ALSO BY ANN LAUTERBACH
Poems Under the Sign Or to Begin Again Hum If in Time: Selected Poems 19752000 On a Stair And for Example Clamor Before Recollection Many Times, But Then
Prose Saint Petersburg Notebook The Given & The Chosen The Night Sky: Writings on the Poetics of Experience
BOOKS WITH ARTISTS
Thripsis (with Joe Brainard) A Clown, Some Colors, A Doll, Her Stories, A Song, A Moonlit Cove (with Ellen Phelan) How Things Bear Their Telling (with Lucio Pozzi) Greeks (with Jan Groover and Bruce Boice) Sacred Weather (with Louisa Chase)
PENGUIN BOOKS An imprint of Penguin Random House LLC 375 Hudson Street New York, New York 10014 penguinrandomhouse.com Copyright 2018 by Ann Lauterbach Penguin supports copyright. Copyright fuels creativity, encourages diverse voices, promotes free speech, and creates a vibrant culture. Thank you for buying an authorized edition of this book and for complying with copyright laws by not reproducing, scanning, or distributing any part of it in any form without permission. You are supporting writers and allowing Penguin to continue to publish books for every reader. Acknowledgments to the original publishers of some of the poems in this book appear on page ix. 1997 by the Regents of the University of California. 1997 by the Regents of the University of California.
Published by the University of California Press LIBRARY OF CONGRESS CATALOGING-IN-PUBLICATION DATA Names: Lauterbach, Ann, author. Title: Spell / Ann Lauterbach. Description: New York, New York : Penguin Books, [2018] | Series: Penguin poets Identifiers: LCCN 2018017025 (print) | LCCN 2018018530 (ebook) | ISBN 9780525505327 (ebook) | ISBN 9780143133520 (paperback) Subjects: | BISAC: POETRY / American / General. Classification: LCC PS3562.A844 (ebook) | LCC PS3562.A844 A6 2018 (print) | DDC 811/.54dc23 LC record available at https://lccn.loc.gov/2018017025 Cover design: Lynn Buckley Cover art: Courtesy William Kentridge, Marian Goodman Gallery, Goodman Gallery and Lia Rumma Gallery Version_1 To JA And then you sail past in your effortless bravado, the skya blue wind of ease, wings outstretched on a continuouswhim, as if there were no time, and there isnt,but the rest of us pause, watching as you go, you go on by. And for Anselm Berrigan and Nancy Shaver
ACKNOWLEDGMENTS
Some of these poems have appeared, often in earlier drafts, in print and online journals:
The American Reader,
Bard Papers,
Blackbox Manifold,
Boston Review,
The Brooklyn Rail,
Conjunctions,
Harpers,
Literary Hub,
The Poetry Foundation (
Poem of the Day), and
The Poetry Project Newsletter. I wish to thank their editors, especially Brad Morrow, editor of
Conjunctions, in which I have published work since 1981. Some of Us was published originally in a book of photographs by Michael Carlebach (Asheville: Safe Harbor Books, 2017).
All etymologies are taken from the Online Etymology Dictionary. I want also to convey deepest gratitude, once again, to my editor at Penguin, Paul Slovak, whose combination of patience, dedication, and responsiveness is extraordinary. Many friends and colleagues have given me necessary buoyancy along the way. Among them: Arthur Gibbons, Michael Brenson, Marina van Zuylen, Michael Ives, ric Trudel, Celia Bland, Thomas Wild, Anna Moschovakis, Roberto Tejada, and Peter Sweeny. Thank you.
CONTENTS
The seen tree may be real enough for the sensation of vision, just as the dreamed tree is real enough for the dreamer as long as the dream lasts, but neither can ever become a real tree.
Hannah ArendtPAUSE
The arc of distance is partial.
Hannah ArendtPAUSE
The arc of distance is partial.
A continuum belated us, like the slow-motion spit of a shaman. Friendships went south. We could not name our freedoms, only the pause between days in which all matters of belonging densely accrued, then scattered. I could not wake up. She wore a tiara and spoke rapidly into the swollen air, youthful and eager, in bliss for that, while I changed into a shadow just as the oil, heating in the kitchen, began to snarl and a single mosquito itched against the screen, wanting out, or blood. The arc of distance is partial.
The sun set into its given, not prone to regret or sorrow. Ill stay in the thick jungles weeds, without expertise, and mystify the brand. A quotidian logic animates the scene, heads nodding, hands busy under cover of night. Ill stay here by the leaves yellowing in their dotage, among sentences dangling on webs and irreducible to the temptation to flee. Ill be here in the ancient shade of a crass belligerent god, huge on a high wire, teetering over an abyss. Im here, sweetheart, dressed in my skin, ready.
There is some kindness in the zone of farewell: handing over the towel, removing the shoes, looking away from the hanging figures heavy pain, sending a note: Beloved, I regretyou were not able to continue on this pathwe made together, but did not follow,and that your mouth fit so easily over its lieslike a kiss. No matter. We aresevered from the memorials agenda,which has, as you know,moved on without us. The light is blue-gray and the evidence of harm has been removed, swept under the great litter they call what happened.
INVOCATION
Bring the huge vernacular. Bring trysts of jealous gods and a girl changed into a tree and the tree, bring it back or forward into the foreseeable quantum dawn shielding opalescent fog. Bring days by the road over which cats run into the evening in diagonal cat shapes.
Please also to send Whitmans ninety sorrowing words from which to choose as I do not, I do not know where the horizon is located night or day to furnish with cantilevered messages from creatures yet unnamed in the animate gusts waiting for speech that is a wonder thing.
OF THIS
And so traverses, gun in hand, the creek. We on the other side waiting dreamily as for a wave. The head of the tree is heavy. The pears are not ripe. I do not dare look up, seeing as the day has splurged against my face and you are on the other side where the grid breaks into tiny, oracular tiles, wafer thin, distorted.
The huge sound is mechanical, not expressionistic: things into other things, exploding. The serial furthers. Were you wearing a sombrero, or just a hood to keep hot chords from your skin? Serial, as in many tunes, many kills, weeping additions and accumulating, dry remainders: the cost of endurance.
DESCENDANT
The claims erasure darkens our path, phrase by phrase; distance folds onto jargon. Already abstracted, an announcement rises from the hoard of lesser-known trials, as, from a burial site, a play. Some plural; some assembly.
Habitat strewn with lyrics. Reception blank, nothing to see in the choral chant. The single episode was only another girl walking along the beach, hair woven with light, sandy toes wet, there, on the far island with its dunes, its grass. Her wish is a form of shelter, the boys having worn their jackets into brambles, their hands pierced and bleeding. Soon, the shield and mirror will break and all will cavort, naked, through other, less tiring wars. The pilgrims will turn back, cross the great waters to the herald and the slain calf, the thing with a diadem in its illustrated hair.