Copyright 2012 by Benjamin Wood
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Library and Archives Canada Cataloguing in Publication
Wood, Benjamin, 1981
The Bellwether revivals / Benjamin Wood.
eISBN: 978-0-7710-8933-6
I. Title.
PR6123.O64B45 2012 823.92 C2011-904427-7
We acknowledge the financial support of the Government of Canada through the Book Publishing Industry Development Program and that of the Government of Ontario through the Ontario Media Development Corporations Ontario Book Initiative. We further acknowledge the support of the Canada Council for the Arts and the Ontario Arts Council for our publishing program.
DSM-IV TR Diagnostic Criteria for Narcissistic Personality Disorder reprinted with the permission from The Diagnostic and Statistical Manual of Mental Disorders, Fourth Edition, Text Revision, copyright 2000, the American Psychiatric Association
Extract from Johann Mattheson: Spectator in Music by Beekman C. Cannon, copyright 1947, reprinted with permission from Yale University Press
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v3.1
FOR MY MOTHER
Contents
P RELUDE
June 2003
They heard the caterwaul of sirens, and saw the dust rising underneath the ambulance wheels at the far end of the driveway, and soon the darkening garden was a wash of flashing blue lights. It only seemed real when they told the paramedics where to find the bodies. There was one upstairs on the top floor, they said, another in the organ house, and one more at the foot of the gardenthe last one was still breathing, but faintly. They had left him on the riverbank in a nest of flattened rushes, with the cold water lapping against his feet. When the paramedics asked for his name, they said it was Eden. Eden Bellwether.
It had taken too long for the ambulance to arrive. For a while, theyd assembled on the back porch of the rectory, thinking, panicking, staring out at the same old elms and cherry trees theyd stared at a hundred times before, hearing the wind disturb the branches. They all felt responsible for what had happened. They all blamed themselves. And so they arguedabout who was most to blame, who should feel the guiltiest. The only one who didnt talk was Oscar. He leaned against the wall, smoking, listening to the rest of them bicker. When he finally spoke, his voice was so calm it silenced them.
Its over now, he said, extinguishing his cigarette on the porch-rail. We cant go back and change it.
Just a few months ago, theyd been sitting out on the same sapspotted decking behind the rectory, chatting about nothing too importantthe rules of badminton, some Alain Resnais film theyd all seen and hated, the saddening obsolescence of the cassette tapeall six of them just winding down, a bruise of clouds spreading darkly across the Grantchester sky. Theyd gathered round the same wooden patio table, picking at the citronella candle drippings on the wine bottles, throwing dry wax at the midges. Everything had been different back thenso weightless and loose and easy.
Now they watched the first paramedic working on the riverbank, feeling for Edens pulse, strapping an oxygen mask over his nose and mouth, feeding in a drip. They heard the murmur of the other medics voice coming over the dispatcher: VSA. Purple plus. Over.
They didnt go with Eden in the ambulance. They werent prepared to follow in their cars. Instead, they went into the organ house to see the other medic wrenching off her latex gloves. Shed placed a green sheet over the body and it was quivering on the breeze. Dont be going anywhere, she warned them. The police are on their way.
It had been the hottest June day but a cold breeze had been gathering strength all evening, and now it was sweeping across the garden, through the open doors of the buildings. It was blowing into the broken pipes of the old church organa weak and tuneless drone that sounded on and off, on and off, with the steadiest of rhythms, like some machine that had found a way to breathe.
FIRST DAYS
If a man will begin with certainties, he shall end in doubts; but if he will be content to begin with doubts, he shall end in certainties.
Sir Francis Bacon
O NE
Incidental Music
Oscar Lowe would later tell police that he couldnt remember the exact date he first laid eyes on the Bellwethers, though he knew for sure it had been a Wednesday. It was one of those late October evenings in Cambridge when the gun-grey light of the afternoon had faded well before six, and the cobbled avenues of the old town were dark and silent. He had just finished an eight-to-five shift at Cedarbrook, the nursing home on Queens Road where he was a care assistant, and his mind was slow and heavy, laden with the details of his workday: the vacant faces of the older residents, the pallor of their tongues as they took their pills, the give of their skin as he lifted them into the bath. All he wanted was to get home, to fall upon his bed and sleep right through until tomorrow, when he would have to wake up and do the same things over again.
By cutting through the grounds of Kings College, he knew he could shave some time off the walk. In the old city, everybody cycled: the students skittered along the narrow lanes with loaded backpacks, the tourists pinballed from college to college on rented wheels. At any time of day, on any given pavement in Cambridge, someone could be found unlocking a bike from a lamppost and riding off towards the next one. But Oscar preferred the solace of walking.
He crossed Clare Bridge and took the shortcut through the grounds of Kings, hearing the flat echo of his footsteps on the path, still glassy from the afternoon rain. Everywhere was quiet. The clipped lawns seemed unusually blue with the indolent glow of floodlamps, and, somewhere close by, woodsmoke was rising from a cottage chimney, giving the impression of fog. As he went by the face of the college chapel, he tried his best not to look up, knowing exactly how it would make him feel: tiny, irrelevant, godless. But he couldnt help staring at itthat formidable gothic building with its tall spindles needling the sky and its giant blackened windows. It was the picture postcard on every carousel stand along Kings Parade. Hed always hated it. Up close, in the near darkness, the place only haunted him more. It was not the architecture that troubled him, but the age of the building, the scale of its history; the royalty whod once communed there, all the serious people whose faces now thickened encyclopaedias.
A service was underway inside. He could already hear the muted thrum of organ music behind the chapel walls, and when he turned into the Front Court, the sound grew louder and sweeter, until he was close enough to make out the fullness of the instrumenta low, hoarse purr. He could almost feel it against his ribs. It was nothing like the over-powering dirges he remembered from school Christmas services, or the blundering renditions of Abide with me hed strained to sing over at his grandparents funerals. There was a fragility to this music, as if the organist wasnt pressing down on the keys but hovering his fingers above them like a puppeteer. Oscar stopped in the entrance just to listen, and saw the sandwich board near the open doorway: Evensong 5:30, Public Welcome. Before he knew it, his feet had carried him all the way inside.