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Ward - Renegades: my wild trip from professor to new journalist with outrageous visits from Clint Eastwood, Reggie Jackson, Larry Flynt, and other American icons

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Ward Renegades: my wild trip from professor to new journalist with outrageous visits from Clint Eastwood, Reggie Jackson, Larry Flynt, and other American icons
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    Renegades: my wild trip from professor to new journalist with outrageous visits from Clint Eastwood, Reggie Jackson, Larry Flynt, and other American icons
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After spending time as a professor in upstate New York, Robert Ward decided to give journalism a try. What followed were two decades of assignments for New Times, GQ, SPORT, Rolling Stone, and other publications, covering the biggest stars of the sporting, music, art, and film worlds. This collection includes Wards celebrated story on Reggie Jackson that nearly tore the New York Yankees apart (and was later brought to life in an ESPN miniseries The Bronx Is Burning); a profile of the outlaw country music movement of Willie Nelson, Waylon Jennings, Jerry Jeff Walker, and David Allan Coe; and an insightful feature on Hustler publisher Larry Flynt as a young pornographer that almost cost Ward his life. Also included are essays about the former premier of Vietnam Nguyen Cao Ky trying to adjust to life in California; an aging Lee Marvin dealing with the survivors guilt from his time in World War II; and profiles of LeRoy Neiman, Robert Mitchum, and a variety of fringe characters on the American scene.

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Ward got good stufffrequently great stufffrom characters and he didnt have to - photo 1

Ward got good stufffrequently great stufffrom characters,
and he didnt have to rip it off. They wanted him to
know
their stuff. Roy Blount Jr.

Renegades

PETE MARAVICH | MARK FIDRYCH REGGIE JACKSON | MY WILD TRIP ROBERT | FROM PROFESSOR TO MITCHUM | NEW JOURNALIST JERRY JEFF WALKER | WITH ELVIS PRESLEY | OUTRAGEOUSVISITS FROM CLINT EASTWOOD, LEE MARVIN | REGGIE JACKSON, DAVID ALLAN COE | LARRY FLYNT, GEORGE ATKINSON | AND OTHER LEROY NEIMAN | AMERICAN ICONS LARRY FLYNT | WAYLON JENNINGS CLINT EASTWOOD | NGUYEN CAO KY PETE MARAVICH | MARK FYDRICH REGGIE JACKSON | MY WILD TRIP ROBERT | FROM PROFESSOR TO MITCHUM | NEW JOURNALIST JERRY JEFF WALKER | WITH ELVIS PRESLEY | OUTRAGEOUS VISITS FROM CLINT EASTWOOD,, LEE MARVIN | REGGIE JACKSON, DAVID ALLAN COE | LARRY FLYNT, GEORGE ATKINSON | AND OTHER LEROY NEIMAN | AMERICAN ICONS LARRY FLYNT | WAYLON JENNINGS CLINT EASTWOOD | NGUYEN CAO KY

ROBERT WARD
with an Introduction by

a division of FW Media Inc Dedication This book is dedicated to my favorite - photo 2
a division of F+W Media, Inc.

Dedication

This book is dedicated to my favorite editors during my journalism days, all of them brilliant and terrific people. They include:

John Larsen, John Lombardi, Marty Bell, Terry McDonnell, Dick Schaap, Berry Stainback, Roger Director, Bob Asahina, and the late, great Art Cooper.

Without their belief in me as a journalist, and their friendship and support, I would have never had a career at all. Indeed, they were more than editors. They were drinking buddies and close friends. And during those wild creative years I truly felt we were like a band of brothers.

Introduction from
Roy Blount Jr.

Once upon a timein the much-abused 70sgiants walked the earth, however unsteadily, and stayed out late, and for some reason they suffered certain intrepid reporters to do it with them and take notes. Robert Ward was very good at this. I did some of it myself, with some of the same giants

Well, it wasnt so much that they were giants. Tom Cruise is a giant, but hes not a character. You dont want to hang out with him and find out what he is like. The people Ward was so good at profiling were characters. And characters cry out, by nature, for writers. Capturing characters, back then, took not only an ability to hang, but also an ear for dialogue, a knack for words, and an ability to come off, honestly, as more than just a curiosity-seeker.

Wards standard statement, to the character in question, of what he was up toI want to set the record straightwas inspired, since characters tend to feel that they have never met the right appreciator. Frequently the character was outraged by the writers version of him, in print, but I doubt that Reggie Jackson still wants to kill Robert Ward. Ward was too attentive an appreciator, and Jackson too receptive to appreciation. They were a good match, working together. Wards piece on Reggie didnt just clear up some Jacksonian history, it made it. And not only did Ward get it right, so did Reggie: he was the straw that stirred the drink. He stirred it by saying he was, to Ward.

Sometimes, though, Ward was honorably at cross purposes with his subject. I dont think were getting at the real core of me, Leroy Nieman tells him. Maybe not, but they got at his shuck, which was the pertinent layer. Larry Flynt, on the other hand, comes across as an integrated personality, sleazy through and through and no bones about it. Ward got good stufffrequently great stufffrom characters, and he didnt have to rip it off. They wanted him to know their stuff.

If there were an equivalent to Lee Marvin today, a magazine writer would be lucky to mine him for grooming tips, relayed by a press agent who had exacted a guarantee that his client would be on the cover. Ward got drunk with the actual Lee Marvin, and talked with him heart-to-heart. Ward also received from Pete Maravich a length-of-the-court behind-the-back pass. If thats not enough to convince you that those were good days to be out and about, how about the fact that the outlaw country singer Jerry Jeff Walker lived, as Ward reports, in a beautiful sixty-five thousand dollar home outside of Austin, complete with modern kitchen, fireplace, sliding paneled doors, swimming pool, and basketball court?

Granted, we had no Internet back then. So? Do you think you learn anything worthwhile from todays celebrity-hating gotcha
gossip websites? And do you think Robert Mitchum would tweet? With Wards accompaniment, Mitchum blew his own deep, distinctive horn.

~Roy Blount Jr.

Introduction

I was thrilled to learn that Ben LeRoy, major honcho of upstart and super-hip Tyrus Books wanted to put out a collection of my journalistic pieces from the fab 70s and 80s. I mean how many scribes get their perishable magazine and newspaper work collected in book form?

Yep, a collection of my best pieces. Perfect, thought I! That is, until I began to ponder what this endeavor might entail.

Boss Ben wanted me to write a companion essay along with the pieces. Something that might give the inside poop on the life of this particular New Journalist, as he waded his way through the muck and double dealing of the high-powered journalistic world of sharpies, slicksters, and general freaking editorial maniacs.

Sounds a-okay to me, Ben, says I.

But then I started to write and a sick, twisted feeling spread through my bowels.

The very idea of revisiting my younger self, the mustachioed, cowboy-haired, ill-kempt, bourbon-drinking, wild man who would go anywhere at a moments notice, meet total strangers, get them to reveal crucial things about themselves, sleep two hours a night, come back home on the red-eye with a filled notebook and then sit down and lash together a ten-thousand-word story over the weekend, while still finding time to play the guitar, go to all-night discos with Morgan Entrekin, Jay McInerney, Bob Datilla, David Black, John Lombardi, Lucian Truscott, Richard Price, Mike Disend, John Eskow, Terry Southern, Rip Torn, Bob Asahina, and anyone else we happened to pick up along the merry way just thinking about that younger version of myself was exhausting. Plus, Id have to relive the doubt and fear I felt every time I went out on a piece.

The question every freelance journo (without a trust fund) asks himself: What if I blow it? What if my subject refuses to talk to me? What if all he or she says is, We play them one game at a time, Bob. Or I just thank Jesus Christ for my movie career. Or, even worse, as one former NFL quarterback once told a friend of mine: I love playing football and the forward pass is my favorite play. Well, no fucking shit! My friend Hicks then asked his subject to think of something that really made him mad, just drove him nuts, the idea being he might be able to squeeze a soupon of passion out of this meathead. The QB agreed to try and think of the thing that bugged him, that drove him batshit, like no other. My friend called him back the next day, and the great QB said: Jack, I got it. I really got it. The thing that pisses my ass off more than anything in this goddamned world! Good man, Jack said, getting pen ready to scratch paper. And what is said thing? Careless drivers, the QB screamed. Careless fucking drivers really make me angry, pal! Whereupon Hicksie saw his entire piece, career, life fall apart. This was the big reveal? This was what someone would plunk their money down for? Careless fucking drivers?

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