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Wallace - The French house: an American family, a ruined maison, and the village that restored them all

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Wallace The French house: an American family, a ruined maison, and the village that restored them all
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The French house: an American family, a ruined maison, and the village that restored them all: summary, description and annotation

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Front Cover; Title Page; Copyright; Contents; Map of Belle le; Top Ten Facts about Belle le; Instructions: Opening the House; Chapter One: Far Breton; Chapter Two: Le Grand Dtour (Year Zero); Chapter Three: The Third Island; Chapter Four: At First Sight; Chapter Five: At Home Abroad: Four Easy Lists; Chapter Six: Summer Plans; Chapter Seven: Seeing and Believing; Chapter Eight: French Regulatory Style; Chapter Nine: The Black Book; Chapter Ten: The French Position; Chapter Eleven: Wards of the Village; Chapter Twelve: The Game of No; Chapter Thirteen: Belle le-en-Hudson.;Shortly after Don and Mindy Wallace move to Manhattan to jump-start their writing careers, they learn of a house for sale in a village they once visited on a tiny French island off the Brittany coast. Desperate for a life change, the Wallaces bravely (and impulsively) buy it almost sight unseen. What they find when they arrive is a ruin, and it isnt long before their lives begin to resemble it--with hilarious and heartwarming results.--Back cover.

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Copyright 2014 by Don Wallace Cover and internal design 2014 by Sourcebooks - photo 1

Copyright 2014 by Don Wallace Cover and internal design 2014 by Sourcebooks - photo 2

Copyright 2014 by Don Wallace

Cover and internal design 2014 by Sourcebooks, Inc.

Cover design by Jennifer K. Beal Davis, jennykate.com

Cover illustration by Tom Hallman

Sourcebooks and the colophon are registered trademarks of Sourcebooks, Inc.

All rights reserved. No part of this book may be reproduced in any form or by any electronic or mechanical means including information storage and retrieval systemsexcept in the case of brief quotations embodied in critical articles or reviewswithout permission in writing from its publisher, Sourcebooks, Inc.

Photos taken by or used through the courtesy of Don Wallace, 2013. Images in Chapter 22 and 24 are by Thomas Rennesson.

This publication is designed to provide accurate and authoritative information in regard to the subject matter covered. It is sold with the understanding that the publisher is not engaged in rendering legal, accounting, or other professional service. If legal advice or other expert assistance is required, the services of a competent professional person should be sought. From a Declaration of Principles Jointly Adopted by a Committee of the American Bar Association and a Committee of Publishers and Associations

All brand names and product names used in this book are trademarks, registered trademarks, or trade names of their respective holders. Sourcebooks, Inc., is not associated with any product or vendor in this book.

This book is a memoir. It reflects the authors present recollections of experiences over a period of years. Some names and characteristics have been changed, some events have been compressed, and some dialogue has been re-created.

Published by Sourcebooks, Inc.

P.O. Box 4410, Naperville, Illinois 60567-4410

(630) 961-3900

Fax: (630) 961-2168

www.sourcebooks.com

Library of Congress Cataloging-in-Publication data is on file with the publisher.

Contents

To Mindy and Rory Any one of us can tell our story in terms of fate in terms - photo 3

To Mindy and Rory Any one of us can tell our story in terms of fate in terms - photo 4

To Mindy and Rory

Any one of us

can tell our story

in terms of fate,

in terms of luck,

or in terms of choice,

and never know

with exact certitude

what is working.

Sheena Iyengar, The Art of Choosing

Top Ten Facts about Belle le

It swims offshore like a fat sole fried in butter, but its bones are blue-green granite.

It is located ten miles out in the Atlantic from the coast of Brittany, in what is called the Bay of Biscay.

Its golden fields are held aloft by sharp-toothed, bone-shattering cliffs, like an offering to older gods.

One hundred fifty-two little villages, most amounting to only a half dozen houses, bask in valleys cut by trickling creeks or huddle in the lee of low knolls.

Each village has its own personality and schedule and history. Each has a cow. Each has a mystery. ( Who owns that cow? )

Each village also shares a daily rhythm with everything else here, because of the way the island breathes with the tides. All of it, farm and beach and rockbound coast, drawbridge and fishing boat and mud-burrowing clam, the wiggling sardines soon to become the daily special on the chalkboard outside the crperie Guerveur, even the lines of wobbling tourist cyclists clogging the island lanesall seem to wax and wane, rise and fall, along with the seas inhalation and exhalation, those sweeping tides that come twice a day, twice at night.

Its beautiful here, often dramatically so.

But, as always, beauty comes at a cost. There are too many tourists in July and August, although theyre good for the local economy. There is pressure to build on open farmland to accommodate development. Pollution is a problem, mostly from outmoded septic systems. Young people cant find jobs to suit their education level and feel they must move to the Continent. As my wife, Mindy, knows from leaving her native Hawaii, this can be painful: its never quite the same after you go away.

There is an ancient and unresolved drama revolving around the island. It looks postcard-pretty upon arrival at Le Palais, the walled port on the protected side that faces the French mainland. It presents a brave face on its western coast, too, the aptly named Cte Sauvage. But it is trapped in an abusive relationship with the treacherous Bay of Biscay, taking the brunt of whatever mood the sea is in. Cliffs crumble, dark masses of seaweed cover the beaches, rows of cypresses fall, ripping up the earth with their roots. Fishermen and tourists are washed away to become crab bait. Early in the morning after a storm, the island tries to convince you that its bruises mean nothing, calling your attention instead to the sun-kissed mists and drifts of spume, taller than a man, that collect in the coves and creeks. The shadow of violence in her eyes haunts you, however. Never turn your back on the sea .

But the island is also gentled by the warming tickle of the tail end of the Gulf Stream. It gets a lot of sunshine, less rain than the Continent, and periods of scintillating glassy calm that, in summer, occasionally peak in what the local Bellilois call beau temps : a day or two of warm, windless clarity and peace, almost psychedelic in nature, when orb spiders weave tapestries of bedewed diamonds along the valley path, shiny green lizards dart underfoot, and people talk in whispers out of an instinctive awe and reverence.

In other words, it is called Belle le for a reason.

Instructions
Opening the House

Bonjour et bienvenue There are a few things that have to be done immediately - photo 5

Bonjour et bienvenue

There are a few things that have to be done immediately when you open the house. Please read ALL these points carefully. First, however, apologies if the ocean was rough on the ferry ride over. We hope nobody got seasick. If somebody did, please check, and clean, the soles of their (not yours, I hope) shoes.

Note : do not start to unpack or have that stiff drink, however well-deserved, or chase after cats and lizards and movie starlets, no matter how adorable, until after you have completed all the opening tasks. Otherwise, there may be a small disaster, such as not having hot water for your bath, or a bigger one, such as open faucets flooding the upstairs.

But perhaps youre not here yet. Perhaps youre reading ahead (recommended) or else, like us thirty years ago, youve arrived to find yourself standing in the middle of a rural village without any idea of where you are and searching for a cottage you must locate without a street sign or house number in sight. If the latter, heres hoping you stashed these instructions in a place where they can easily be found. Because youll need them.

Finding the House

Imagine the village as a bicycle lying on its side in the cornfields. Our first dusty intersection is the rear wheel hub, the spokes of which form four shady lanes. Follow the right-hand lane uphill.

The first house you pass will look on the verge of collapse or abandonment. Its windows are without glass, and the drystone walls are covered in vines that might be the only thing holding them together. You may see feminine underwear hanging on various bushes. You may see kittens. You will probably not see Suzanne, especially if she has sensed your arrival, or that of any stranger, but this is her house.

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