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Henry M. Sayre - Value in Art: Manet and the Slave Trade

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Henry M. Sayre Value in Art: Manet and the Slave Trade
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Art historian Henry M. Sayre traces the origins of the term value in art criticism, revealing the politics that define Manets art.
How did art critics come to speak of light and dark as, respectively, high in value and low in value? Henry M. Sayre traces the origin of this usage to one of art historys most famous and racially charged paintings, douard Manets Olympia.
Art critics once described light and dark in painting in terms of musical metaphorhigher and lower tones, notes, and scales. Sayre shows that it was mile Zola who introduced the new law of values in an 1867 essay on Manet. Unpacking the intricate contexts of Zolas essay and of several related paintings by Manet, Sayre argues that Zolas usage of value was intentionally double codedan economic metaphor for the political economy of slavery. In Manets painting, Olympia and her maid represent objects of exchange, a commentary on the French Empires complicity in the ongoing slave trade in the Americas.
Expertly researched and argued, this bold study reveals the extraordinary weight of history and politics that Manets painting bears. Locating the presence of slavery at modernisms roots, Value in Art is a surprising and necessary intervention in our understanding of art history.

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Value in Art Value in Art Manet and the Slave Trade Henry M - photo 1

Value in Art
Value in Art
Manet and the Slave Trade

Henry M. Sayre

The University of Chicago Press

Chicago and London

Publication of this book has been aided by a grant from the Neil Harris Endowment Fund, which honors the innovative scholarship of Neil Harris, the Preston and Sterling Morton Professor Emeritus of History and Art History at the University of Chicago. The fund is supported by contributions from the students, colleagues, and friends of Neil Harris.

The University of Chicago Press, Chicago 60637

The University of Chicago Press, Ltd., London

2022 by The University of Chicago

All rights reserved. No part of this book may be used or reproduced in any manner whatsoever without written permission, except in the case of brief quotations in critical articles and reviews. For more information, contact the University of Chicago Press, 1427 East 60th Street, Chicago, IL 60637.

Published 2022

Printed in China

31 30 29 28 27 26 25 24 23 22 1 2 3 4 5

ISBN-13: 978-0-226-80982-3 (cloth)

ISBN-13: 978-0-226-80996-0 (e-book)

DOI: https://doi.org/10.7208/chicago/9780226809960.001.0001

Library of Congress Cataloging-in-Publication Data

Names: Sayre, Henry M., 1948 author.

Title: Value in art : Manet and the slave trade / Henry M. Sayre.

Other titles: Manet and the slave trade

Description: Chicago ; London : The University of Chicago Press, 2022. | Includes bibliographical references and index.

Identifiers: lccn 2021009478 | isbn 9780226809823 (cloth) | isbn 9780226809960 (ebook)

Subjects: lcsh: Manet, douard, 18321883. Olympia. | Art and societyFranceHistory19th century. | Blacks in art. | SlaveryUnited StatesForeign public opinion. | ArtPolitical aspectsFrance. | Art and literatureFrance. | FranceCivilizationAmerican influences. | FranceIntellectual life19th century.

Classification: LCC ND553.M3 A75 2021 | DDC 759.4dc23

LC record available at https://lccn.loc.gov/2021009478

Picture 2This paper meets the requirements of ANSI/NISO Z39.48-1992 (Permanence of Paper).

For Sandy Brooke

CONTENTS

douard Manet, mile Zola(1868)

douard Manet , Olympia(1863)

douard Manet, Le djeuner sur lherbe( Luncheon on the Grass) (1863)

Marcantonio Raimondi (after Raphael), The Judgment of Paris(ca. 15101530)

Anon., The Judgment of Paris(after Marcantonio Raimondi) (ca. 15751600)

Thomas Couture, The Romans during the Decadence of the Empire(1847)

Titian, Le fte champtre(ca. 15101511)

Titian, Venus of Urbino(1538)

douard Manet, Portrait of the Poet Zacharie Astruc(1866)

Cham, Inconvnient de ne pas bien fermer ses fentres (1852)

Flix Nadar, Mais voil quil se met pleuvoir des oncles Tom (1852)

Henri Duff Linton (after Franois-Auguste Biard), La chasse aux esclaves fugitifs(Salon of 1861)

Hammatt Billings, headpiece illustration for Uncle Toms Cabin(1853)

Paul Czanne, A Modern Olympia(18731874)

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