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Raser Timothy - Baudelaire and Photography: Finding the Painter of Modern Life

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While Baudelaires Le Peintre de la vie moderne is often cited as the first expression of our theory of modernism, his choice of Constantin Guys as that painter has caused consternation from the moment of the essays publication in 1863. Worse still, in his Salon de 1859, Baudelaire had also chosen to condemn photography in terms that echo to this day. Why did the excellent critic choose a mere reporter and illustrator as the painter of modern life? How could he have overlooked photography as the painting of modern life? In this study of modernity and photography in Baudelaires writing, Timothy Raser, who has written on the art criticism of Baudelaire, Proust, Claudel and Sartre, shows how these two aberrations of critical judgment are related, and how they underlie current discussions of both photography and modernism. Timothy Raser is Professor of French at the University of Georgia (USA).

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CONTENTS
LEGENDA LEGENDA founded in 1995 by the european Humanities Research Centre of - photo 1

LEGENDA

LEGENDA, founded in 1995 by the european Humanities Research Centre of the University of Oxford, is now a joint imprint of the Modern Humanities Research association and Routledge. Titles range from medieval texts to contemporary cinema and form a widely comparative view of the modern humanities, including works on arabic, Catalan, english, French, german, greek, Italian, Portuguese, Russian, Spanish, and Yiddish literature. an editorial Board of distinguished academic specialists works in collaboration with leading scholarly bodies such as the Society for French Studies, the British Comparative Literature association and the association of Hispanists of great Britain & Ireland.

The Modern Humanities Research Association MHRA encourages and promotes - photo 2

The Modern Humanities Research Association (MHRA) encourages and promotes advanced study and research in the field of the modern humanities, especially modern European languages and literature, including English, and also cinema. It also aims to break down the barriers between scholars working in different disciplines and to maintain the unity of humanistic scholarship in the face of increasing specialization. The Association fulfils this purpose primarily through the publication of journals, bibliographies, monographs and other aids to research.

Routledge is a global publisher of academic books journals and online - photo 3

Routledge is a global publisher of academic books, journals and online resources in the humanities and social sciences. Founded in 1836, it has published many of the greatest thinkers and scholars of the last hundred years, including Adorno, Einstein, Russell, Popper, Wittgenstein, Jung, Bohm, Hayek, McLuhan, Marcuse and Sartre. Today Routledge is one of the worlds leading academic publishers in the Humanities and Social Sciences. It publishes thousands of books and journals each year, serving scholars, instructors, and professional communities worldwide.

www.routledge.com

RESEARCH MONOGRAPHS IN FRENCH STUDIES

The Research Monographs in French Studies (RMFS) form a separate series within the Legenda programme and are published in association with the Society for French Studies. Individual members of the Society are entitled to purchase all rmfs titles at a discount.

The series seeks to publish the best new work in all areas of the literature, thought, theory, culture, film and language of the French-speaking world. Its distinctiveness lies in the relative brevity of its publications (50,00060,000 words). As innovation is a priority of the series, volumes should predominantly consist of new material, although, subject to appropriate modification, previously published research may form up to one third of the whole. Proposals may include critical editions as well as critical studies. They should be sent with one or two sample chapters for consideration to Professor Diana Knight, Room B39 Trent Building, University Park, Nottingham NG7 2RD.

Editorial Committee
Diana Knight, University of Nottingham (General Editor)
Bill Burgwinkle, Kings College, Cambridge
Janice Carruthers, Queens University Belfast
Nicholas Harrison, Kings College London
Neil Kenny, All Souls College, Oxford
Jennifer Yee, Christ Church, Oxford

Advisory Committee
Wendy Ayres-Bennett, Murray Edwards College, Cambridge
Celia Britton, University College London
Ann Jefferson, New College, Oxford
Sarah Kay, New York University
Michael Moriarty, University of Cambridge
Keith Reader, University of Glasgow

PUBL ISHED IN THIS SERIES

21. Poisoned Words: Slander and Satire in Early Modern France by Emily Butterworth

22. France/China: Intercultural Imaginings by Alex Hughes

23. Biography in Early Modern France 15401630 by Katherine MacDonald

24. Balzac and the Model of Painting by Diana Knight

25. Exotic Subversions in Nineteenth-Century French Literature by Jennifer Yee

26. The Syllables of Time: Proust and the History of Reading by Teresa Whitington

27. Personal Effects: Reading the Journal of Marie Bashkirtseff by Sonia Wilson

28. The Choreography of Modernism in France by Julie Townsend

29. Voices and Veils by Anna Kemp

30. Syntactic Borrowing in Contemporary French: A Linguistic Analysis of News Translation by Mairi McLaughlin

31. Dreams of Lovers and Lies of Poets: Poetry, Knowledge, and Desire in the Roman de la Rose by Sylvia Huot

32. Maryse Cond and the Space of Literature by Eva Sansavior

33. The Livres-Souvenirs of Colette: Genre and the Telling of Time by Anne Freadman

34. Furetires Roman bourgeois and the Problem of Exchange by Craig Moyes

35. The Subversive Poetics of Alfred Jarry: Ubusing Culture in the Almanachs du Pre Ubu by Marieke Dubbelboer

36. Echos Voice: The Theatres of Sarraute, Duras, Cixous and Renaude, by Mary Noonan

37. Stendhals Less-Loved Heroines: Fiction, Freedom, and the Female, by Maria C. Scott

38. Marie NDiaye: Inhospitable Fictions, by Shirley Jordan

39. Dada as Text, Thought and Theory, by Stephen Forcer

40. Variation and Change in French Morphosyntax: The Case of Collective Nouns, by Anna Tristram

41. Postcolonial Criticism and Representations of African Dictatorship: The Aesthetics of Tyranny, by Ccile Bishop

42. Regarding Manneken Pis: Culture, Celebration and Conflict in Brussels, by Catherine Emerson

43. The French Art Novel 1900-1930, by Katherine Shingler

44. Accent, Rhythm and Meaning in French Verse, by Roger Pensom

45. Baudelaire and Photography: Finding the Painter of Modern Life, by Timothy Raser

46. Broken Glass, Broken World: Glass in French Culture in the Aftermath of 1870, by Hannah Scott

47. Southern Regional French: A Linguistic Analysis of Language and Dialect Contact, by Damien Mooney

48. Pascal Quignard: Towards the Vanishing Point, by La Vuong

49. France, Algeria and the Moving Image: Screening Histories of Violence 19632010, by Maria Flood

50. Genets Genres of Politics, by Mairad Hanrahan

51. Jean-Franois Vilar: Theatres Of Crime, by Margaret Atack

www.legendabooks.com

First published 2015

Published by the

Modern Humanities Research Association

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and

Routledge

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711 Third Avenue, New York, NY 10017, USA

LEGENDA is an imprint of the

Modern Humanities Research Association and Routledge

Routledge is an imprint of the Taylor & Francis Group, an informa business

Modern Humanities Research Association and Taylor & Francis 2015

ISBN 978-1-909662-51-3 (hbk)

All rights reserved. No part of this publication may be reproduced, stored in a retrieval system, or transmitted in any form or by any means, electronic, mechanical, including photocopying, recordings, fax or otherwise, without the prior written permission of the copyright owner and the publisher.

Product or corporate names may be trademarks or registered trademarks, and are used only for identification and explanation without intent to infringe.

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