Vanessa Diffenbaugh - The Language of Flowers

The Language of Flowers is a work of fiction. Names, characters, places, and incidents are the products of the authors imagination or are used fictitiously. Any resemblance to actual events, locales, or persons, living or dead, is entirely coincidental.

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Copyright 2011 by Vanessa Diffenbaugh

All rights reserved.

Published in the United States by Ballantine, an imprint of The Random House Publishing Group, a division of Random House, Inc., New York.

B ALLANTINE and colophon are registered trademarks of Random House, Inc.

LIBRARY OF CONGRESS CATALOGING-IN-PUBLICATION DATA

Diffenbaugh, Vanessa.
The language of flowers: a novel / Vanessa Diffenbaugh.
p. cm.
Summary: The story of a woman whose gift for flowers helps her change the lives of others even as she struggles to overcome her own pastProvided by publisher.
eISBN: 978-0-345-52556-7
1. Young womenFiction. 2. FloristsFiction. 3. Flower languageFiction. 4. San Francisco (Calif.)Fiction. I. Title.
PS3604.I2255L36 2011
813.6dc22 2010051026

www.ballantinebooks.com

Jacket design: Anna Bauer
Jacket photograph: Wildcard Images/Glasshouse Images

v3.1

Moss is selected to be the emblem of maternal love, because, like that love, it glads the heart when the winter of adversity overtakes us, and when summer friends have deserted us.

HENRIETTA DUMONT , The Floral Offering

For eight years I dreamed of fire. Trees ignited as I passed them; oceans burned. The sugary smoke settled in my hair as I slept, the scent like a cloud left on my pillow as I rose. Even so, the moment my mattress started to burn, I bolted awake. The sharp, chemical smell was nothing like the hazy syrup of my dreams; the two were as different as Carolina and Indian jasmine, separation and attachment. They could not be confused.

Standing in the middle of the room, I located the source of the fire. A neat row of wooden matches lined the foot of the bed. They ignited, one after the next, a glowing picket fence across the piped edging. Watching them light, I felt a terror unequal to the size of the flickering flames, and for a paralyzing moment I was ten years old again, desperate and hopeful in a way I had never been before and would never be again.

But the bare synthetic mattress did not ignite like the thistle had in late October. It smoldered, and then the fire went out.

It was my eighteenth birthday.

In the living room, a row of fidgeting girls sat on the sagging couch. Their eyes scanned my body and settled on my bare, unburned feet. One girl looked relieved; another disappointed. If Id been staying another week, I would have remembered each expression. I would have retaliated with rusty nails in the soles of shoes or small pebbles in bowls of chili. Once, Id held the end of a glowing metal clothes hanger to a sleeping roommates shoulder, for an offense less severe than arson.

But in an hour, Id be gone. The girls knew this, every one.

From the center of the couch, a girl stood up. She looked youngfifteen, sixteen at mostand was pretty in a way I didnt see much of: good posture, clear skin, new clothes. I didnt immediately recognize her, but when she crossed the room there was something familiar about the way she walked, arms bent and aggressive. Though shed just moved in, she was not a stranger; it struck me that Id lived with her before, in the years after Elizabeth, when I was at my most angry and violent.

Inches from my body, she stopped, her chin jutting into the space between us.

The fire, she said evenly, was from all of us. Happy birthday.

Behind her, the row of girls on the couch squirmed. A hood was pulled up, a blanket wrapped tighter. Morning light flickered across a line of lowered eyes, and the girls looked suddenly young, trapped. The only ways out of a group home like this one were to run away, age out, or be institutionalized. Level 14 kids werent adopted; they rarely, if ever, went home. These girls knew their prospects. In their eyes was nothing but fear: of me, of their housemates, of the life they had earned or been given. I felt an unexpected rush of pity. I was leaving; they had no choice but to stay.

I tried to push my way toward the door, but the girl stepped to the side, blocking my path.

Move, I said.

A young woman working the night shift poked her head out of the kitchen. She was probably not yet twenty, and more terrified of me than any of the girls in the room.

Please, she said, her voice begging. This is her last morning. Just let her go.

I waited, ready, as the girl before me pulled her stomach in, fists clenched tight. But after a moment, she shook her head and turned away. I walked around her.

I had an hour before Meredith would come for me. Opening the front door, I stepped outside. It was a foggy San Francisco morning, the concrete porch cool on my bare feet. I paused, thinking. Id planned to gather a response for the girls, something biting and hateful, but I felt strangely forgiving. Maybe it was because I was eighteen, because, all at once, it was over for me, that I was able to feel tenderness toward their crime. Before I left, I wanted to say something to combat the fear in their eyes.

Walking down Fell, I turned onto Market. My steps slowed as I reached a busy intersection, unsure of where to go. Any other day I would have plucked annuals from Duboce Park, scoured the overgrown lot at Page and Buchanan, or stolen herbs from the neighborhood market. For most of a decade Id spent every spare moment memorizing the meanings and scientific descriptions of individual flowers, but the knowledge went mostly unutilized. I used the same flowers again and again: a bouquet of marigold, grief; a bucket of thistle, misanthropy; a pinch of dried basil, hate. Only occasionally did my communication vary: a pocketful of red carnations for the judge when I realized I would never go back to the vineyard, and peony for Meredith, as often as I could find it. Now, searching Market Street for a florist, I scoured my mental dictionary.

After three blocks I came to a liquor store, where paper-wrapped bouquets wilted in buckets under the barred windows. I paused in front of the store. They were mostly mixed arrangements, their messages conflicting. The selection of solid bouquets was small: standard roses in red and pink, a wilting bunch of striped carnations, and, bursting from its paper cone, a cluster of purple dahlias. Dignity. Immediately, I knew it was the message I wanted to give. Turning my back to the angled mirror above the door, I tucked the flowers inside my coat and ran.