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Waller-Bridge - Fleabag: the scriptures

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Waller-Bridge Fleabag: the scriptures
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    Fleabag: the scriptures
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    Random House Publishing Group;Ballantine Books
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    2019
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    New York
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Fleabag: the scriptures: summary, description and annotation

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Phoebe Waller-Bridges critically acclaimed, utterly unique series Fleabag took the world by storm with its piercing dialogue, ruthlessly dry wit, and deeply human drama. In Fleabag: The Scriptures, Waller-Bridge brings together for the first time the complete filming scripts of the first and second seasons, annotated with never-before-seen stage directions and exclusive commentary on her creative process and the making of the series. Now recognized as one of todays most essential voices, she delivers powerful insights into her now-iconic protagonist: the hilarious, emotionally damaged, sexually unapologetic woman who can make viewers laugh, cry, and cringe in a single scene.--Amazon.

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This is a work of fiction Names characters places and incidents are the - photo 1
This is a work of fiction Names characters places and incidents are the - photo 2

This is a work of fiction. Names, characters, places, and incidents are the products of the authors imagination or are used fictitiously. Any resemblance to actual events, locales, or persons, living or dead, is entirely coincidental.

Scripts copyright 2019 by Two Brothers Pictures Limited

Post-script copyright 2019 by Phoebe Waller-Bridge

The Confessional Kyrie copyright 2019 by Isobel Waller-Bridge

Guinea pig, fox and music score illustrations copyright 2019 by Paula Castro (@breedlondon)

All rights reserved.

Published in the United States by Ballantine Books, an imprint of Random House, a division of Penguin Random House LLC, New York.

B ALLANTINE and the H OUSE colophon are registered trademarks of Penguin Random House LLC.

Originally published in hardcover in Great Britain by Sceptre, an imprint of Hodder & Stoughton, a Hachette UK company, London, in 2019.

Fleabag was created by Phoebe Waller-Bridge and produced by Two Brothers Pictures (an all3media company).

FLEABAG: The Original Play is published by Nick Hern Books, London.

Hardback ISBN9780593158272

Ebook ISBN9780593158395

randomhousebooks.com

Cover illustration: 2019 Paula Castro at Breed London

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Contents
Introduction

Fleabag is a television series based on the play of the same name.

The first series appeared on our screens in 2016 and was an instant hit.

It tells the story of a woman living in London grappling with family, work, sex, love and loss.

The second series aired in the summer of 2019 to further critical acclaim.

It is a love story.

Enclosed in the pages of this book are the filming scripts of the two series, alongside commentary from creator Phoebe Waller-Bridge on the writing and filming of the multi-award-winning show.

SERIES
ONE
EPISODE 1 INT FLEABAGS FLAT CORRIDOR NIGHT Sounds of a woman breathing Shot - photo 3
EPISODE 1
INT. FLEABAGS FLAT. CORRIDOR NIGHT

Sounds of a woman breathing.

Shot of the inside of a front door. Fleabags POV.

Shot of Fleabag a few steps away from the door, watching it as if shes ready to pounce. Smudged makeup, hair tousled.

Out of breath.

Shot of the inside of a front door. Fleabags POV.

Shot of Fleabag. She turns to camera.

FLEABAG

(earnest, touch of pain. To camera)

You know that feeling when a guy you like sends you a text at 2 oclock on a Tuesday night and asks if he can come and find you and youve accidentally made it out like youve just got in yourself, so you have to get out of bed, drink half a bottle of wine, get in the shower, shave everything, dig out some Agent Provocateur business, suspender belt, the whole bit, and wait by the door until the buzzer goes

(buzzer goes)

And then you open the door to him like youd almost forgotten he was coming over.

She opens the door to a HANDSOME MAN.

FLEABAG

(casual)

Oh hi!

ARSEHOLE GUY

Hey.

FLEABAG

Hey.

Beat.

ARSEHOLE GUY

Hey.

FLEABAG

(to camera)

And then you get to it immediately.

They start snogging violently.

INT. FLEABAGS BEDROOM NIGHT

They are going at it on the bed; we are looking at Fleabags back while she is on top. In a throe of passion Arsehole Guy flips her over onto her side so she is facing us, with him behind her.

FLEABAG

(to camera)

After some pretty standard bouncing you realise that he is edging towards your arsehole. But youre drunk, and he made the effort to come all the way here so, you let him. Hes thrilled.

ARSEHOLE GUY

(whispered)

Im so thrilled.

INT. FLEABAGS BEDROOM MORNING

Fleabag lies in bed, peacefully.

She suddenly opens her eyes and talks to us.

FLEABAG

(to camera)

And then the next morning, you wake to find him fully dressed, sat on the side of the bed, gazing at you

REVEAL: Arsehole Guy is sat on the bed, gazing at Fleabag earnestly. Fleabag looks at him, and then back to camera.

FLEABAG

(to camera)

He says that

ARSEHOLE GUY

Last night was incredible.

FLEABAG

(to camera)

Which you think is an overstatement, but then he goes on to say that

ARSEHOLE GUY

It was particularly special because Ive never managed to actuallyup the bum with anyone before

FLEABAG

(to camera)

To be fair, he does have a large penis.

ARSEHOLE GUY

And although its always been a fantasy of mine, Ivenever found anyone I could do it with.

FLEABAG

(to camera)

And then he touches your hair.

He touches her hair.

FLEABAG

And thanks you with a genuine earnest.

ARSEHOLE GUY

(earnest)

Thank you.

FLEABAG

(to camera)

Its sort of moving. Then he kisses you gently.

He kisses her gently.

FLEABAG

(to camera)

And then he leaves.

He leaves.

Beat.

Fleabag frowns.

FLEABAG

(to camera)

And you spend the rest of the day wondering

CUT TO: INT. CAF MORNING

Fleabag sits with a cup of tea looking up into the distance pensively. A moment of real consideration passes before

FLEABAG

(to camera, concerned)

Do I have a MASSIVE arsehole?

TITLES: FLEABAG

INT. BUS DAY

Fleabag sits, reading a newspaper. On the page we see an advert boasting: Thinking of getting a mortgage? with an inexplicably naked woman advertising it. Fleabag does not react. Because none of us do.

She looks around and catches the eye of a MAN who is looking at her over his paper. We can only see his eyes. He looks away shyly. She looks at the camera and raises her eyebrows slightly. Hello

He pulls his paper down and smiles and reveals that he has extraordinarily large front teeth.

She quickly looks away with a small grimace.

INT. BUS DAY, LATER

Fleabag and BUS RODENT are getting off at the same stop. They do a little awkward laugh at each other.

They stand next to each other.

BUS RODENT

(giggly)

WowUm. This doesnt happen very often, does it?

FLEABAG

(really giggly)

Nooo noI er I suppose itsI suppose its quite rare, yeah.

(to camera)

I hate myself.

BUS RODENT

Um, are you going to work?

FLEABAG

Oh, no actually I

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