Alan Furst - Red Gold

ABOUT THE AUTHOR

ALAN FURST, who has often been compared to Graham Greene and Eric Ambler, is widely recognized as a master of the atmospheric spy thriller. He is the author of Night Soldiers, DarkStar, The Polish Officer, and The World at Night. He lives in Sag Harbor, New York.

PLACECLICHY

PARIS. 18 SEPTEMBER, 1941.

Casson woke in a room in a cheap hotel and smoked his last cigarette. The window by the bed was open and the shade, yellow and faded, bumped gently against the sill in the morning breeze. When it moved he could see fierce blue sky, a bar of sunlight on the lead sheeting of the roof across the courtyard. Something in the air, he thought, a ghost of something, and the sky was lit a certain way. So then, autumn.

A knock at the door; a woman came in and sat on the edge of the bed. She had a room down the hall and came to see him sometimes. He offered her the cigarette, she inhaled and gave it back. Thank you, she said. She stood up, pulled her slip over her head and hung it on a nail in the wall, then climbed in next to him. Tell me, she said, what is it you see out there?

Sky. Nothing much.

She pulled the blanket up so it covered their shoulders. You live in a dream, she said.

You think its wrong?

He felt her shrug. I dont knowwhy bother?

She settled next to him, so the tips of her breasts brushed the skin of his back, ran a finger down the line of hair from his chest to his stomach, and slid her hand between his legs. He stubbed the cigarette out carefully in a saucer he kept on the windowsill, then closed his eyes. For a time he stayed like that, adrift.

Well, he said, maybe youre right.

He turned to face her, she rested a knee on his hip, opening her legs. After a moment she said, Your hands are always warm.

Warm hands, cold heart.

She laughed, then kissed him. Not you, she said. He could smell wine on her breath.

His mind wandered. It was very quiet, all he could hear was her breathing, long and slow, and the yellow shade, bumping against the sill in the morning air.

Place Clichy. He sat at an outside table at a caf and sipped the roast barley infusion the waiter brought him. Coffee, he thought, remembering it. Very expensive now, he didnt have the money. He stared out at the square, Clichy a little lost in the daylight, the cheap hotels and dance halls gray and crooked in the morning sun, but Casson didnt mind. He liked itin the same way he liked deserted movie sets and winter beaches.

On the chair next to him somebody had left a damp copy of yesterdays Le Soir. He spread it out on the table.

... the low hills of Lokhvitsa, brooding at nightfall, the steep banks of the river Dnieper, the grumble of distant cannonade. Suddenly, white Very lights fired from flare pistols, sputtering as they float to earth. A signal! Guderians Third Panzer has linked up with Kleists Sixteenth Panzer! The Kiev pocket has snapped shut like a trap: 300,000 Russian casualties, 600,000 taken prisoner, five Soviet armies obliterated. Now, Kiev must fall within hours. Victorious Wehrmacht columns burst into song as they prepare to march into the defeated city.

Casson shook his headwhowrites this shit? His eyes wandered to the top of the column. Oh, from their foreign correspondent, Georges Broux. Well, that explained it. Once upon a time, when hed been Jean Casson, producer of gangster films, with an office near the Champs-Elyses, Georges Broux had sent him a screen-play. Morning Must Come, something like that. Maybe it was Dawn that had to come, or A New Day, but that was the general idea. La Belle France brought to her knees by decadence and socialism. Dear Georges, thanks for letting us have a look; unfortunately... And did, Casson wondered, the Wehrmacht actually burst into song? Maybe it did.

He searched in his pocket until he found the cigarette stub and lit it, sipped his barley coffee, turned to the movie page. Playing at the Impriale, over on the Champs-Elyses, was Premier Rendezvous first datewith Danielle Darrieux and Louis Jourdan. If youd seen that, the Gaumont had a frothy romantic comedy. Or, if you were really hard to please, you could go out to Neuilly for a little jewel, bubbling over with mirth! A sly French wink! Casson read through the listings for the smaller theatres, sometimes they ran revivals and his old films showed up. No Way Out or The Devils Bridge. Maybe, even, Night Run.

He heard the enginetuned to a perfect humand forced himself to look up casually. A black traction-avant Citron, a Gestapo car, had pulled to the curb in front of the caf. Cassons heart hammered against his ribs. He bent over the newspaper, concealing his face, and turned the page. A goalie leaped toward the edge of his net as the ball sailed past his hands, a jumble of print, this team 2, that team 1. He had an identity card, Marin, Jean Louis, and a ration book. Nothing more. It wasnt a quality fake, hed bought it from a taxi driver, one phone call and that was the end of him. Casson was wanted by the Gestapo; taken in for questioning at the rue des Saussaies office three months earlier, he had crawled out an unbarred window and escaped over the roof. Dumb luck, Casson thought, the kind that doesnt come a second time.

The driver got out of the Citron and held the back door open. A tall man in a dark suit, a raincoat worn over his shoulders, came out of the little hotel next to the caf. He was young and fair, very white, very drawn. There wasnt much, really there wasnt anything, that you couldnt buy on the place Clichy. Perhaps the German officer had bought something he hadnt likedor maybe it was just the next morning he didnt like it. He paused at the door, put one hand on the roof, leaned forward. Was he going to be sick? No, he climbed into the car, the driver slammed the door.

Look down. That was barely in time. Casson stared at people who were they? It was just something he could not stop himself from doing. And the man whod held the door for his superior had caught him at it. Nantes 0, Lille 0. Caen 3, Rouen 2. Please. The Citron idled, then the front door closed, the driver put the car in gear and drove off, turning onto the boulevard Batignolles.

His room at the Hotel Victoria. Six floors up, under the roof. Ten by ten, narrow iron bed, a chair, a washstand. Ancient wallpaper, the color of oatmeal, and bare wooden boards. Faint smell of sulfur, burned to get rid of the bugs, faint smell of black tobacco. And all the rest of it. Casson took an overcoat down from a hook in the wall. Not so bad. He rubbed his thumb idly across a small stain above the pocket. Hed bought it back in August, when he still had a little money, from a peddlers cart in the place Rpublique. For winter, hed thought, but he wasnt the one who was going to wear it this winter.

He hunted through the pockets, made sure the Goddess of Luck hadnt left a fifty-franc note in there for him. No, nothing. He rolled the coat up tight, held it to the right side of his body. It was his one possession and La Patronne knew it. He owed three weeks rent, if the owner caught him taking it out of the hotel, shed stop him, would make a great scene, would probably call the police. Like a mythic beast she stood behind the hotel desk, keeping guard on the door. Draped always in black, wearing broken carpet slippers for her sore feet. Flabby face, eyes like wet stones. She could smell money in the next block. She truly could, Casson thought.

He closed his door silently, went downstairs one cautious step at a time. On the landing of the second floor he became aware of conversation in the lobby, something not right in the tone of it. Halfway down the final flight he stopped. He could see black shoes, blue trousers, the bottom of a cape.