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Martin McDonagh - A Very Very Very Dark Matter

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Martin McDonagh A Very Very Very Dark Matter

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In a townhouse in Copenhagen works Hans Christian Andersen, a teller of exquisite and fantastic childrens tales beloved by millions. But the true source of his stories dwells in his attic upstairs, her existence a dark secret kept from the outside world.Dangerous, twisted and funny, Martin McDonaghs new play travels deep into the abysses of the imagination. A Very Very Dark Matter premiered at the Bridge Theatre, London, in October 2018.

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Contents in order of appearance Narrator Marjory Hans Christian - photo 1

Contents
in order of appearance NarratorMarjoryHans Christian AndersenEdvard CollinIngridPress ManDirk and BarryOgechiCharles DickensCatherineKate, Walter and Charles Jnr
A Very Very Very Dark Matter was first performed at the Bridge Theatre, London, on 12 October 2018. The cast, in order of appearance, was as follows: Narrator Tom Waits Marjory Johnetta EulaMae Ackles Hans Jim Broadbent Edvard Lee Knight Ingrid Audrey Hayhurst / Amelia Walter / Annabelle Westenholz-Smith Press Man Paul Bradley Dirk Ryan Pope Barry Graeme Hawley Ogechi Kundai Kanyama Dickens Phil Daniels Catherine Elizabeth Berrington Kate Audrey Hayhurst / Amelia Walter / Annabelle Westenholz-Smith Walter Regan Garcia / Leo Hart / Austin Taylor Charles Jnr Alistair Benson / Noah Brignull / James Roberts Crowd Jamie McKie, Alice Selwyn, Anthony Taylor Other parts played by members of the company Director Matthew Dunster Designer Anna Fleischle Music James Maloney Lighting Designer Philip Gladwell Sound Designer George Dennis Illusions Chris Fisher Video Designer Finn Ross Wigs and Prosthetic Designer Susanna Peretz Fight Directors Rachel Bown-Williams and Ruth Cooper-Brown, RC Annie Ltd Assistant Director Nimmo Ismail Associate Designer Liam Bunster Illusions Associate John Bulleid Video Associate Ash Woodward Casting Director Amy Ball US Casting by Telsey & Company / William Cantler, CSA; Karyn Casl, CSA; and Adam Caldwell, CSA Costume Supervisor Ilona Karas Props Supervisors Marcus Hall Props
An attic in Copenhagen in the late 1800s. Various beautifully crafted but peculiar marionettes hang across the dark wooden walls, or are strewn across the dirty floor; puppets such as tarantulas, crabs, a scarecrow, a woodsman, as well as more ordinary animals such as a kitten, seahorses, pigeons, hummingbirds, etc., all very colourful. Theres also a large concertina hanging on the back wall. A high window is in the back wall stage right, with a very poorly made wooden ladder beneath it. Outside the window is a view of the low rooftops and waterways of Copenhagen at dusk.As the play begins, a three-foot by three-foot mahogany box, suspended by a thick rope from an unseen roof beam, slowly and theatrically swings into view and, like a pendulum, swings back and forth from left to right, but does so as if in slow motion.

There is a circular hole near the top of the front of the box, and a thin slot at the bottom of the same side, just enough for a few sheets of paper to be slid into or out of. We do not see the back side of the box as yet, nor properly through the hole or the slot, but from the shifts of the shadows and light, we know that there is something alive and moving inside. The gravel-voiced narrator coughs to clear his throat, then speaksNarrator You could call it a puzzle, or you could call it a poem. I wouldnt call it either, really, but you could. I mean, a person could, yknow ? The fingers of a small black female hand appear in the circular hole, gently holding on to its edges for acouple of pendulum swings, then the eye of a very small black woman appears behind it. If you were a Congolese pygmy, imprisoned for sixteen years in a three-foot by three-foot mahogany box, with just some paper and a pencil for company how would you go about hanging yourself? Some sheaves of parchment, written on in a beautiful hand, are slid out through the slot and gently flutter down to the attic floor. Youve got no rope. Youve got no shoelaces.

Youve only got one foot left in fact. So how would you go about hanging yourself? Its been on your mind for a while now. As the Narrator continues, the box gently turns and the swinging slows, to reveal that its back wall is made of glass, with a hole and a slot in identical positions to the other side, and, inside the box, striking a match to throw a little light on the subject, is, as we have described, a tiny black woman, elegantly dressed, a small black muslin bag covering her missing left foot. Youre smart. Youre one of the most iconic writers of your generation, in fact, aside from your sister. But youre a pygmy, and youre a woman, and you were born in the Congo in 1869, the worst time for anybody to be born anywhere ever, let alone a black dwarf. So no one may know that you even existed, let alone astonished the fifteen generations that are left to come after you.

So what are you going to do? She sits down, and behind her we can make out that the entire interior of the box is covered in the writings and notes and formulae of a tiny hand. Your husbands dead so he cant help you, and your children are dead so they cant help you. Your sisters got her own troubles, in her own shoelaceless box in nineteenth-century fucking England. So what are you going to do? She lights a small cigar and sits there, gazing out as she quietly smokes, the match still lit. But maybe you arent going to hang yourself at all. Maybe thats being a little too defeatist. Maybe youre going to write your way out of it? (Pause.) Yeah, thats it. She looks at us a moment, then blows the match out, and the lights fade on the box, then on the attic, till only the blue in the dark skies outside the window remain. She looks at us a moment, then blows the match out, and the lights fade on the box, then on the attic, till only the blue in the dark skies outside the window remain.

Fireworks begin to pop in those same distant skies.

A fancy open-air Copenagen garden party, following on in time from the last scene. Numerous guests, including Edvard Collin, his eight-year-old daughter Ingrid, a Press Man with the word Press on a card in his hat band, and a few other dignitaries and their well-dressed children, stand and listen to the gangly and peculiarly dressed Hans Christian Andersen, on a raised dais at a lecturn, reading out, for the very first time, The Little Mermaid, just as those same fireworks start going off in the skies behind.Hans And the little mermaid lifted her glorified eyes heavenward, and felt them, for the first time, filling with tears Fireworks?! For me?! For Hans Christian Andersen?! (Pause.) I said Fireworks? For me? For Hans Christian (Quietly.) Say yes Edvard Yes! The guests all clap.Hans Fireworks?! And clapping?! For the lowly Hans Christian Andersen? I might cry! I knew my new story was wonderful and one for the ages but fireworks! Gosh! Invented by Chinamen, fireworks, a little known fact. Fireworks and walls, they invented. And who could live without either? No one! That said, as my old mum used to point out, another little known fact, the Chinese? Absolute savages. They eat the puppies that belong to their children and then, if theyre still hungry, they eat their children! (To the Press Man.) Dont write that down you, you old Write-that-downer! For small normal children might get frightened of that savage image and small normal children are both the lifeblood of Denmark and my core fan base so, yknow? Lovely Edvard Collin? Where was I?
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