Prof Bey El - Prof’s Abstract Graffiti Eyes!
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- Book:Prof’s Abstract Graffiti Eyes!
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- Year:2020
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Prof’s Abstract Graffiti Eyes!: summary, description and annotation
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[The academic workbook journey of this experimentation is indeed a learning experience, not to be forgotten. The emphasis here in this amazing literature; it shares the stylization of graffiti art which belongs solely to the author. The portraying artworks are line art rendering that was created over 20 years ago & with the aid of an Apple iPad, using photoshop for the colorization they were enhanced with the 21st Century creative appeal. The authors eyes are the artistic eyes of Profs Abstract Graffiti Eyes. While the creative writings of poetry are showing great knowledge on the sagacious journey of indigenous graffiti history. This insightful publication is both colourful with the images of art as well as the language of poetic abstract word choice. This titled literary work Profs Abstract Graffiti Eyes also features retrospective photographic art that was produced 30 years ago. The fusing research & development here in this book is the creative writing of poetry, poetical quotes, digital photography, and graphic arts. Together they express the novelty deeply associating to the literary creative practice of fine arts publishing.]
Prof Bey El: author's other books
Who wrote Prof’s Abstract Graffiti Eyes!? Find out the surname, the name of the author of the book and a list of all author's works by series.
Prof Bey El
Alix Wood
Henry Chalfant
Konstantinos Avramidis
Jessica Nydia Pabón-Colón
Coleman
Margo Thompson
Scape Martinez
Cath Crowley
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Profs Abstract Graffiti Eyes!
Shiftin de
Breaking the Boundaries with
Written by Prof Bey El
Published by L-MUUR Press 17/12/2020
Creative Visual Literature & Visual Cultural Language!
Before You Burn It! Buy It!
ISBN 9781716317897
Contact: lmuurpress@gmail.com
P3 PLAY UGLOS MA Workbook #3
Buy It! Before You Burn It!
Notice of Copyright!
All Rights Reserved:
[Profs Abstracts Graffiti Eyes! Shiftin de Paradigm Breaking the Boundaries with Art! Creative Visual Literature & Visual Cultural Language! No part of this publication should be reproduced or transmitted in any manner or forms, either using any Electronic, Internet or mechanical apparatus; including photocopy, recording or any other storage & retrieval system without written permission from the Author & Publisher: Contact: lmuurpress@gmail.com
Intellectual Property Rights:
This book Profs Abstract Graffiti Eyes! Shiftin de Paradigm Breaking the Boundaries with Art! Creative Visual Literature & Visual Cultural Language! Its the intellectual property of L-MUUR Press NKWNGR Infringement on this publication that will be enforced in the strictest possibilities of both national and international laws. ISBN 978-1-716-31789-7
Duplication & Reproduction:
Requesting permissions on reproductions only in writing.
In English through the mail, First Contact via the Internet is OK!
Be Specify with the clear intention of duplication and reproduction usage.
Due to the esteem of higher learning, Educational Institutions get special compensation discounts on duplication & reproduction usage especially in the area of lesson plans and curriculum development around poetry as a focus on educational usage. Non-Profit Institutions with proven records of humanitarian agendas also gets special compensation discount on duplication & reproduction usage. All other entities require premium scholarships on usage. P3 PLAY UGLOS MA Workbook #3. Contact: lmuurpress@gmail.com
Publication
Publication Front & Back cover design by Artist@Large. Visual Concept by Prof NkwNgr El. Conceptualized Graphic Seal of by NkwNgr. Digital Design by Prof El Digital Layout by Prof. El. Proofing Copy Editing by Prof. NkwNgr Structural Outline by Prof NkwNgr.
Poetic thoughts of Inspirations & poetical quoting thoughts by Prof Bey El.
Photography of Visual Literature by Mystic Poet. Published by L-MUUR Press
Date: 17/12/2020 ISBN 9781716317897 Buy It! Before You Burn It!
Key Note: PAGE = Profs Abstract Graffiti Eyes, DAI= Digital Abstract Innovation, GVL= Graffiti Visual Literacy & PP= Photographic Past, and PAGA = Profs Abstract Graphic Arts!
Scribes Autographing!
Authors Signature Seal
Ne Plus Ultra! P3 PLAY UGLOS MA Workbook #7
JUS COGENS ERGA OMNES! SELF-DETERMINATION FLOWING TO ALL!
I See You!
Location: GL50 2XB Flat #1 Montpellier Grove: Poetic Title: Sighting Creative Practice!
[There are many photographs of this iconic artwork floating out there in cyberspace because its truly an eye-catcher, (pun intended). Although, Im a slow one, because, even after standing next to this wall for nearly months, I didnt notice it, until I started to ponder on what image to use thatd best represent the title of this book; Cheltenham Graffiti Eyes. One day while on break for my Wednesday morning MA Photography class, we came eye to eye, and it felt Divinely Magical. The only issue was just the fact that I had a cyclops image, not to worry, with some graphic design skills and online ingenuity, the one eye was converted to two eyes.]
Ne Plus Ultra! P3 PLAY UGLOS MA Workbook #3
JUS COGENS ERGA OMNES! SELF-DETERMINATION FLOWING TO ALL!
Dedication!
[To all the Graffiti/Street Artists of Africa, the world has once again commercialized indigenous artforms and claiming it as their originality. Its very much like what is stolen from indigenous natives then placed in a constructed neo-euorpean museum with high security for the stolen loots from indigenous lands. The neoRomans did the same thing when they built the Parthenon then invaded indigenous native land stole their icons of deities then placed them in the Parthenon. Graffiti art, drawing on walls and rocks, these types of creative practice, their origination is with those indigenous beings theyve classified to be black people.]
Ne Plus Ultra! P3 PLAY UGLOS MA Workbook #3
JUS COGENS ERGA OMNES! SELF-DETERMINATION FLOWING TO ALL!
Publishers Poetic Articulation!
[Its a pleasure that we at L-MUUR Press present to you our avid readers of the world this small token on fine arts bookmaking. On our publishing growth, its truly a literary joy to bring to you our workbook # Its a nostalgic work of art about digital abstract graffiti stylization relating to graphic line arts. As such, this collectible literary art is a rare book of historic nature, whereby this workbook demonstrates an innovative approach regarding extrapolative creative writings expressing the passion of storytelling while accompanied by photographic images and abstract digital graphic arts. This special graffiti-style art was created back in the 20th Century and now is being released with a new sense of purpose and computer colorization effects.
Now we at L-MUUR Press are happily sharing these visual treasures with you the readers & the rest of the world. Do enjoy the view! In addition to the old graphic graffiti-style artworks, the page breaker photographic images are also from the same period. These images share a visual literacy on a small socially emotional aspect of the city thats called New York. They were photographed around 1994, digitally manipulated, and then use a colour wax printer to present a final printed version which was later scanned to get this finished image thats now presented in this amazing publication. Cheltenham Graffiti Eyes is the inspiration to share another perspective on the perception of graffiti stylization of artistic intent using the expanding new media.
Around the world, since the revolution of hip-hop music, there have been many publications on graffiti street arts, nevertheless, this printed matter on the subject comes at a time when its most needed in delivering a clear statement on the next level towards reaching a wider audience of art lovers. Some people may not have the time to see any of these artworks, thus itll be the first time theyre viewing these sensational showpieces & it may inspire some individuals to make a journey for themselves in seeing these marvelous feats of artistry. We at Bey El Press, are very aware of the historic notation in the creation of this publication, which can also be utilized objectively for art appreciations studies & social studies within the constructions of urban living.
Once upon a time the graffiti artworks of someones painting in a general public space were frowned upon by the public-at-large & were even societally considered to be featuring obnoxious vandalism, illegal tagging to the degree of being a criminal offense. Due to the growth of a certain musical culture (hip-hop), theyre a few countries that are more tolerant towards the gestures of graffiti arts, while some countries may express a more heavy-handed approach towards a profound disdain for graffiti. In the contemporary lifestyle of the internet'; graffiti posting of words or artworks on a digital wall is now common practice in sharing contents of human social interest. L-MUUR Press publishing is truly happy to share with you these gifts of artful
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