B. K. Karanjia - Final Victory The Life-and Death-Of Naval Pirojsha Godrej
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PORTRAIT OR A CITIZEN , a biography of Rustom Masani. With a Foreword by Shri Rajagopalachari.
A MANY-SPLENDOURED CINEMA , a compilation of editorials from Screen. With a Foreword by Dr Narayana Menon.
MORE OF AN INDIAN , a novel.
BLUNDERING IN WONDERLAND , semi-autobiography of a film journalist. With a Foreword by Mrinal Sen.
GODREJ: A HUNDRED YEARS (VOLUME I) , history of the first and second generations of the Godrej Group.
GODREJ: A HUNDRED YEARS (VOLUME II) , history of the third and fourth generations of the Godrej Group.
GIVE ME A BOMBAY MERCHANTANYTIME !, the life of Sir Jamsetjee Jejeebhoy, the first Indian Baronet.
To
Naval Pirojsha Godrej
1916-1990
A Toast To Victory
This is the story of an industrialist who achieved what few industrialists are able to do to the same degreewin the esteem and regard of his workers so that they came to believe that he could do them no wrong. A bond was established between them and him that was almost legendary. A rival trade union, anxious to enrol these workers to swell its own ranks, did everything in its power, by means more foul than fair, to incite these workers against the industrialist. It failed because it was unable to comprehend the nature of the bond that held them together. Finally, in the blind rage of frustration, a dastardly attack was incited against the industrialist, almost killing him. He carried on, for twelve long years, racked by pain that was somewhat assuaged by the love that now came to him in redoubled measure from his workers...
But he has gone to the land to which we all must
Go. Neither by tears nor by mourning can
He be restored from the land of the dead.
Yours is a grief beyond the common measure,
A grief that knows no ending,
Consuming your own life, and all in vain.
For how can mourning end wrong?
Cannot you part yourself from your long
Sorrow and suffering?
Electra, by Sophocles
In 1955 a twelve-page supplement was brought out by Godrej in the Times of India (24 September 1955) recording for the first time the early struggles of Godrej against the entrenched British interests and Godrej achievements in various fields. Sohrab and I were discussing this with Naoroji (Naval) when one day he made a remark that has stuck in my memory: We should not say only good things about ourselves, we should maintain a balance, otherwise the supplement will have little credibility.
This remark constantly echoed in my mind when I undertook to work on Navals biography. But I found to my increasing bewilderment that in this particular case it was easier recalled than done. Whoever I spoke toand I must have spoken to scores of people who knew Navalhad nothing but praise for him. Not only family members and people who worked for him, but leaders of other industries also had high praise for him. Even a gentleman who after years of working in Godrej had left to start a rival company, spoke of him in glowing terms. By repeated efforts all I could extract from them was that Naval had a bad temper, but having mentioned this, they hastened to qualify it by saying that his temper cooled down as rapidly as it erupted and there was never any ill will.
In desperation, finally, I tracked down a retired senior employee who, I had been told, had had several differences with Naval. I asked him, in view of his long contact with Naval, to try and tell me about some of his defects or shortcomings. He looked at me suspiciously and then asked: Hey, are you writing for Naval or against him? I explained that all I was looking for was to maintain a balance in writing about NavalHe cut me short and, twisting my words, said: What do you mean by balance? Dont you know that all geniuses are unbalanced? And Naval was a genius!
I gave up my balancing act. At least I could try to be as objective as possible. Here I was at an advantage, never having been as close to Naval as I was to his elder brother Burjor and the eldest Sohrab. I could maintain a certain objectivity. I took refuge in the words of that great biographer Emil Ludwig who used to say that there has to be an element of hero worship in a biography. I certainly did not go to the opposite extreme of agreeing with Flaubert that anyone who writes a biography must take revenge on behalf of his subject. There was much in Navals case to be avenged, but that wasnt Navals style and shouldnt be his biographers.
Naval has always appeared to me to resemble a hero of Greek tragedy. His manner of dying certainly had in it the elements of such tragedythe perfidy in the motives of those who were responsible for stabbing him. The irony that this should have happened to one who cared and did more for his workers than most industrialists and who won their respect and admiration, and their love. The tragic flaw in his character that made him believe that, having no enemies, he had nothing to fear. The shock and pain borne stoically for twelve years from the partial recovery to the inevitable, untimely and painful end.
Naval loved challenges. The challenge for us is to probe and seek out, behind the stories of great manufacture and the building of the industrial garden township Pirojshanagar, the impulses and imaginings of his restless genius, dedicating itself always to great endsA mans reach should exceed his grasp/Or whats a heaven for? The challenge also is to tap the motivating force of Navals philanthropyhis many concerns ranging from a foundation for research in leprosy to an electronic crematorium for pets, stated to be the first in Asia.
This book attempts to meet these challenges.
B. K. Karanjia
... As when a man
Treads unawares on hot fire
For it was a wise man
First made that ancient saying:
To the man whom God will ruin
One day shall evil seem
Good, in his twisted judgement
He comes in a short time to fell disaster...
Antigone, by Sophocles
The furtive manner in which he had found the man loitering in the narrow lane leading to the Godrej residence at 40-D Ridge Road, had roused watchman Ramchandra Chavans suspicions the first time he had seen him. Chavan had asked him what he wanted to which the man had replied that he wanted to ask Naval Seth for a job. Chavan had told him that if he wanted a job, he should go and see Naval Seth at Vikhroli.
Now again, for the second time, Chavan saw the man. There was no mistaking himmedium height, well-worn clothes, dark-complexioned, a scar on his forehead and a wild look in his eyes. This time he stood in front of the entrance to the Godrej residence looking up at the broad staircase leading up to the first floor where Naval stayed. It seemed as if he couldnt quite make up his mind whether to mount it or not. Chavan repeated his question and the man repeated that he was badly in need of a job. He seemed indeed to be in desperate straits and Chavans attitude softened. He explained again that there was no point in coming here, he should go to Vikhroli and meet Naval Seth there. The man listened absent-mindedly, eyes fixed on the staircase. Then, without a word, he walked away.
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