J. D. Robb - Judgment in Death
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- Book:Judgment in Death
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- Year:2011
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This is a work of fiction. Names, characters, places, and incidents are either the product of the authors imagination or are used fictitiously, and any resemblance to actual persons, living or dead, business establishments, events or locales is entirely coincidental.
Judgment in Death
A Berkley Book / published by arrangement with the author
All rights reserved.
Copyright 2000 by Nora Roberts
This book may not be reproduced in whole or part, by mimeograph or any other means, without permission. Making or distributing electronic copies of this book constitutes copyright infringement and could subject the infringer to criminal and civil liability.
For information address:
The Berkley Publishing Group, a division of Penguin Putnam Inc.,
375 Hudson Street, New York, New York 10014.
The Penguin Putnam Inc. World Wide Web site address is
http://www.penguinputnam.com
ISBN: 978-1-1012-0379-8
A BERKLEY BOOK
Berkley Books first published by The Berkley Publishing Group, a member of Penguin Putnam Inc.,
375 Hudson Street, New York, New York 10014.
BERKLEY and the B design are trademarks belonging to Penguin Putnam Inc.
Electronic edition: October, 2003
Titles by Nora Roberts
HOT ICE
DARING TO DREAM
SACRED SINS
HOLDING THE DREAM
BRAZEN VIRTUE
FINDING THE DREAM
SWEET REVENGE
MONTANA SKY
PUBLIC SECRETS
SEA SWEPT
GENUINE LIES
RISING TIDES
CARNAL INNOCENCE
INNER HARBOR
DIVINE EVIL
SANCTUARY
HONEST ILLUSIONS
FROM THE HEART
(anthology)
PRIVATE SCANDALS
BORN IN FIRE
HOMEPORT
BORN IN ICE
THE REEF
BORN IN SHAME
RIVERS END
HIDDEN RICHES
JEWELS OF THE SUN
TRUE BETRAYALS
TEARS OF THE MOON
ONCE UPON A CASTLE
(anthology with Jill Gregory, Ruth Ryan Langan, and Marianne Willman)
ONCE UPON A STAR
(anthology with Jill Gregory, Ruth Ryan Langan, and Marianne Willman)
Titles written as J. D. Robb
NAKED IN DEATH
GLORY IN DEATH
IMMORTAL IN DEATH
RAPTURE IN DEATH
CEREMONY IN DEATH
HOLIDAY IN DEATH
CONSPIRACY IN DEATH
LOYALTY IN DEATH
WITNESS IN DEATH
JUDGMENT IN DEATH
VENGEANCE IN DEATH
SILENT NIGHT
(anthology with Susan Plunkett, Dee Holmes, and Claire Cross)
The vices of authority are chiefly four: delays, corruption, roughness and facility.
Francis Bacon
More things belong to marriage than four bare legs in a bed.
John Heywood
She stood in Purgatory and studied death. The blood and the gore of it, the ferocity of its glee. It had come to this place with the willful temper of a child, full of heat and passion and careless brutality.
Murder was rarely a tidy business. Whether it was craftily calculated or wildly impulsive, it tended to leave a mess for others to clean up.
It was her job to wade through the debris of murder, to pick up the pieces, see where they fit, and put together a picture of the life that had been stolen. And through that picture to find the image of a killer.
Now, in the early hours of morning, in the hesitant spring of 2059, her boots crunched over a jagged sea of broken glass. Her eyes, brown and cool, scanned the scene: shattered mirrors, broken bottles, splintered wood. Wall screens were smashed, privacy booths scarred and dented. Pricey leather and cloth that had covered stools or the plusher seating areas had been ripped to colorful shreds.
What had once been an upscale strip club was now a jumbled pile of expensive garbage.
What had once been a man lay behind the wide curve of the bar. Now a victim, sprawled in his own blood.
Lieutenant Eve Dallas crouched beside him. She was a cop, and that made him hers.
Male. Black. Late thirties. Massive trauma, head and body. Multiple broken bones. She took a gauge from her field kit to take the body and ambient temperatures. Looks like the fractured skull would have done the job, but it didnt stop there.
He was beaten to pieces.
Eve acknowledged her aides comment with a grunt. She was looking at what was left of a well-built man in his prime, a good six-two and two hundred and thirty pounds of what had been toned muscle.
What do you see, Peabody?
Automatically, Peabody shifted her stance, focused her vision. The victim... well, it appears the victim was struck from behind. The first blow probably took him down, or at least dazed him. The killer followed through, with repeated strikes. From the pattern of the blood splatter, and brain matter, he was taken out with head shots, then beaten while down, likely unconscious. Some of the injuries were certainly delivered postmortem. The metal bat is the probable murder weapon and was used by someone of considerable strength, possibly chemically induced, as the scene indicates excessive violence often demonstrated by users of Zeus.
Time of death, oh four hundred, Eve stated, then turned her head to look up at Peabody.
Her aide was starched and pressed and as official as they came, with her uniform cap set precisely on her dark chin-length hair. She had good eyes, Eve thought, clear and dark. And though the sheer vileness of the scene had leached some of the color from her cheeks, she was holding.
Motive? Eve asked.
It appears to be robbery, Lieutenant.
Why?
The cash drawers open and empty. The credit machines broken.
Mmm-hmm. Snazzy place like this would be heavier in credits, but theyd do some cash business.
Zeus addicts kill for spare change.
True enough. But what would our victim have been doing alone, in a closed club, with an addict? Why would he let anyone hopped on Zeus behind the bar? And... With her sealed fingers she picked up a small silver credit chip from the river of blood. Why would our addict leave these behind? A number of them are scattered here around the body.
He could have dropped them. But Peabody began to think she wasnt seeing something Eve did.
Could have.
She counted the coins as she picked them up, thirty in all, sealed them in an evidence bag, and handed it to Peabody. Then she picked up the bat. It was fouled with blood and brain. About two feet in length, she judged, and weighted to mean business.
Mean business.
Its good, solid metal, not something an addict would pick up in some abandoned building. Were going to find this belonged here, behind the bar. Were going to find, Peabody, that our victim knew his killer. Maybe they were having an after-hours drink.
Her eyes narrowed as she pictured it. Maybe they had words, and the words escalated. More likely, our killer already had an edge on. He knew where the bat was. Came behind the bar. Something hed done before, so our friend here doesnt think anything of it. Hes not concerned, doesnt worry about turning his back.
She did so herself, measuring the position of the body, of the splatter. The first blow rams him face first into the glass on the back wall. Look at the cuts on his face. Those arent nicks from flying glass. Theyre too long, too deep. He manages to turn, and thats where the killer takes the next swing here, across the jaw. That spins him around again. He grabs the shelves there, brings them down. Bottles crashing. Thats when he took the killing blow. This one that cracked his skull like an egg.
She crouched again, sat back on her heels. After that, the killer just beat the hell out of him, then wrecked the place. Maybe in temper, maybe as cover. But he had enough control to come back here, to look at his handiwork before he left. He dropped the bat here when he was done.
He wanted it to look like a robbery? Like an illegals overkill?
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