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Masters - The Genius in my Basement 0007243391

Here you can read online Masters - The Genius in my Basement 0007243391 full text of the book (entire story) in english for free. Download pdf and epub, get meaning, cover and reviews about this ebook. year: 2012, publisher: HarperCollins Publishers, genre: Detective and thriller. Description of the work, (preface) as well as reviews are available. Best literature library LitArk.com created for fans of good reading and offers a wide selection of genres:

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Masters The Genius in my Basement 0007243391

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Simon Norton won a gold medal at the International Math Olympiad at the age of 15 and again at 16; folks said he was the greatest English mathematician since Sir Isaac Newton. A Daily Mail headline from July 4, 1967, says of Norton, SEATED, SECOND FROM RIGHT: A GENIUS. Norton had just scored 195 out of 200 on the infamous British Math Olympiad for Schools, saying of the International Olympiad to which he now aspired, Ive seen papers from previous years and I must say they dont seem too difficult. And yet, with such promise, Norton always flirted with a darker life, and in this searing biography/memoir of him, Alexander Masters reveals just what happened to Norton to make him eschew regular math -- he was a star at Cambridge as an undergrad and post-grad student -- for a paranoid and difficult life obsessively spent taking bus rides all over England. And what happened is that Norton became fixated on The Monster, a set of numbers so vast that its discovery was hailed by the Mathematical Association of America as one of the most spectacular and mysterious achievements of the last fifty years. And like Stuart, in The Genius in My Basement we read the biography of a non-famous person, an unknown who is yet extraordinary, someone we might pass by as an oddball, but who is, in fact, one of the great minds of this, or any, century--

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ALEXANDER MASTERS

The Genius in my Basement

The biography of a happy man

For gorgeous Flora Oh dear I have a feeling this book is going to be a - photo 1

For gorgeous Flora Oh dear I have a feeling this book is going to be a - photo 2

For gorgeous Flora

Oh dear, I have a feeling this book
is going to be a disaster for me.
Simon Norton

Contents

Simon was one year old playing in the dining room getting under his mothers - photo 3

Simon was one year old, playing in the dining room, getting under his mothers stilettos.

He was unusually thoughtful. His brothers at this age pounded the toy blocks on the glass coffee table and jabbed them into the electric sockets.

Simon picked up a pink block from the pile beside his knee and smoothed it against the carpet. Carefully, he positioned a blue brick alongside. He reached across his mother, on her way to lay the side-plates and forks, had to make a sharp swerve for two more pink bricks, and slid them against the blue. With precision, he extracted another blue brick.

Shuffling across the room on his bottom, Simon found four more pink bricks, fumbled them back and continued the arrangement.

His mother, halfway through folding napkins into bishops mitres, stopped in astonishment. She saw at last what he was doing.

One blue, one pink.

One blue, two pinks.

One blue, three pinks.

One blue, four pinks.

From the disarray of Nature, her baby son was enforcing regularity.

It took our species from the birth of prehistory to the dawn of Babylonian civilisation to learn mathematics.

Simon was bumping about its foothills in just over twelve months.

At three years, eleven months and twenty-six days, he toddled into cake-layers of long multiplication:

January 1956 Simons brother Francis had barely managed to recite the digits - photo 4

(January 1956)

Simons brother Francis had barely managed to recite the digits from one to ten by the time he was four years old; his brother Michael, a fraction quicker, had understood that if you gave him three banana-flavour milkshakes, and asked him to count them, the correct answer was one for the first, two for the second and three for the sticky splosh dribbling down his ear.

Percentages, square numbers, factors, long division, his 81 and 91 times tables, making numbers dance about to itchy tunes:

Simon mastered these when he was five Occasionally his attention wandered - photo 5

Simon mastered these when he was five.

Occasionally, his attention wandered:

Sschliissh dhuunk dhuunk zwaap dhuunk zwaap Listen Can you hear - photo 6

Sschliissh, dhuunk, dhuunk, zwaap, dhuunk, zwaap

Listen! Can you hear?
dhuunk, sschliissh, dhuunk, zaap, zwap, dhuunk
Bend down. Put your ear against the carpet:
Zwaap, dhuunk, dhuunk, dhuunk,

zwaap, dhuunk, ssschliissh

Its fifty years later.
liissh,
dhuunk,
dhuunk,
dhuunk,
zwaap,
dhuunk,
ssschliissh,
dhunnk
dhuunk, zwa
ap, sclissh
dhunnk, du
unnk, sw

Thats the sound of a once-in-a-generation genius.

Simon Phillips Norton: Phillips, with an s, as if one Phillip were not enough to contain his brilliance. He lives under my floorboards.

Dhuunk, dhuunk

When I first moved here, I had no idea what the noises were. Underground rivers? The next-door neighbours dragging a new pot through to their Tuscan garden? Dhuunk, dhuunk But after eight years of interpretation I know that its the great mans feet, stomping from one end of his room to the other. Every second stomp is heavier.

Sssschlissh: thats the swipe of his puffa ski-jacket against the stalagmites of paperbacks he keeps piled on the furniture.

Zwaap: the sound of his holdall, as he rotates at the end of the room. He sometimes flings it wide, hitting papers. Simon carries this bag about with him everywhere he goes, clutched in the crook of his arm, even if its just to his front door to let in the gas man.

dhuunk, dhuunk, dhuunk, zwaap, dhuunk, dhuunk

Simons bed is ten feet directly beneath mine. My study is on top of his living room. His stomping space extends the full depth of the building, under my floor. My balcony is the roof of his basement extension, which has herded all the pretty garden plants into a six-foot square at the back of our house and stamped them under concrete slabs.

The phone rings. A charge from Simon: Dhuunk! Dhuunk! Dhuunk!

Snorting. The receiver rrinng, clank, clumpump, ping, ping wrenched from its holster. Attempts at speech, grunts, bangs of talk-noise; a strangulated word.

Clunk. Phone back in its holster.

Silence.

Dhuunk, dhuunk, dhuunk

Theres another very important sound, which is too difficult to represent typographically: an intermittent, twisted crackle, sharp but thick, with a strong sense of command, resting on a base of plosive disorder. In an exercise book from when he was five theres a squiggle that comes close:

Its the sound of - photo 7

Its the sound of plastic-bag-being-opened-in-a-hurry-andthe-gratification-of-discovering-important-papers-inside. Without understanding this noise, you cannot understand the man.

ssschliissh, dhuunk, zwaap, zwaap, dhuunk, dhuunk Simon has been pacing down there for twenty-seven years, three months, five days, thirteen hours and eight minutes.

Ssssh!

Stop breathing!

Did you catch that?

Still another sort of noise?

A sort of sigh?

That was a thought.

Your representation of me as interesting is
inaccurate. I feel ashamed by it.

Simon

Damn! Hes gone!

Simons refused to enter the book He is a Minus Norton Why now I demanded - photo 8

Simons refused to enter the book!

He is a Minus Norton. Why now? I demanded, jumping up from the carpet when he stomped into my study from the basement. The reader has started the story. Hes spent the money. He feels conned.

How do you know its a he whos reading it? It might be a she, hnnn.

He or she! Who cares?

I presume they do, he said cunningly.

Behind him, a bubble of air floated up the stairs and expanded into my rooms of the house, whiffing of damp and sardines.

Then he barged out of the front door, and, the scuff of his sandals becoming rapidly soft and seaside-ish, disappeared towards the Mathematics Faculty.

A book about Simon that doesnt have Simon in it?

I had thought a life of Simon would be tiptoeing on the edge of the shadow of God. Instead, he crashes about my study as though heel-joints had never been invented; makes women shriek when they turn on the light in the corridor and find him standing there like an Easter Island statue; his holdall twists him into animal shapes; he hides behind envelopes.

He shocks me awake with his snores.

Writing biographies of living people, the subject is an irritant. Why is he needed? All he does is insist that whatever youve written is wrong.

In fact, when Simon was part of the book, I had to run away from him.

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