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Noland - An Interview with God

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Noland An Interview with God

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Volume 1. Part One: Horror through history. Horror in the Ancient World -- Horror in the Middle Ages -- Horror in the Early Modern Era -- Horror in the Eighteenth Century -- Horror in the Nineteenth Century -- Horror from 1900 to 1950 -- Horror from 1950 to 2000 -- Horror in the Twenty-First Century -- Part Two: Themes, Topics, and Genres. Apocalyptic Horror -- Eco-horror -- Gender, Sexuality, and the Monsters of Literary Horror -- Ghosts Stories -- The Gothic Literary Tradition -- Horror Anthologies -- Horror comics -- Horror Criticism -- Horror Literature and Science Fiction -- Horror Literature as Social Criticism and Commentary -- Horror Literature in the Internet Age -- Horror Publishing, 1975-1995: The Boom Years -- Horror Video Games -- The Legacy of Frankenstein: From Gothic Novel to Cultural Myth -- Occult Fiction -- Page to Screen: The Influence of Literary Horror on Film and Television -- Religion, Horror, and the Supernatural -- Shakespearean Horrors -- Small Press, Specialty, and Online Horror -- Vampire Fiction from Dracula to Lestat and Beyond -- Weird and Cosmic Horror Fiction -- Young Adult Horror Fiction -- Part Three: Reference Entries (Authors, Works, and Specialized Topics) -- Aickman, Robert -- Ainsworth, William Harrison -- Ajvide Lindqvist, John -- Alcott, Louisa May -- Alone with the Horrors -- Alraune -- Ancestral Curse -- Arkham House -- At the Mountains of Madness -- Ballard, J.G. -- Barker, Clive -- Barlow, R.H. -- Barron, Laird -- Baudelaire, Charles -- The Beast with Five Fingers -- Beaumont, Charles -- Beloved -- Benson, E.F. -- Bierce, Ambrose -- Blackwood, Algernon -- Bleiler, E.F. -- Bloch, Robert -- Body Horror -- Body Snatching -- Books of Blood -- Borges, Jorge Luis -- Bowen, Marjorie -- Bradbury, Ray -- Bram Stoker Award -- Brennan, Joseph Payne -- Brite, Poppy Z -- The Bronte Sisters -- Brown, Charles Brockden -- Bulwer-Lytton, Edward -- Burnt Offerings -- Butler, Octavia E. -- Buzzati, Dino -- Byron, Lord;Byronic Hero -- The Call of Cthulhu -- Campbell, Ramsey -- Carmilla -- Carrion Comfort -- Carroll, Jonathan -- Carter,Angela -- The Case of Charles Dexter Ward -- Casting the Runes -- The Castle of Otranto -- The Ceremonies -- Chambers, Robert W. -- Charnas, Suzy McKee -- The Chimney -- Cisco, Michael -- Coleridge, Samuel Taylor -- Collier, John -- Collins, Wilkie -- The Colour Out of Space -- Communion -- Conjure Wife -- Coppard, A.E. -- Crawford, F. Marion -- Cthulhu Mythos -- Dagon -- The Damnation Game -- The Damned -- The Dark Domain -- Dark Fantasy -- Dark Gods -- The Dark Tower -- Datlow, Ellen -- De La Mare, Walter -- The Death of Halpin Frayser -- The Demon Lover -- Derleth, August -- The Devil Rides Out -- Devils and Demons -- Dick, Philip K. -- Doubles, Doppelgangers, and Split Selves -- Dracula -- Dreams and Nightmares -- The Drowning Girl -- Du Maurier, Daphne -- Due, Tananarive -- The Dunwich Horror -- Ellison, Harlan -- Etchison, Dennis -- Ewers, Hanns Heinz -- The Exorcist -- The Fall of the House of Usher -- Farris, John -- Faulkner, William -- Fear -- Feval, Paul -- Forbidden Knowledge or Power -- Frame Story -- Frankenstein -- Gaiman, Neil -- Gautier, Theophile -- The Ghost Ship -- Ghost Story -- The Girl Next Door -- The Girl with the Hungry Eyes -- Gogol, Nikolai -- The Golem -- Good Country People -- Gothic Hero/Villian -- Grabinski, Stefan -- Grant, Charles L. -- The Great God pan -- Green Tea -- The Grotesque -- Haggard, H. Rider -- Haining, Peter -- Hand, Elizabeth -- The Hands of Orlac -- Hardy, Thomas -- Harris, Thomas -- Hartley, L.P. -- Harvest Home -- The Haunted House or Castle -- The Haunting of Hill House -- Hawthorne, Nathaniel -- Hearn, Lafcadio -- Hell House -- Herbert, James -- Hitchens, Robert -- Hill, Joe -- Hill, Susan -- The Historian -- Hodgson, William Hope -- Hoffmann, E.T.A. -- The Horla -- The Hound of the Baskervilles -- The House Next Door -- House of Leaves;The House of the Seven Gables -- The House on the Borderland -- Howard, Robert E. -- Hubbard, L. Ron -- Hugo, Victor -- Huysmans, J.K. -- I am Legend -- I Have No Mouth and I Must Scream -- In a Glass Darkly -- Incubi and Succubi -- International Gothic Association -- International Horror Guild Award -- Interview with the Vampire -- The Invisible Man -- Irving, Washington -- The Island of Doctor Moreau -- It -- Volume II -- Jackson, Shirley -- James, Henry -- James, M.R. -- The Jewel of Seven Stars -- John Silence: Physician Extraordinary -- Joshi, S.T. -- Joyce, Graham -- Kafka, Franz -- Keene, Brian -- Ketchum, Jack -- Kiernan, Caitlin R. -- King, Stephen -- The King in Yellow -- Kipling, Rudyard -- Kirk, Russell -- Klein, T.E.D. -- Kneale, Nigel -- Koja, Kathe -- Koontz, Dean -- Kuttner, Henry -- Kwaidan: Stories and Studies of Strange Things -- Lane, Joel -- Lansdale, Joe R. -- The Last Feast of Harlequin -- Lazarus -- Le Fanu, J. Sheridan -- Lee, Tanith -- Lee, Vernon -- The Legend of Sleepy Hollow -- Leiber, Fritz -- Lewis, Matthew Gregory -- Ligeia -- Ligotti, Thomas -- Link, Kelly -- The Listeners -- Long, Frank Belknap -- Lot No. 249 -- Lovecraft, H.P. -- Lovecraftian Horror -- Lumley,Brian -- The Lurker at the Threshold -- Machen, Arthur -- Mackintosh Willy -- Mad Scientist -- Malpertuis -- The Manuscript Found in Saragossa -- Martin, George R.R. -- The Masque of the Red Death -- Matheson, Richard -- Maturin, Charles Robert -- Maupassant, Guy de -- McCammon, Robert R. -- McDowell, Michael -- McGrath, Patrick -- Melmoth the Wanderer -- Metcalfe, John -- Meyrink, Gustav -- Mieville, China -- The Mind Parasites -- Misery -- The Monk -- The Monkeys Paw -- Monsters -- Moore, Alan -- Morrell, David -- Morrison, Toni -- Morrow, W.C. -- Mr. Arcularis -- Mummies -- The Music of Erich Zann -- The Mysteries of Udolpho -- New Weird -- Newman, Kim -- The Night Land -- Night Shift -- Noland, William F. -- Northanger Abbey;The Novel of the Black Seal -- Novels Versus Short Fiction -- The Numinous -- Oates, Joyce Carol -- Obrien, Fitz-James -- Occult Detectives -- OConner, Flannery -- The October Country -- Oliver, Reggie -- Onions, Oliver -- The Other -- Our Lady of Darkness -- Out of the Deep -- Palahniuk, Chuck -- Penny Dreadful -- The Phantom of the Opera -- The Phatom Rickshaw -- Phantoms -- Pickmans Model -- The Picture of Dorian Gray -- Poe, Edgar Allan -- Possession and Exorcism -- the Private Memoirs and confessions of a Justified Sinner -- Psychological Horror -- Pulp Horror -- Quinn, Seabury -- Quiroga, Horacio -- Radcliffe, Ann -- The Rats -- The Rats in the Walls -- Ray, Jean -- The Reach -- The Recrudescence of Imray The Return of Imray -- The Return -- Rice, Anne -- Ringing the Changes -- The Rocking-Horse Winner -- Rohmer, Sax -- Romanticism and Dark Romanticism -- Rosemarys Baby -- Russell, Ray -- Saki -- Samuels, Mark -- Sandkings -- The Sand-Man -- Sarban -- Sardonicus -- Schalken the Painter -- Schulz, Bruno -- Schweitzer, Darrell -- The Screaming Skull -- Shea, Michael -- Shelley, Mary -- Shiel, M.P. -- The Shining -- Shirley Jackson Awards -- A Short Trip Home -- Silent Snow, Secret Snow -- Simmons, Dan -- Smith, Clark Ashton -- Something Wicked This Way Comes -- Song of Kali -- The Songs of Maldoror (Les Chants de Maldoror) -- Spiritualism -- Splatterpunk -- Sredni Vashtar -- Stevenson, Robert Louis -- Stoker, Bram -- The Strange Case of Dr.Jekyll and Mr.Hyde -- Straub, Peter -- Sturgeon, Theodore -- The Sublime -- Summers, Montague -- Surrealism -- Tem, Melanie -- Terror Versus Horror -- Tessier, Thomas -- Theres a Long, Long Trail A-Winding -- They -- Thrawn Janet -- Transformation and Metamorphosis -- Trilby -- The Turn of the Screw -- The Uncanny -- Unreliable Narrator -- Vampires -- The Vampyre -- VanderMeer, Jeff -- Varney the Vampire; or, The Feast of Blood -- Vathek -- Wagner, Karl Edward;Wakefield, H.R. -- Walpole, Horace -- Wandrei, Donald -- Weird Tales -- Wellman, Manly Wade -- Wells, H.G. -- Welty, Eurdora -- The Werewolf of Paris -- Werewolves -- Wharton, Edith -- Wheatley, Dennis -- The Whimper of Whipped Dogs -- The White Hands -- The White People -- Whitehead, Henry S. -- The Willows -- Wilson, F. Paul -- Witches and Witchcraft -- The Woman in Black -- World Fantasy Award -- Wyndham, John -- Yarbro, Chelsea Quinn -- The Yellow Wall-Paper -- Young Goodman Brown -- Yours Truly, Jack the Ripper -- Zombies -- Select Bibliography -- About the Editor and Contributors -- Index;This two-volume set offers comprehensive coverage of horror literature that spans its deep history, dominant themes, significant works, and major authors, such as Stephen King, Edgar Allan Poe, and Anne Rice, as well as lesser-known horror writers.--

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An Interview with GodNovelization by Robert Noland Based on the screenplay by - photo 1

An Interview with GodNovelization by Robert Noland

Based on the screenplay by KenAguado

An Interview with God

Copyright 2018 Ken Aguado. All rights reserved.

No part of this publication may be reproduced,distributed, or transmitted in any form or by any means, includingphotocopying, recording, or other electronic or mechanical methods,without the prior written permission of the publisher, except inthe case of brief quotations embodied in critical reviews andcertain other noncommercial uses permitted by copyright law. Forpermission requests, write to the publisher at the addressbelow.

Any references to historical events, real people, orreal places are used fictitiously. Names, characters, and placesare products of the authors imagination.

Book cover images from the motion picture AnInterview with God Copyright 2018 Peachtree Cinema 1, LLC. Usedby permission.

Published in association with the literary agency WTAServices LLC, Franklin, TN

Unless otherwise indicated, Scripture quotations aretaken from THE HOLY BIBLE, NEW INTERNATIONAL VERSION, NIVCopyright 1973, 1978, 1984, 2011 by Biblica, Inc. Used bypermission. All rights reserved worldwide.

Scripture quotations marked MSG are taken from TheMessage. Copyright 1993, 1994, 1995, 1996, 2000, 2001, 2002.Used by permission of NavPress Publishing Group.

Cover Design by Ken Aguado

Interior Design by Amy Balamut

Editing/Proofreading by Christy Distler

Film Website: http://www.aninterviewwithgod.com/

Smashwords Edition created 2018

Published by ScreenMaster Books

13535 Ventura Blvd. Suite C #221

Shermon Oaks, CA 91423-3891

http://www.screenmasterbooks.com/

This ebook is licensed for your personal enjoymentonly. This ebook may not be re-sold or given away to other people.If you would like to share this book with another person, pleasepurchase an additional copy for each recipient. If you're readingthis book and did not purchase it, or it was not purchased for youruse only, then please return to your favorite ebook retailer andpurchase your own copy. Thank you for respecting the hard work ofthis author.

Table of Contents

The strange andamazing journey of An Interview with God actually begandecades ago. But I promise to make this brief.

If you google my name, you will quickly learnthat Ive been around for a while, toiling in showbiz, as they say,for many years as an entertainment executive and producer. Noovernight success am I. Over those decades, Ive worked oncountless film and television projects, finding time along the wayto also teach the occasional film school class and write dozens ofin-depth articles on a variety of entertainment-related topics.Moreover, Ive tried to live my life with courage and compassionand let both flow into my work.

The story of An Interview with Godbegan when I was invited to attend the Haifa International FilmFestival in northern Israel for the festivalsthirtieth-anniversary gala. Being asked to participate was a bigdeal for me. On the other hand, my invitation came on the heels ofa prolonged and deadly series of rocket and mortar attacks thatemanated from Gaza, and its just possible that these dire eventscaused previous invitees to back out. Hence my invitation. In anycase, Id never been to the Holy Land, so I jumped at theopportunity, despite the concerns of my family and friends.

Israel doesnt disappoint. To see the sightsand walk in the footsteps of the people and events of history andthe Bible was an indescribable experience. Its a magical, mysticalplace. I returned to America inspired, and all that creative andspiritual energy had to be directed somewhere, right?

As a filmgoer, I was already motivated by therecent success of what Hollywood (weirdly) refers to asfaith-based filmsor as I like to call them, films. From TinselTowns perspective, theres an amazing risk/reward equation tothese movies, meaning they can cost very little to producecomparatively but can garner big box office numbers. Clearly therehad been a largely ignored and underserved group of spiritualfilmgoers around the world.

From a professional perspective, the otherinteresting thing about this phenomenon is that faith films fitinto a genre that Hollywood has all but abandonedthe venerable drama. Ilove them, but these films are mostly impossible to get made inHollywood. If you like a good drama, try television. But nowcombine that with an inspirational message? All I can say is,Count me in.

So I returned from Israel inspired to writemy first screenplay. As it turned out, the timing couldnt havebeen betterthe start of the holiday season. The combination of theannual spirit and the fact that the film business shuts down fromThanksgiving through New Years would give me a quiet four to fiveweeks to write a first draft of a script. And thats exactly what Idid. An Interview with God happened fast. Most screenwriterswill tell you the initial draft usually takes two to threemonths of work. But did I mention I was inspired?

The story I chose was pretty simple and, insome ways, not all that original. I had always liked the basicconcept of broadly appealing commercial films like Oh God!and Bruce Almighty and thought, Why not take a conceptwith proven appeal and write it as a drama, but amplify theChristian message? What if you could interview God? What would youask? And what might God ask you?

What I liked about this inspired approach wasthat the auspices of an interview would allow me to introduce thetheological ideas in a way that might make them more accessible topeople who are interested in spiritual matters but may also feelintimidated by the more orthodox approach that pervades many faithfilmssome ofwhich are quite literally preaching to the choir. There are a lotof people on the outside who are looking for a way to come inside.I wanted to open the door. And I wanted to create a biggertent.

Just fourteen months after I finished myscript for An Interview with God, we began filming in theNew York City area with seasoned, accomplished actorsthe fastestIve ever had a film produced. Was this just good fortune? Orsomething else? Ill let you decide for yourself.

I was then very pleased to be able to revisitthis story once again when the opportunity came to create anovelization. Working with author Robert Noland on his adaptationallowed us to dig even deeper into the lives of these characters,exploring the daily battles and faith struggles we all deal with inour own way.

We hope you will ask the tough questions andarrive at your own answers in this expanded story of AnInterview with God.

Surviving the Fire ofRe-Entry

The massive bay of the C-130 military planeholds some very precious cargo heading back to the United Statesfrom Afghanistan. Six extremely exhausted, tragically empty,war-ravaged men sit securely strapped into their jump seats. Theyappear lifeless, spaced away from one another with two to threeempty chairs between them. At thirty thousand feet somewhere overthe Atlantic Ocean in the middle of the night, the darkness feelsstrangely denser, deeper than ever before.

Between the jump seats and the rear of theplane stand two rows of three eachsix solemn flag-draped coffins.Ornate wooden boxes representing young lives forever silenced,their hopes and dreams for the days beyond service to their countrynow as vanquished as the breath in their lungs. A peculiar presenceis felt in the absence of a life one once knew so well.

Death has always had a daunting supernaturaleffect on the living.

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