The first series appeared on our screens in 2016 and was an instant hit.
It tells the story of a woman living in London grappling with family, work, sex, love and loss.
The second series aired in the summer of 2019 to further critical acclaim.
It is a love story.
Enclosed in the pages of this book are the filming scripts of the two series, alongside commentary from creator Phoebe Waller-Bridge on the writing and filming of the multi-award-winning show.
INT. FLEABAGS FLAT. CORRIDOR NIGHT
Sounds of a woman breathing.
Shot of the inside of a front door. Fleabags POV.
Shot of Fleabag a few steps away from the door, watching it as if shes ready to pounce. Smudged makeup, hair tousled.
Out of breath.
Shot of the inside of a front door. Fleabags POV.
Shot of Fleabag. She turns to camera.
FLEABAG
(earnest, touch of pain. To camera)
You know that feeling when a guy you like sends you a text at 2 oclock on a Tuesday night and asks if he can come and find you and youve accidentally made it out like youve just got in yourself, so you have to get out of bed, drink half a bottle of wine, get in the shower, shave everything, dig out some Agent Provocateur business, suspender belt, the whole bit, and wait by the door until the buzzer goes
(buzzer goes)
And then you open the door to him like youd almost forgotten he was coming over.
She opens the door to a HANDSOME MAN.
FLEABAG
(to camera)
And then you get to it immediately.
They start snogging violently.
INT. FLEABAGS BEDROOM NIGHT
They are going at it on the bed; we are looking at Fleabags back while she is on top. In a throe of passion Arsehole Guy flips her over onto her side so she is facing us, with him behind her.
FLEABAG
(to camera)
After some pretty standard bouncing you realise that he is edging towards your arsehole. But youre drunk, and he made the effort to come all the way here so, you let him. Hes thrilled.
ARSEHOLE GUY
(whispered)
Im so thrilled.
INT. FLEABAGS BEDROOM MORNING
Fleabag lies in bed, peacefully.
She suddenly opens her eyes and talks to us.
FLEABAG
(to camera)
And then the next morning, you wake to find him fully dressed, sat on the side of the bed, gazing at you
REVEAL: Arsehole Guy is sat on the bed, gazing at Fleabag earnestly. Fleabag looks at him, and then back to camera.
FLEABAG
(to camera)
He says that
ARSEHOLE GUY
Last night was incredible.
FLEABAG
(to camera)
Which you think is an overstatement, but then he goes on to say that
ARSEHOLE GUY
It was particularly special because Ive never managed to actuallyup the bum with anyone before
FLEABAG
(to camera)
To be fair, he does have a large penis.
ARSEHOLE GUY
And although its always been a fantasy of mine, Ivenever found anyone I could do it with.
FLEABAG
(to camera)
And then he touches your hair.
He touches her hair.
FLEABAG
And thanks you with a genuine earnest.
ARSEHOLE GUY
(earnest)
Thank you.
FLEABAG
(to camera)
Its sort of moving. Then he kisses you gently.
He kisses her gently.
FLEABAG
(to camera)
And then he leaves.
He leaves.
Beat.
Fleabag frowns.
FLEABAG
(to camera)
And you spend the rest of the day wondering
CUT TO: INT. CAF MORNING
Fleabag sits with a cup of tea looking up into the distance pensively. A moment of real consideration passes before
FLEABAG
(to camera, concerned)
Do I have a MASSIVE arsehole?
TITLES: FLEABAG
INT. BUS DAY
Fleabag sits, reading a newspaper. On the page we see an advert boasting: Thinking of getting a mortgage? with an inexplicably naked woman advertising it. Fleabag does not react. Because none of us do.
She looks around and catches the eye of a MAN who is looking at her over his paper. We can only see his eyes. He looks away shyly. She looks at the camera and raises her eyebrows slightly. Hello
He pulls his paper down and smiles and reveals that he has extraordinarily large front teeth.
She quickly looks away with a small grimace.
INT. BUS DAY, LATER
Fleabag and BUS RODENT are getting off at the same stop. They do a little awkward laugh at each other.
They stand next to each other.
BUS RODENT
(giggly)
WowUm. This doesnt happen very often, does it?
FLEABAG
(really giggly)
Nooo noI er I suppose itsI suppose its quite rare, yeah.
(to camera)
I hate myself.
BUS RODENT
Um, are you going to work?