up and walk away. That afternoon Donnys mother wasnt home.

His nine sisters and brothers goneeven Gramps, who lived with them, gone somewherethe backyard empty, the big house quiet. A gang of boys. They pulled the heavy garage doors down, and tied us to them with clothesline, and Donny got the deers leg severed from the buck his dad had killed the year before, dried up and still fur-covered, and sort of poked it at us, dancing around the blacktop in his sneakers, laughing. Then somebody took it from Donny and did it. And then somebody else, and somebody after him. And then Donny pulled up Mary Lous dress and held it up, and she began to cry, and I became a boy again, and shouted Stop, and they wouldnt.

And then a girl-boy, calling out to Charlie, my best friends brother, who wouldnt look Charlie! to my brothers friend who knew me Stop them. And he wouldnt. And then more softly, and looking directly at him, I said, Charlie. And he said Stop. And they said What? And he said Stop it. And they did, quickly untying the ropes, weirdly quiet, Mary Lou still weeping.

And Charlie? Already gone.

The Fort
It was a kind of igloo made from branches and weeds, a dome with an aboveground tunnel entrance the boys crawled through on their knees, and a campfire in the center because smoke came out of a hole in the roof, and we couldnt go there. I dont even remember trying, not inside. Although I remember a deal we didnt keepso many Dr Peppers which nobody drank, and my brother standing outside it like a chief: bare-chested, weary from labor, proud, dignified, and talking to us as if we could never understand a thing he said because he had made this thing and we had not, and could not have done it, not in a thousand yearstrue knowledge and disdain when he looked at us. For those weeks the boys didnt chase us. They busied themselves with patching the fort and sweeping the dirt outside the entrance, a village of boys who had a house to clean, women in magazines, cigarettes and soda and the strange self-contained voices they used to speak to each other with.

And we approached the clearing where their fort was like deer in winter hungry for any small thingwhat they had made without us. We wanted to watch them live there.

From My Fathers Side of the Bed
When he had fallen deep asleep and was snoring and I had moved out slowly from under his heavy arm, I would sometimes nudge him a little, not to wake him but so that he would sleep more lightly and wake more easily should the soldiers, maybe already assembling in the downstairs hall, who were going to kill my father and rape my mother, begin to mount the stairs.
Buying the Baby
In those days you could buy a pagan baby for five dollars, the whole class saved up. And when you bought it you could name it Joseph, Mary, or Theresa, the class took a vote. But on the day I brought in the five dollars my grandmother had given me for my birthday something happened a fire drill? an assassination? And if it was announced Marie Howe has, all by herself, bought a baby in India and gets to name it, it was overshadowed and forgotten.
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