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Daniel Levin - The Last Ember

Here you can read online Daniel Levin - The Last Ember full text of the book (entire story) in english for free. Download pdf and epub, get meaning, cover and reviews about this ebook. year: 2010, publisher: Penguin Group USA, genre: Detective and thriller. Description of the work, (preface) as well as reviews are available. Best literature library LitArk.com created for fans of good reading and offers a wide selection of genres:

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Jonathan Marcus, a young American lawyer and former doctoral student in classics, is summoned to Rome for a case and stumbles across a message hidden inside an ancient stone fragment. The discovery propels him and UN preservationist Dr. Emili Travia into a coldblooded modern plot to erase every remnant of Jewish and Christian presence from Jerusalems Temple Mount, in the process redefining history itself.

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Table of Contents For my mother storyteller All references to ancient - photo 1
Table of Contents

For my mother storyteller All references to ancient texts in this novel are - photo 2
For my mother, storyteller
All references to ancient texts in this novel are real, as is the Waqf Authoritya secretive Islamic land trust that has administered the Temple Mount in Jerusalem since 1187 A.D.
Historians are forgers.

The Life of Flavius Josephus,
first century A.D.
1
12:15 A.M. Fiumicino Airport. Rome

Why have I been flown here? Jonathan Marcus asked the chauffeur, raising his voice over the winter rain.
The downpour of a Roman burrasca pounded the hood of a black Maserati Quattroporte sedan. The chauffeurs shirt was soaked, his stomach blousing out like a sack of grain.
The partner is expecting you, Signore, he said, taking Jonathans carry-on and opening the back door.
Water streamed down Jonathans suit pants and gathered on his Ferra gamo shoes, but he seemed not to notice. He pointed at Fiumicinos runway lights.
Underneath the runway where my plane just landed was once the largest sea harbor in imperial Rome. The Portus, it was called. Two-thousand-year-old Roman ships are still under there!
The chauffeur nodded politely. He laid Jonathans briefcase in the trunk and, when he closed it, was surprised to see the tall young man still beside the open door, elbows on the roof, the wet folds of his white dress shirt clinging to his athletic shoulders. He was staring at the runway.
Jonathan Marcus had returned to Rome, a young corporate lawyer in a navy chalk stripe suit and a loosened Herms tie, but just ten minutes back on terra antiqua and memories from his doctoral work in classics beckoned to him from the stones.
Signore? The chauffeur gently pointed to the door.
Jonathan ducked into the cars immaculate leather backseat. In the finished-wood console, a freshly brewed cappuccino steamed in a bone china coffee cup bearing the firms dignified logo, DULLING AND PIERCE LLP. He was reminded of the firms mania for formality, and although his jacket was still sopping, he slipped his arms through its sleeves and buttoned it.
Still not exactly presentable, he said softly, raking back the soaked, brown hair from his brow. Stubble accented the strong angles of his attractive face, darkening his boyish looks.
A digital clock in the center of the console displayed the time in a cobalt blue glow: 00:17 a.m.
Long day, Jonathan thought.
Only twelve hours before, Jonathan was sitting at his desk on the forty-first floor of Dullings headquarters in midtown Manhattan, another solitary night of document review before him, when the intra-office mail cart delivered a travel itinerary with the word URGENT stamped across it like a red sash.
The details were few, listing only the departure time of an Alitalia flight out of Kennedy Airport in three hours and his seat number in first class. This exceeded even Dulling and Pierces legendary standards for client secrecy. A partners recent toast at a firm dinner now sounded like an ominous oracle. With your background in classics, Marcus, antiquities dealers all over the world will want you on their lawsuits, wont they?
Last month, Jonathans representation of Dulling client and Roman antiquities dealer Andre Cavetti catapulted him into the spotlight of the antiquities world. The Italian government had brought a lawsuit in a U.S. District Court in Manhattan, alleging that Mr. Cavettis gallery on Madison Avenue displayed a twenty-inch-high nude bronze statue illegally excavated from the ancient town of Morgantina on the Sicilian coast. Jonathans cross-examination of the Italian governments expert, Dr. Phillip von Bothmer, curator of Greek and Roman antiquities at the Metropolitan Museum of Art, left the Italians case a smoldering ruin.
And the ancient town of Morgantina, Dr. von Bothmer, the site of my clients alleged excavation, when was that town destroyed?
Beginning of the second century B.C. Dr. von Bothmer spoke reprovingly, as though Jonathan had not been listening to his hours of testimony. Morgantina foolishly backed Carthage against Rome in the Second Punic War. The strata of archaeological dirt is black soot, which indicates that everything in Morgantina was laid to waste at that time. Total destruction.
Total destruction, Jonathan repeated. He paused, approaching the small sculpture sitting on display in front of the witness box.
Tell me, Doctor, are you a breast man? Jonathan said.
A juror laughed out loud, then unsuccessfully disguised it as a cough.
Im sorry? Dr. von Bothmer said.
Breasts, Doctor. Jonathan cupped his own chest a few inches beyond his shirt. Arent the statues breasts a little small for you?
The lawyer from the Italian embassy exploded from his chair. This is badgering, Your Honor! The gallery came alive with laughter. At the Dulling table, the supervising partner collapsed his bald head into his hands.
The depiction of breasts of Roman women, Your Honor, is a helpful metric to determine the date of a relics origin: Whether the breasts are una manus or duae manus, Latin terms for one handful or two. He spoke as though explaining the dullest of courtroom technicalities. The experts theory that this statue is pre-first century would require a more voluptuous representation, exhibiting a pagan influence. These slender breasts betray a Christian influence more fitting of a later artifact from, say, Byzantium.
The District Court judge flipped up her reading glasses, turning to the witness.
Is that true, Dr. von Bothmer?
For the first time, the witness appeared uneasy.
Pagan imagery of a voluptuous Venus was replaced by a tamer Christian portrayal after the first century. Sohe cleared his throatperhaps...
Perhaps, Jonathan repeated, walking toward the jury. Then how is it that a statue with a Christianized bust could come from Morgantina? According to your own testimony, Morgantina had been nothing but ashes for two hundred years before Christianitys rise.
Dr. von Bothmer shifted, a nervous glance at the Italian counsels table. Let me withdraw that question, Your Honor, Jonathan said after a moment, allowing the professor off the ropes to get him squarely in the jaw.
Jonathan used the same respectful tone but now without the smile. Doctor, didnt your own museum just return the Euphronios Krater to the Italian Cultural Ministry, having learned it was illegally excavated from Morgantina in 1984? Isnt it possible that by offering your testimony here todaya testimony even you know to be academically tenuousthe Met hopes to avoid a renewed interest by the Italian embassy in other items in the museums collection?*
Dr. von Bothmer opened his mouth to speak, but no sound came out.
Jonathan walked back to the defense table. Cognoscere mentem, cognoscere hominem, he said, just loud enough for Dr. von Bothmer to hear. Know the motive, know the man.
Signore, the chauffeur said.
The Maserati had stopped in Piazza Navona in downtown Rome. The chauffeur let the engine idle.
Jonathan leaned forward. I havent received any information where to go.
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