• Complain

J. D. Robb - Judgment in Death

Here you can read online J. D. Robb - Judgment in Death full text of the book (entire story) in english for free. Download pdf and epub, get meaning, cover and reviews about this ebook. year: 2011, publisher: Berkley Books, genre: Detective and thriller. Description of the work, (preface) as well as reviews are available. Best literature library LitArk.com created for fans of good reading and offers a wide selection of genres:

Romance novel Science fiction Adventure Detective Science History Home and family Prose Art Politics Computer Non-fiction Religion Business Children Humor

Choose a favorite category and find really read worthwhile books. Enjoy immersion in the world of imagination, feel the emotions of the characters or learn something new for yourself, make an fascinating discovery.

J. D. Robb Judgment in Death

Judgment in Death: summary, description and annotation

We offer to read an annotation, description, summary or preface (depends on what the author of the book "Judgment in Death" wrote himself). If you haven't found the necessary information about the book — write in the comments, we will try to find it.

J. D. Robb: author's other books


Who wrote Judgment in Death? Find out the surname, the name of the author of the book and a list of all author's works by series.

Judgment in Death — read online for free the complete book (whole text) full work

Below is the text of the book, divided by pages. System saving the place of the last page read, allows you to conveniently read the book "Judgment in Death" online for free, without having to search again every time where you left off. Put a bookmark, and you can go to the page where you finished reading at any time.

Light

Font size:

Reset

Interval:

Bookmark:

Make

This is a work of fiction. Names, characters, places, and incidents are either the product of the authors imagination or are used fictitiously, and any resemblance to actual persons, living or dead, business establishments, events or locales is entirely coincidental.

Judgment in Death

A Berkley Book / published by arrangement with the author

All rights reserved.

Copyright 2000 by Nora Roberts

This book may not be reproduced in whole or part, by mimeograph or any other means, without permission. Making or distributing electronic copies of this book constitutes copyright infringement and could subject the infringer to criminal and civil liability.

For information address:

The Berkley Publishing Group, a division of Penguin Putnam Inc.,

375 Hudson Street, New York, New York 10014.

The Penguin Putnam Inc. World Wide Web site address is
http://www.penguinputnam.com

ISBN: 978-1-1012-0379-8

A BERKLEY BOOK

Berkley Books first published by The Berkley Publishing Group, a member of Penguin Putnam Inc.,

375 Hudson Street, New York, New York 10014.

BERKLEY and the B design are trademarks belonging to Penguin Putnam Inc.

Electronic edition: October, 2003

Titles by Nora Roberts

HOT ICE

DARING TO DREAM

SACRED SINS

HOLDING THE DREAM

BRAZEN VIRTUE

FINDING THE DREAM

SWEET REVENGE

MONTANA SKY

PUBLIC SECRETS

SEA SWEPT

GENUINE LIES

RISING TIDES

CARNAL INNOCENCE

INNER HARBOR

DIVINE EVIL

SANCTUARY

HONEST ILLUSIONS

FROM THE HEART
(anthology)

PRIVATE SCANDALS

BORN IN FIRE

HOMEPORT

BORN IN ICE

THE REEF

BORN IN SHAME

RIVERS END

HIDDEN RICHES

JEWELS OF THE SUN

TRUE BETRAYALS

TEARS OF THE MOON

ONCE UPON A CASTLE
(anthology with Jill Gregory, Ruth Ryan Langan, and Marianne Willman)

ONCE UPON A STAR
(anthology with Jill Gregory, Ruth Ryan Langan, and Marianne Willman)

Titles written as J. D. Robb

NAKED IN DEATH

GLORY IN DEATH

IMMORTAL IN DEATH

RAPTURE IN DEATH

CEREMONY IN DEATH

HOLIDAY IN DEATH

CONSPIRACY IN DEATH

LOYALTY IN DEATH

WITNESS IN DEATH

JUDGMENT IN DEATH

VENGEANCE IN DEATH

SILENT NIGHT
(anthology with Susan Plunkett, Dee Holmes, and Claire Cross)

The vices of authority are chiefly four: delays, corruption, roughness and facility.

Francis Bacon

More things belong to marriage than four bare legs in a bed.

John Heywood

She stood in Purgatory and studied death. The blood and the gore of it, the ferocity of its glee. It had come to this place with the willful temper of a child, full of heat and passion and careless brutality.

Murder was rarely a tidy business. Whether it was craftily calculated or wildly impulsive, it tended to leave a mess for others to clean up.

It was her job to wade through the debris of murder, to pick up the pieces, see where they fit, and put together a picture of the life that had been stolen. And through that picture to find the image of a killer.

Now, in the early hours of morning, in the hesitant spring of 2059, her boots crunched over a jagged sea of broken glass. Her eyes, brown and cool, scanned the scene: shattered mirrors, broken bottles, splintered wood. Wall screens were smashed, privacy booths scarred and dented. Pricey leather and cloth that had covered stools or the plusher seating areas had been ripped to colorful shreds.

What had once been an upscale strip club was now a jumbled pile of expensive garbage.

What had once been a man lay behind the wide curve of the bar. Now a victim, sprawled in his own blood.

Lieutenant Eve Dallas crouched beside him. She was a cop, and that made him hers.

Male. Black. Late thirties. Massive trauma, head and body. Multiple broken bones. She took a gauge from her field kit to take the body and ambient temperatures. Looks like the fractured skull would have done the job, but it didnt stop there.

He was beaten to pieces.

Eve acknowledged her aides comment with a grunt. She was looking at what was left of a well-built man in his prime, a good six-two and two hundred and thirty pounds of what had been toned muscle.

What do you see, Peabody?

Automatically, Peabody shifted her stance, focused her vision. The victim... well, it appears the victim was struck from behind. The first blow probably took him down, or at least dazed him. The killer followed through, with repeated strikes. From the pattern of the blood splatter, and brain matter, he was taken out with head shots, then beaten while down, likely unconscious. Some of the injuries were certainly delivered postmortem. The metal bat is the probable murder weapon and was used by someone of considerable strength, possibly chemically induced, as the scene indicates excessive violence often demonstrated by users of Zeus.

Time of death, oh four hundred, Eve stated, then turned her head to look up at Peabody.

Her aide was starched and pressed and as official as they came, with her uniform cap set precisely on her dark chin-length hair. She had good eyes, Eve thought, clear and dark. And though the sheer vileness of the scene had leached some of the color from her cheeks, she was holding.

Motive? Eve asked.

It appears to be robbery, Lieutenant.

Why?

The cash drawers open and empty. The credit machines broken.

Mmm-hmm. Snazzy place like this would be heavier in credits, but theyd do some cash business.

Zeus addicts kill for spare change.

True enough. But what would our victim have been doing alone, in a closed club, with an addict? Why would he let anyone hopped on Zeus behind the bar? And... With her sealed fingers she picked up a small silver credit chip from the river of blood. Why would our addict leave these behind? A number of them are scattered here around the body.

He could have dropped them. But Peabody began to think she wasnt seeing something Eve did.

Could have.

She counted the coins as she picked them up, thirty in all, sealed them in an evidence bag, and handed it to Peabody. Then she picked up the bat. It was fouled with blood and brain. About two feet in length, she judged, and weighted to mean business.

Mean business.

Its good, solid metal, not something an addict would pick up in some abandoned building. Were going to find this belonged here, behind the bar. Were going to find, Peabody, that our victim knew his killer. Maybe they were having an after-hours drink.

Her eyes narrowed as she pictured it. Maybe they had words, and the words escalated. More likely, our killer already had an edge on. He knew where the bat was. Came behind the bar. Something hed done before, so our friend here doesnt think anything of it. Hes not concerned, doesnt worry about turning his back.

She did so herself, measuring the position of the body, of the splatter. The first blow rams him face first into the glass on the back wall. Look at the cuts on his face. Those arent nicks from flying glass. Theyre too long, too deep. He manages to turn, and thats where the killer takes the next swing here, across the jaw. That spins him around again. He grabs the shelves there, brings them down. Bottles crashing. Thats when he took the killing blow. This one that cracked his skull like an egg.

She crouched again, sat back on her heels. After that, the killer just beat the hell out of him, then wrecked the place. Maybe in temper, maybe as cover. But he had enough control to come back here, to look at his handiwork before he left. He dropped the bat here when he was done.

He wanted it to look like a robbery? Like an illegals overkill?

Next page
Light

Font size:

Reset

Interval:

Bookmark:

Make

Similar books «Judgment in Death»

Look at similar books to Judgment in Death. We have selected literature similar in name and meaning in the hope of providing readers with more options to find new, interesting, not yet read works.


Reviews about «Judgment in Death»

Discussion, reviews of the book Judgment in Death and just readers' own opinions. Leave your comments, write what you think about the work, its meaning or the main characters. Specify what exactly you liked and what you didn't like, and why you think so.