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Stratton - Smugglers blues: a true story of the hippie mafia

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Stratton Smugglers blues: a true story of the hippie mafia
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Smugglers blues: a true story of the hippie mafia: summary, description and annotation

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Northern Exposure -- The Good Samaritan -- Fools Paradise -- Top of the World -- General Marijuana -- Dont Mess with Texas -- Flower of Bekaa -- City of Death -- A Date with Ten Million Dates -- Doctor Lowell, I Presume -- Money Changes Everything -- Better than Sex -- Island Universe -- Eng Game.;Goodfellas meets Savages meets Catch Me If You Can in this true tale of high-stakes smuggling from pots outlaw years. Richard Stratton was the unlikeliest of kingpins. A clean-cut Wellesley boy who entered outlaw culture on a trip to Mexico, he saw his search for a joint morph into a thrill-filled dope run smuggling two kilos across the border in his car door. He became a member of the Hippie Mafia, traveling the world to keep America high, living the underground life while embracing the hippie credo, rejecting hard drugs in favor of marijuana and hashish. With cameos by Whitey Bulger and Norman Mailer, Smugglers Blues tells Strattons adventure while centering on his last years as he travels from New York to Lebanons Bekaa Valley to source and smuggle high-grade hash in the midst of civil war, from the Caribbean to the backwoods of Maine, and from the Chelsea Hotel to the Plaza as his fortunes rise and fall. All the while he is being pursued by his nemesis, a philosophical DEA agent who respects him for his good business practices. A true-crime story that reads like fiction, Smugglers Blues is a psychedelic road trip through international drug smuggling, the hippie underground, and the war on weed. As Big Marijuana emerges, it brings to vivid life an important chapter in pots cultural history.--;The unlikeliest of kingpins, Richard Stratton, a clean-cut Wellesley boy who entered outlaw culture on a trip to Mexico, he saw his search for a joint morph into a thrill-filled dope run smuggling two kilos across the border in his car door. He became a member of the Hippie Mafia, traveling the world to keep America high, living the underground life while embracing the hippie credo, rejecting hard drugs in favor of marijuana and hashish. With cameos by Whitey Bulger and Norman Mailer, Smugglers Blues tells Strattons adventure while centering on his last years as he travels from New York to Lebanons Bekaa Valley to source and smuggle high-grade hash in the midst of civil war, from the Caribbean to the backwoods of Maine, and from the Chelsea Hotel to the Plaza as his fortunes rise and fall, while he is being pursued by his nemesis, a philosophical DEA agent who respects him for his good business practices--

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ALSO BY RICHARD STRATTON Smack Goddess Slam The Book editor with Kim - photo 1

ALSO BY RICHARD STRATTON:

Smack Goddess

Slam: The Book (editor, with Kim Wozencraft)

Altered States of America: Outlaws and Icons, Hitmakers and Hitmen

Copyright 2016 by Richard Stratton All rights reserved No part of this book - photo 2

Copyright 2016 by Richard Stratton

All rights reserved. No part of this book may be reproduced in any manner without the express written consent of the publisher, except in the case of brief excerpts in critical reviews or articles. All inquiries should be addressed to Arcade Publishing, 307 West 36th Street, 11th Floor, New York, NY 10018.

First Edition

Arcade Publishing books may be purchased in bulk at special discounts for sales promotion, corporate gifts, fund-raising, or educational purposes. Special editions can also be created to specifications. For details, contact the Special Sales Department, Arcade Publishing, 307 West 36th Street, 11th Floor, New York, NY 10018 or .

Arcade Publishing is a registered trademark of Skyhorse Publishing, Inc., a Delaware corporation.

Visit our website at www.arcadepub.com.

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Library of Congress Cataloging-in-Publication Data

Names: Stratton, Richard (Richard H.), author.

Title: Smugglers blues : a true story of the hippie mafia / Richard Stratton.

Description: First edition. | New York : Arcade Publishing, 2016.

Identifiers: LCCN 2015044060 (print) | LCCN 2015047957 (ebook) | ISBN 9781628726688 (hardback) | ISBN 9781628726701 (Ebook)

Subjects: LCSH: Stratton, Richard (Richard H.) | Drug trafficUnited States. | Drug dealersUnited States. | Organized crimeUnited States. | HippiesUnited States. | BISAC: TRUE CRIME / Organized Crime. | BIOGRAPHY & AUTOBIOGRAPHY / Criminals & Outlaws. | BIOGRAPHY & AUTOBIOGRAPHY / Personal Memoirs.

Classification: LCC HV5805.S797 A3 2016 (print) | LCC HV5805.S797 (ebook) | DDC 363.45092dc23

LC record available at http://lccn.loc.gov/2015044060

Cover photo: iStock

Printed in the United States of America

A smuggler works from inclination, from passion. He is on the one side an artist. He risks everything, runs terrible dangers; he is cunning, invents dodges and gets out of scrapes, and sometimes acts with a sort of inspiration. It is a passion as strong as gambling.

Fyodor Dostoyevsky, The House of the Dead

CONTENTS

AUTHORS NOTE

Smugglers Blues is based on my fifteen-year career as a player in the so-called hippie mafia, importing and distributing marijuana and hashish. Some of the names, locations, and the timeline of events have been altered to protect the identities of those who were never captured and may still be active in the marijuana underground.

This book is dedicated to those unjustly tried, convicted, and sentenced to prison for trafficking in a God-given plant. Free the prisoners of the War on Plants.

NORTHERN EXPOSURE

Phillips, Maine, April 1980

DAWN COMES EARLY this time of year. Particularly up here in the North Country. Its four in the morning. Bright stars still visible in deep velvet skies tinged crimson along the eastern horizon. Red sky in morning, smugglers take warning .

The GMC dually rumbles into motion down the gravel driveway. I love this truck; with the plush, roomy crew cab, its like driving along the road in your living room. I always buy American, patriot that I am, and my motto is: When in doubt, buy a truck. Hit the play button on the stereo. Neil Youngs Powderfinger: Look out, Mama, theres a white boat comin up the river blasts from six speakers. I substitute my own lyrics: Look out, Mama, theres a big bird comin up the river

Or maybe not. You never know how real anything is in this business. Be prepared, thats the Boy Scout motto. Not that I was ever a Boy Scout; got kicked out of Cub Scouts. The pack leader was a pervert, and I called him on it. None of the adults believed me. Still, my Yankee WASP work ethic, drilled into me by my maternal grandmother, Ethel Lowell BurnhamBa Ba, we called herdemands that I do my job to the utmost of my ability even if everyone around me is fucking up. Anything worth doing, Ba Ba would tell me, is worth doing right. And she was always right, lived long enough to know.

Its a short drive from the farm down Wheeler Hill and along Toothaker Pond Road to the river. My big white Alsatian shepherd, Karamazov, doesnt like rock music as much as I do. He sticks his head out the window and lets the soft spring air fold back his ears. I need the music loud. Most people in this part of the world are still asleep and Ive already taken a couple of hits off the oily, resin-soaked roach I left in the ashtray on the kitchen table back at the farm. To say Im high and nervous doesnt come close to describing how I feel. Im plagued by fear. Terrified. Freaked-the-fuck-out. Just the way I like it.

Not simply fear of arrest, though that is always with me. Not fear of failure, either. No, it is a deep-seated dread that everything they have always said about me is true: Youre a bad kid, Rickie Stratton. A troublemaker. A juvenile delinquent. You may even be a sociopath. And that shit you smoke, that music you listen to, is only going to make you worse . They being the Authorities: adults, teachers, principals, probation officers, cops, judges, and shrinks. Lawyers. My big fear is that I am proving them right. I am a failure at everything except crime. The only way I know to soothe this runaway fear is to keep assuring myself they are wrong and what I am doing is right.

My ground crew is bivouacked at the lodge, set on a low hill beside the trout pond a stones throw from the river. Who would have expected that a place like this exists only a few miles down the road from the horse farm I own with the novelist Norman Mailer? Yes, that Mailer. The enfant terrible of American literature. Who lately has been calling himself Aquarius. One could argue its all his fault. When I read his work in college, I sensed he was writing about me. Mailer bought the farm with Channing Godfried, a former Kennedy speechwriter and whiz kid who quit the Johnson administration over the Vietnam War. That was ten years ago. They paid twenty grand for the house,
ramshackle barn, and 160 acres of land on the side of a rocky hill with a view of Mount Blue across the valley. I was living in Provincetown, Massachusetts, with Anas, my wife, renovating a home, waiting for a load. There I met and became friends with Mailer. He heard I had access to good weed. Mailer and Godfried hired me to fix up the farm. When I began to make serious money, I bought them out.

My mouth is cotton dry from nerves and reefer. There is a spring beside the private road that leads into the lodge. I stop the dually. Karamazov and I get out. He laps up the water with his long pink tongue, and I fill a jug, take several cool swallows to soothe my throat and drown the butterflies in my belly. This is the best water I have ever tasted, gurgling up from deep in the ground, fresh, clean, full of minerals, and uncontaminated by human technology. Its Mother Earth offering up her vital liquid to wash clean the stain of civilization.

The lodge was vacant and run down when we took it over. A relative by marriage, fellow scammerI call him by his nickname, Jonathan Livingston Seagulla pilot, discovered this place while out trail-riding on a motorcycle. He came back to the farm and said, Youll never guess what I found down by the river. Local lore has it that the lodge and airstrip were built back in the 1940s by John Fox, a self-made millionaire from South Boston, former owner of the long defunct Boston

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