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Schiff - A Woman of Property

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Schiff A Woman of Property
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    A Woman of Property
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A Woman of Property: summary, description and annotation

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A new book from a poet whose work is wild with imagination, unafraid, ambitious, inventive (Jorie Graham) Located in a menacing, gothic landscape, the poems that comprise A Woman of Property draw formal and imaginative boundaries against boundless mortal threat, but as all borders are vulnerable, this ominous collection ultimately stages an urgent and deeply imperiled boundary dispute where haunting, illusion, the presence of the past, and disembodied voices only further unsettle questions of material and spiritual possession. This is a theatrical book of dilapidated houses and overgrown gardens, of passageways and thresholds, edges, prosceniums, unearthings, and root systems. The unstable property lines here rove from heaven to hell, troubling proportion and upsetting propriety in the name of unfathomable propagation. Are all the gates in this book folly? Are the walls too easily scaled to hold anything back or impose self-confinement? What wont a poem do to get to the other side?...Located in a menacing, gothic landscape, the poems that comprise A Woman of Property draw formal and imaginative boundaries against boundless mortal threat, but as all borders are vulnerable, this ominous collection ultimately stages an urgent and deeply imperiled boundary dispute where haunting, illusion, the presence of the past, and disembodied voices only further unsettle questions of material and spiritual possession. This is a theatrical book of dilapidated houses and overgrown gardens, of passageways and thresholds, edges, prosceniums, unearthings, and root systems. The unstable property lines here rove from heaven to hell, troubling proportion and upsetting propriety in the name of unfathomable propagation. Are all the gates in this book folly? Are the walls too easily scaled to hold anything back or impose self-confinement? What wont a poem do to get to the other side?...

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ALSO BY ROBYN SCHIFF Revolver Worth PENGUIN BOOKS An imprint of Penguin - photo 1
ALSO BY ROBYN SCHIFF Revolver Worth
PENGUIN BOOKS An imprint of Penguin Random House LLC 375 Hudson Street New - photo 2
PENGUIN BOOKS An imprint of Penguin Random House LLC 375 Hudson Street New York, New York 10014 penguin.com Copyright 2016 by Robyn Schiff Penguin supports copyright. Copyright fuels creativity, encourages diverse voices, promotes free speech, and creates a vibrant culture. Thank you for buying an authorized edition of this book and for complying with copyright laws by not reproducing, scanning, or distributing any part of it in any form without permission. You are supporting writers and allowing Penguin to continue to publish books for every reader. constitutes an extension of the copyright page. LIBRARY OF CONGRESS CATALOGING-IN-PUBLICATION DATA Names: Schiff, Robyn, author.

Title: A woman of property / Robyn Schiff. Description: New York, New York : Penguin Books, [2016] | Series: Penguin Poets Identifiers: LCCN 2015048702 (print) | LCCN 2016001989 (ebook) | ISBN 9780143128274 (paperback) | ISBN 9780698407343 (ebook) Subjects: | BISAC: POETRY / American / General. Classification: LCC PS3619.C365 A6 2016 (print) | LCC PS3619.C365 (ebook) | DDC 811/.6dc23 Version_1

CONTENTS
GATE
Everyone has a cousin Benjamin Bunny. Peter said a walk would do him good. The edge of the wood. Peter did not enjoy himself anymore.

He never would again. The brooding lettuces in their falcon hoods. The coppice gate wound shut by weeds, the jaws of life trying to keep it closed tight but anyone can climb it. As a child I played on a gate in a neighborhood park that swung of itself and sounded like the distress call of a rabbit. I stood on the bottom slat and backed in and out of the air. Ill never get out of here.

The gate was pure folly, without fencing on either side, Greek tragedy staged around a doorway the imagination strains to enter. I was raised in an aisle seat with an eye line of an actor about to come through from behind it. Melodramatic onions grew wild. I cried and cried until someone said its okay to cry, it means the onions are fresh. Every dream begins with a threshold. Meat in the driveway where dogs tipped the garbage.

Wheres your mouth? There is a whistle you can buy that makes the sound of a rabbit screaming hunters use to call whatever they want out of the thicket because everything they want wants rabbit for dinner. Move your hand along the shaft to change the call from jack to cotton tail and back again. Once you see them nose out of the interior at your bidding what stops you from sounding every single day? All day? The shrill imagined rabbits canned terror. You can do it with a reed of grass. Cup your hands. Everything alive is listening.

I knew a hunter who could do a spot-on fawn whose suffering would bring a doe into the open every time. He didnt want a doe, though. He wanted a buck. Heres what I cant stand to acknowledge: when bucks hear the sound of the fawn my friend makes with his mouth they come, too, not in pity, but in lust, so badly they want the doe drawn by the yearning of a fawn in need of her. Everything is within range suddenly, and who am I to judge. No. No.

He takes a bullet. I was caught up in theatrics and forgot whose theater this is.

H1N1
God knows how our neighbors manage to breathe. No one is allowed to touch me for infection is a hazard of mercy I will not transmit as Legion transcribed from the mouth of Error into his body and sent into a herd of swine who sent it to the sea whos been trying to return to earth since creation and nearly succeeds every day. I just took my temperature. 98 degrees.

I am better than healthy. I am cooling even as the earth heats, even as it meets the sea further inland and negotiates distance from increasingly disadvantaged position. I am cooling because nothing touches me. Others may go to the petting zoo and country fair but dont even tell me what they touch there. Im taking my temperature again; my thermometer is digital and pink and its beep is my name being read from the book of life, which is available on Kindle and allows me to avoid the public library but contains peculiar punctuation errors and is transcribed by evangelists while they wait in line at gates you cant see from here. 98.5.

Still cooler than life. I have another glass of water, and feel you turning in me, my little book, flipping over and over. Its time for bed, little sow, little sow. The book of death is open on my bedside table and is called The PregnancyCountdown, and contains advice from the trenches about how to level the enemy, the body. Its time for bed, little bee, little bee. I open my window and find ten dead between the pane and the screen, which apparently has tears big enough to enter and I leave them in state in a pile and watch the wind lift their mighty wings in deathly aspiration.

It is the beginning of flu season, Rosh Hashanah. Every tear is recorded. I say tear to rhyme with the chair by my window, not tear to rhyme with the fear of God here at the Fair of God where the just leer at the milk cow and brush up against captivity and slaughter in the name of zoonosis and the vector. Nothing touches me, little scale, little scale, I will not be meted, I will not give the mosquito her share even though the blood meal is all she has to nurture her eggs and mother-to-mother I hear her flight even as shes drawn to my breath by fate and nature, which are one and as interchangeable as babies in soap operas. Dangerous angel, I will not lie down with the lamb who is contagious. I will not hear your name recalled for I have not named you and fear tempers my love of the letters of this world which are as pins through the body while the wings flail, but I will not fail to meet you when you get here with your shadow attached and your failure a promise entering the success of your first breath.

On what grounds, on what faith, dare we aspire together where Legion hears the ventilator and enters the wire?

NURSERY FURNITURE
Today I am expecting a new chair. I returned four this year already. They were all Sand with Sand piping and come from a shop called the Land of Nod, where Alison, the manager who deals with me, gave me a gift certificate I am afraid to redeem. Wary of what dream? Nod does mean sleep, but only as a pun on the state Cain fled to after slaying Abela waking sleep part denial, part self-righteous, a neutralizing hallucination of North Carolina I rock in to inhaling the off-gassing batting, bare heels rhythmically worrying a loose staple behind the rigid skirt at chair-bottom where coarse temporary fiber as permeable as loose landscape fabric partitions against interior interior where an involuting spring grinds the slow industrial rattle I recorded for Alison and played back over the telephone. The Return Policy at Land of Nod, like an insidious, mum extension of the dead line for completion of a project I wish I had not undertaken, threatens endless, unrelenting replacement of everything, no questions asked; but Alison asked as courtesy so I pushed the game, equilateral public mouth the tri-lipped angel of post traumatic repetition contorts to foretell the past, and listened, with Alison, to the estate sale auctioneers lamentation rise as the runners rock, wind water riving deep natural boundaries between kin; original keen of first material; the wood; the block; the ax; the altar; the kid. The chairrejected itwhen you rocked the baby, didnt it? Thats the turn of the screw in the other direction.
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