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Potts - Feral

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Potts Feral
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    Feral
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KATE POTTS
FERAL
Poetry Book Society Recommendation

These poems are luminous dispatches from the charged, porous boundary between animal and human. They pull apart and remake definitions and categorisations of wildness and civilisation, training their focus on the language we use to describe youth, social class, and the body. From iron horses to grizzly bears, from deep-water fish to scanderoons, Feral roams the limits of power, language, and love. Cinematic, playful, edgy, tender, startlingly imaginative and strange, Ferals voices carve out a space in the borderlands.

Kate Potts Whichever Music was a Poetry Book Society Pamphlet Choice in 2008 and shortlisted for a Michael Marks Award. Her first book-length collection, Pure Hustle, was published by Bloodaxe in 2011. Feral is her second collection and a Poetry Book Society Recommendation.

Intricate, vital-tender, dazzling work Potts poetry sings even as it bares its teeth. Eley Williams on Feral

Pure Hustle is a gem of book in which Kate Potts conjures a poetry which astonishes and moves the reader. The texture of her language its deft and surprising turns, its intense musicality allows the many voices in these poems to soar. Her curiosity and profound intelligence means that the poems range wonderfully far and wide in setting and subject-matter from the urban clutter of contemporary settings, to modern variations on pastoral, to Penelope weaving, to a beached whale, and more. Kate Potts is a poet whose ear and eye for her work are as close to perfect as can be:
Pure Hustle is pure gold. Jo Shapcott

Cover art: Wire animal sculptures by David Oliveira

For my sisters

Im grateful to the editors of the following publications, in which some of these poems previously appeared: Coin Opera 2: Fulminares Revenge (Sidekick Books, 2013), Cycle Lifestyle, Disclosure Magazine, The Emma Press Anthology of Love (The Emma Press, 2018), The Harlequin, MAP: Poems After William Smiths Geological Map of 1815 (Worple Press, 2015), Magma Poetry, Poems in Which, Poetry, The Poetry Review, Poetry Wales, Ploughshares, Prac Crit, The Tree Line: Poems for Trees, Woods & People (Worple Press, 2017), Under the Radar, Visual Verse and The White Review.

For invaluable support, advice, solidarity and occasional epic karaoke sessions Im deeply grateful to Alison Winch, Dai George, Kayo Chingonyi, Holly Hopkins, Sarah Howe, Jon Stone, Abigail Parry, Nia Davies, Rowena Knight, John McCullough, Amy Evans and John Canfield. Thanks also to Generative Constraints Committee, to Cath Drake, Peter Daniels and all at Poetry Booth, and to James Goodman, Nicola Collett, Kristin Linklater, Neil Astley, Roddy Lumsden, Robert Hampson, and Jo Shapcott. I am grateful to the Hawthornden Foundation for a writing fellowship, and to Arts Council England for an award towards the writing of this book.

CONTENTS







The cultural marginalisation of animals is, of course, a more complex process than their physical marginalisation. The animals of the mind cannot be so easily dispersed.

JOHN BERGER

Now all the boys Ive loved are married off, ensconced.

They bide in milky, clean-hewn terraces, in replicated seaside towns.

They wear matched socks. They wash. They see their own fathers chins

and petulance the kindnesses and tics grow strong

and coarse in them, and this is comfort. They lullaby

their round-faced wives in lusty, baritone, newsreader voices.

Pour me a slug of this late August clarity of light: the contrast turned up high

blunt as bone, acerbic as our windfall apples.

The gardens overrun with teetering foxgloves, cigarette ends, soup tins,

broken televisions; luscious, hoary, interloping weeds.

A fat fox grazes the rubbish sacks. Cars lope, tacit, by the kerb.

I hold my breath in tightly and bless the motoring

wish, wish of my pulse. On TV, the newsreader speaks of riots. His voice

is muffled pips and swells is someone underwater.

with electronica Already the weekend recedes into the distant distant - photo 1

(with electronica)

Already the weekend recedes into the distant distant distance. In the kitchens blue fog, Sundays plates and glass rims bleed spittle, our glamour remainders: fish bone, grits of mashed potato; Rioja! Smuts of chocolate kisses! The living-room sofa is mournful (but haloed with sunlight, mornings exposure spilling on into beatitude). The sofas haunted by the dint and notch of spines, our slumped arses; the beating spectre of our voices. Outside, London revs and stammers in, cranks out Monday. My earphone music keeps me heated in this earliness: sirens and foliage phasing low on the soundscape. My footsteps shuffle hi-hats on the frosted kerb. The houses cough their callow squares of window light, hug their angles close. My soundtrack veers me from commute to noirish trek, from link road to film set; from slog to mission, assignation, backlit by a grainy, mantling sky. An epic not a workday engine powers the drive and drumbeat of my breath. This swell and scratch is code, is the gutter and throb of pigeon wings; they wheel and hike up, numinous, above the Old Street roundabout.

(after Eileen McAuleys The Seduction)

from A General Dictionary of Magic Iron Horse ahy-ern hawrs n pl iron - photo 2
from A General Dictionary of Magic Iron Horse ahy-ern hawrs n pl iron - photo 3
from A General Dictionary of Magic
Iron Horse

[ahy-ern hawrs]

n (pliron horses)

1. A mechanical stallion, mare or gelding. A contraption harnessing limb-work to whorl and feather spoke and wheel, engaging pedal and chain to centrifugal swing, streaking blue momentum. A wheel-blessed ungulate built for crouch, for an arrowing of chin.

2. A hobby horse, un-tethered: steel-blue, or blue as quinine under UV will glow. I will pet and settle its aluminium spine. When my heels swivel, lift and engage a point of departure.

3. A feat of balance an act of pure will (sl). Wheezy-drunk, you cross the heath in a zigzag, tacking your bicycle-craft across the grassland. I keep you aloft and afloat and ballasted, singing Molly Malone in strict three-four time.

An aeroplane, tensing its whip-spun wheels from the runway, hangs like stopped breath.

[strey dawg]

n (plstray dogs)

1. A tight-ribbed canid its belly a skin drum.

In packs, they scrum through railings and wall cracks, in the wild state, slender-muzzled, ears cocked and noses honed to bolt. In alleys and silos, they snuffle for milk and meat. Though theyre dry-nosed, their olfactory receptors brim: cacophonies of sweetbreads, cinnamon, piss-tang, petrol, shades of hops and turpentine delirium.

2. Dog is the root of his zen philosophy, he says. A dog only is and does.

Dog has no knotting gut, no slackening jaw at the price of fish, the fallout, our institutional implosions. Dog has no piquant sense of doom, but lives in simple verbs.

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