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John Berendt - Midnight in the Garden of Good and Evil

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Acclaim for JOHN BERENDTs MIDNIGHT IN THE GARDEN OF GOOD AND EVIL Uproarious - photo 1
Acclaim for JOHN BERENDTs MIDNIGHT IN THE GARDEN OF GOOD AND EVIL Uproarious - photo 2
Acclaim for
JOHN BERENDTs
MIDNIGHT IN THE GARDEN OF GOOD AND EVIL

Uproarious a rich, irresistible mix of snobbery, mayhem, sex, mind-boggling parochialism and mildewed magnolias. A glorious vanity fair of human folly.

The Boston Globe

One of the most unusual books to come this way in a long time and one of the best. There is every reason to celebrate [t]his surprising, wonderful book.

Jonathan Yardley, The Washington Post Book World

The best nonfiction novel since In Cold Blood and a lot more entertaining. Berendts book has everything going for itsnobbism, ruthless power, voodoo, local color, and a totally evil estheticism. I read it till dawn.

Edmund White

Raunchy, witty, urbane and scandalous a romp through many worldshigh and low. For a good time read this book.

Houston Chronicle

Berendt works up his material like a chef on a devilish mission. The result is a feast all right. He has the old money down as dead-on as the newas the no money, for that matter. And here is the highest praise I can muster: Wish Id written the damn thing.

Gregory Jaynes, Esquire

Rip-roaringly funny and compelling.A veritable Bent-Spoon River of oddballs, hustlers, sociopaths and historic preservationists.

San Francisco Chronicle


JOHN BERENDT
MIDNIGHT IN THE GARDEN
OF GOOD AND EVIL

John Berendt has been the editor of New York magazine and an Esquire columnist. He lives in New York.

Contents

11.

For my parents

Chapter 1 AN EVENING IN MERCER HOUSE He was tall about fifty with - photo 3
Chapter 1
AN EVENING IN MERCER HOUSE

Picture 4

He was tall, about fifty, with darkly handsome, almost sinister features: a neatly trimmed mustache, hair turning silver at the temples, and eyes so black they were like the tinted windows of a sleek limousinehe could see out, but you couldnt see in. We were sitting in the living room of his Victorian house. It was a mansion, really, with fifteen-foot ceilings and large, well-proportioned rooms. A graceful spiral stairway rose from the center hall toward a domed skylight. There was a ballroom on the second floor. It was Mercer House, one of the last of Savannahs great houses still in private hands. Together with the walled garden and the carriage house in back, it occupied an entire city block. If Mercer House was not quite the biggest private house in Savannah, it was certainly the most grandly furnished. Architectural Digest had devoted six pages to it. A book on the interiors of the worlds great houses featured it alongside Sagamore Hill, Biltmore, and Chartwell. Mercer House was the envy of house-proud Savannah. Jim Williams lived in it alone.

Williams was smoking a King Edward cigarillo. What I enjoy most, he said, is living like an aristocrat without the burden of having to be one. Blue bloods are so inbred and weak. All those generations of importance and grandeur to live up to. No wonder they lack ambition. I dont envy them. Its only the trappings of aristocracy that I find worthwhilethe fine furniture, the paintings, the silverthe very things they have to sell when the money runs out. And it always does. Then all theyre left with is their lovely manners.

He spoke in a drawl as soft as velvet. The walls of his house were hung with portraits of European and American aristocratsby Gainsborough, Hudson, Reynolds, Whistler. The provenance of his possessions traced back to dukes and duchesses, kings, queens, czars, emperors, and dictators. Anyhow, he said, royalty is better.

Williams tapped a cigar ash into a silver ashtray. A dark gray tiger cat climbed up and settled in his lap. He stroked it gently. I know Im apt to give the wrong impression, living the way I do. But Im not trying to fool anyone. Years ago I was showing a group of visitors through the house and I noticed one man giving his wife the high sign. I saw him mouth the words old money! The man was David Howard, the worlds leading expert on armorial Chinese porcelain. I took him aside afterward and said, Mr. Howard, I was born in Gordon, Georgia. Thats a little town near Macon. The biggest thing in Gordon is a chalk mine. My father was a barber, and my mother worked as a secretary for the mine. My moneywhat there is of itis about eleven years old. Well, the man was completely taken aback. Do you know what made me think you were from an old family, he said, apart from the portraits and the antiques? Those chairs over there. The needlework on the covers is unraveling. New money would mend it right away. Old money would leave it just as it is. I know that, I told him. Some of my best customers are old money.

Picture 5

I had heard Jim Williamss name mentioned often during the six months I had lived in Savannah. The house was one reason, but there were others. He was a successful dealer in antiques and a restorer of old houses. He had been president of the Telfair Academy, the local art museum. His by-line had appeared in Antiques magazine, and the magazines editor, Wendell Garrett, spoke of him as a genius: He has an extraordinary eye for finding stuff. He trusts his own judgment, and hes willing to take chances. Hell hop on a plane and go anywhere to an auctionto New York, to London, to Geneva. But at heart hes a southern chauvinist, very much a son of the region. I dont think he cares much for Yankees.

Williams had played an active role in the restoration of Savannahs historic district, starting in the mid-1950s. Georgia Fawcett, a longtime preservationist, recalled how difficult it had been to get people involved in saving downtown Savannah in those early days. The old part of town had become a slum, she said. The banks had red-lined the whole area. The great old houses were falling into ruin or being demolished to make way for gas stations and parking lots, and you couldnt borrow any money from the banks to go in and save them. Prostitutes strolled along the streets. Couples with children were afraid to live downtown, because it was considered dangerous. Mrs. Fawcett had been a member of a small group of genteel preservationists who had tried since the 1930s to stave off the gas stations and save the houses. One thing we did do, she said. We got the bachelors interested.

Jim Williams was one of the bachelors. He bought a row of one-story brick tenements on East Congress Street, restored the whole row, and sold it. Soon he was buying, restoring, and selling dozens of houses all over downtown Savannah. Stories in the newspapers drew attention to his restorations, and his antiques business grew. He started going to Europe once a year on buying trips. He was discovered by society hostesses. The improvement in Williamss fortunes paralleled the renaissance of Savannahs historic district. By the early 1970s, couples with children came back downtown, and the prostitutes moved over to Montgomery Street.

Feeling flush, Williams bought Cabbage Island, one of the sea islands that form an archipelago along the Georgia coast. Cabbage Island was a folly. It covered eighteen hundred acres, all but five of which lay under water at high tide. He paid $5,000 for it in 1966. Old salts at the marina told him he had been duped: Cabbage Island had been on the market for half that sum the year before. Five thousand dollars was a lot of money for a soggy piece of real estate you couldnt even build a house on. But a few months later phosphates were discovered under several coastal islands, including Cabbage Island. Williams sold out to Kerr-McGee of Oklahoma for $660,000. Several property owners on neighboring islands laughed at him for jumping at the bait too quickly. They held out for a higher price. Weeks later, the state of Georgia outlawed drilling along the coast. The phosphate deal was dead, and as it turned out, Williams was the only one who had sold in time. His after-tax profit was a half million dollars.

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