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Kang-i Sun Chang - Women writers of traditional China: an anthology of poetry and criticism

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This anthology of Chinese womens poetry in translation brings together representative selections from the work of some 130 poets from the Han dynasty to the early twentieth century. To measure the development of Chinese womens poetry, one must take into account not only the poems but also the prose writingsprefaces, biographies, theoretical tractsthat framed them and attempted to shape womens writing as a distinct category of literature. To this end, the anthology contains an extended section of criticism by and about women writers.These poets include empresses, imperial concubines, courtesans, grandmothers, recluses, Buddhist nuns, widows, painters, farm wives, revolutionaries, and adolescent girls thought to be incarnate immortals. Some women wrote out of isolation and despair, finding in words a mastery that otherwise eluded them. Others were recruited into poetry by family members, friends, or sympathetic male advocates. Some dwelt on intimate family matters and cast their poems as addresses to husbands and sons at large in the wide world of mens affairs. Each woman had her own reasons for poetry and her own ways of appropriating, and often changing, the conventions of both mens and womens verse.The primary purpose of this anthology is to put before the English-speaking reader evidence of the poetic talent that flourished, against all odds, among women in premodern China. It is also designed to spur reflection among specialists in Chinese poetry, inspiring new perspectives on both the Chinese poetic tradition and the canon of female poets within that tradition. This partial history both connects with and departs from the established patterns for womens writing in the West, thus complementing current discussions of feminine writing.

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title Women Writers of Traditional China An Anthology of Poetry and - photo 1

title:Women Writers of Traditional China : An Anthology of Poetry and Criticism
author:Chang, Kang-i Sun
publisher:Stanford University Press
isbn10 | asin:0804732310
print isbn13:9780804732314
ebook isbn13:9780585367613
language:English
subjectChinese poetry--Women authors--History and criticism, Chinese poetry--Women authors--Translations into English, Women and literature--China.
publication date:1999
lcc:PL2278.W65 1999eb
ddc:895.1/10809287
subject:Chinese poetry--Women authors--History and criticism, Chinese poetry--Women authors--Translations into English, Women and literature--China.
Page iii
Women Writers of Traditional China
An Anthology of Poetry and Criticism
Edited by
Kang-i Sun Chang and Haun Saussy
Charles Kwong,
Associate Editor
Anthony C. Yu and Yu-kung Kao,
Consulting Editors
Page iv Stanford University Press Stanford California 1999 by the Board - photo 2
Page iv
Stanford University Press, Stanford, California
1999 by the Board of Trustees of the
Leland Stanford Junior University
Printed in the United States of America
CIP data appear at the end of the book
Page v
To Hsiao-lan Ch'en and F. W. Mote,
ideal match of "talented woman and learned man,"
and perfect embodiment of the finest in Chinese culture
Kang-i Sun Chang
And to the memory of Lola Norwood Haun
and Mary Quaintance,
talented women whose lives were cut short
Haun Saussy
Page vii
PREFACE
For its editors at least, this book is a memorial of the joys and trials of collaboration. Kang-i Sun Chang drew up the original table of contents with the help of the consulting editors, Kao Yu-Kung and Anthony C. Yu, and submitted it to a group of volunteer translators, who responded with suggestions for improving the selection and even resolved some long-standing scholarly confusions. Almost all contributors were able to honor the whole of their original commitment to provide both translations and notes on the selections. Associate editor Charles Kwong and Haun Saussy commented on the first drafts of the translations, annotation, and biographical notes, which were returned to the contributors for revision. The resulting second drafts were then combined into a continuous manuscript by Saussy. In the process redundancies were removed, cross-references inserted, footnotes verified, and a measure of consistency across chapters striven for.
In the long process of assembling this book, we have incurred many obligations. We wish to express our thanks, first of all, to the many contributors who turned their work in on time and patiently endured the process of editing and rewriting, and to Charles Kwong, the associate editor, for his generous help and breadth of knowledge. Consulting editors Kao Yu-kung and Anthony C. Yu have given precious advice. Chang Ch'ung-ho generously contributed her graceful calligraphy. Ellen F. Smith, on behalf of Stanford University Press, spared no efforts to improve the manuscript with her learning, taste, queries, and inventiveness. We thank Professor Shi Zhicun of Shanghai for inspiration, and Ellen Graham of Yale University Press for support in the initial stages of the project. We also recognize our debts to the staffs of the East Asian library collections of Yale, UCLA, and Stanford; to Stanford's Center for East Asian Studies; to the Wu Foundation for conference and planning funds; to Professor Y Ying-shih, Monica Y, and Dr. Ching-shing Huang for
Page viii
their aid in gaining support from the Wu Foundation; to Sharon Sanderson for her help in coordinating the work; to Mary Ellen Friends for her assistance with correspondence and preparation of source material; to Chi-hung Yim, Huang Yibing, Edna Tow, James Shou-cheng Yao, and Eileen Chow for help with library research; to Richard Vinograd for art-historical expertise; to Ann Waltner for her many valuable suggestions; and to many friends and colleagues for guidance that they may not have known they were giving.
Our greatest debt, however, is to those women and men who, over the centuries, worked to preserve the traces of a form of writing that had no utility, no career value, and little prestige. Whatever deficiencies the present volume has should not be allowed to obscure their generosity to us all.
Picture 3
K.S.C.
H.S.
Page ix
CONTENTS
Contributors
xvii
Editorial Conventions
xix
Abbreviations
xxiii
Maps
xxvi
Introduction:Genealogy and Titles of the Female Poet
1
Part One
Poetry
15
From Ancient Times to the Six Dynasties (222589)
17
Picture 4
Ban jieyu
17
Picture 5
Cai Yan
22
Picture 6
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