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John Sedgwick - From the River to the Sea: The Untold Story of the Railroad War That Made the West

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John Sedgwick From the River to the Sea: The Untold Story of the Railroad War That Made the West
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From the River to the Sea: The Untold Story of the Railroad War That Made the West: summary, description and annotation

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Riveting...A great read, full of colorful characters and outrageous confrontations back when the west was still wild. George R.R. Martin
A propulsive and panoramic history of one of the most dramatic stories never toldthe greatest railroad war of all time, fought by the daring leaders of the Santa Fe and the Rio Grande to seize, control, and create the American West.
It is difficult to imagine now, but for all its gorgeous scenery, the American West might have been barren tundra as far as most Americans knew well into the 19th century. While the West was advertised as a paradise on earth to citizens in the East and Midwest, many believed the journey too hazardous to be worthwhileuntil 1869, when the first transcontinental railroad changed the face of transportation.
Railroad companies soon became the rulers of western expansion, choosing routes, creating brand-new railroad towns, and building up remote settlements like Santa Fe, Albuquerque, San Diego, and El Paso into proper cities. But thinning federal grants left the routes incomplete, an opportunity that two brash new railroad men, armed with private investments and determination to build an empire across the Southwest clear to the Pacific, soon seized, leading to the greatest railroad war in American history.
In From the River to the Sea, bestselling author John Sedgwick recounts, in vivid and thrilling detail, the decade-long fight between General William J. Palmer, the Civil War hero leading the little family of his Rio Grande, and William Barstow Strong, the hard-nosed manager of the corporate-minded Santa Fe. What begins as an accidental rivalry when the two lines cross in Colorado soon evolves into an all-out battle as each man tries to outdo the otherclaiming exclusive routes through mountains, narrow passes, and the richest silver mines in the world; enlisting private armies to protect their land and lawyers to find loopholes; dispatching spies to gain information; and even using the power of the press and incurring the wrath of the God-like Robber Baron Jay Gouldto emerge victorious. By the end of the century, one man will fade into anonymity and disgrace. The other will achieve unparalleled successand in the process, transform a sleepy backwater of thirty thousand called Los Angeles into a booming metropolis that will forever change the United States.
Filled with colorful characters and high drama, told at the speed of a locomotive, From the River to the Sea is an unforgettable piece of American history that seems to demand a big-screen treatment (The New Yorker).

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The Untold Story of the Railroad War That Made the West From the River to the - photo 1

The Untold Story of the Railroad War That Made the West

From the River to the Sea

John Sedgwick

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For Patrick McGrath Each was what the other had not chosen to be the cast-off - photo 2

For Patrick McGrath

Each was what the other had not chosen to be, the cast-off self, what he thought he hated but perhaps in reality loved.

Patricia Highsmith, Strangers on a Train

PROLOGUE Picture 3 A Tale of Two Cities

L.A. THE ONLY CITY IN the world that goes just by its initials, like the self-assured global celebrity it is. Unlike Miami with its beaches, New York with its skyline, or Houston with its oil, Los Angeles is a fantasy of a city whose identity somehow floats free of mundane physical characteristics. All, that is, except for the sunshine radiating down from impossibly blue skies and the palm trees that rise up in greeting.

Unlike virtually everywhere else in America, to say nothing of America itself, L.A. has no founding myth to define it. No pilgrims, no explorers, no pioneers. While most people have the vague idea that the city dates back to Spanish times, the details are lost in the glitter, replaced by the gauzy notion that it somehow created itself as a product of its movie business.

Its hard to account for it otherwise. Although L.A. lies by the sea, it did not begin life as a port. Nor was it birthed by the river that runs through it from the San Gabriel Mountains or a natural resource like the gold that brought prospectors surging into San Francisco. (Oil wasnt found until L.A. was well established, which is why a pumpjack might be cranking away in a McDonalds parking lot.)

No, the city in fact owes its origin to something so foreign to its self-conception that it represents a violation of its existential code. It was started by a railroad. Los Angeles is a railroad town. Startling as that might sound, on reflection it should not be quite so surprising, since railroads gave rise to countless cities in the West (and plenty in the East, too). While San Francisco, up the coast, was not built by a railroad, it was certainly built up by one when the first transcontinental arrived there in 1869. Numerous other western cities were created almost entirely by railroadsDenver, Reno, Dallas, Houston, Seattle, Tacoma, to name just a few.

Curiously, Los Angeles was not the result of the first railroad that came to town nearly so much as the second. Its arrival set off a furious competition between the two in the spring of 1887 that dropped the price of a $125 ticket from Chicago to just one single solitary dollar. The news set off a stampede into Los Angeles. Just in the first three years of the frenzy, it went from a sun-splashed Spanish pueblo of thirty thousand to a bustling city of a hundred and fifty thousand, a fivefold expansion that marks the most explosive growth of any city in the history of the United States. That growth curve has rarely flattened since.


Over a thousand miles to the east, Colorado Springs lies just south of Denver on the edge of the Rockies, a mile up in the crystalline mountain air. A rather sedate, if not sleepy, college town in the shadow of Pikes Peak, a jagged-topped fourteener that looms over everything, Colorado Springs was also created by a railroad. Founded in 1871, it was intended to be a mountain retreat in the Alpine manner, a place of healthy air and cultural refinement for high-end refugees brought in by train from the smoggy East. Small, out-of-the-way, closed-in, Colorado Springs seems to exist in a separate universe or on a separate plane of meaning from L.A. But there is a connection between them all the same.

The train that made the modern Los Angeles started in Colorado Springs. Not literallythe town never had an L.A. Expressbut figuratively, riding the tracks of history, which often run by puzzling, circuitous routes from the past into the present. While the course of progress is often thought to be the result of economic, social, technological, and environmental forces beyond anyones control, that was not at all true of the development of the railroads. In the robust industrial age, they were all run by powerful, strong-minded men who bent their industry, and a good deal of the country, to their will. They set the course, chose the route, and built up the cities and towns their tracks reached. In this, Colorado Springs and Los Angeles were no exception.

The fates of these two distant cities, one as big as the other is small, were linked because the railroad men behind them were linked. More than linked, in fact. Bound like a pair of conjoined twins, two bodies somehow sharing a single mind, burning as one with the identical, all-consuming determination to go west. It was freakish, but undeniable: these two wildly different men became almost indistinguishable once they focused on the same objective and did so in the full realization that only one of them could attain it. It made quite a ball of fire, this frenzied competition, a blind, stupid, and utterly destructive jealous rage. A sun all of their own making that drew all eyes to iteven as the real one rose up overhead, day after day, and silently crossed the sky to the far horizon, as if to remind these two railroad men what they were fighting for: the chance to develop and define the modern West as no one else could.

INTRODUCTION Picture 4 A Very Personal War

WILLIAM BARSTOW STRONG AND GENERAL William Jackson Palmer met three times over the course of their decade-long fight to run tracks from Colorado to the sea, but the visits did nothing to warm the two men to each other. The first was at the Generals castle in Colorado Springs, a handsome wooden fortress of high ceilings and stunning views that was inspired by an ancient version in Scotland. He put it up amid some ruddy, up-thrusted sandstone formations in a near-sacred spot called the Garden of the Gods. Colorado Springs was that kind of place, and the General very much that kind of man. The meeting was in early November 1877. The General, who had been raised in Philadelphia, had built Glen Eyrie five years before at the age of thirty-six to lure Queen Mellen, a wild-haired nineteen-year-old beauty from Flushing, New York, to come live with him as his wife in western splendor. To him, the jagged, snow-capped Rockies were nothing less than an earthly paradise. A sight burst upon me which was worthy of Gods own day, he wrote Queen after seeing them for the first time. The Range, all covered with snow, arose, pure and grand, from the brown plains. As I looked I thought, Could one live in constant view of these grand mountains without being elevated by them into a lofty plane of thought and purpose? That vision lit him up, but his Queen was at heart a city girl, and, as his letter demonstrated, she needed some convincing.

General Palmer had been a certified Civil War hero before turning to railroading. He was an extraordinarily handsome man with swept-back hair, a well-turned mustache, sky-blue eyes, a proper, military bearing, and the air of breezy self-confidence that can arise from such qualities. Turned out for photographs in a flowing jacket, taut vest, wing collar, and necktie, he had to have been the best-dressed man in Colorado. If other subjects in that early photographic era often seem a bit startled by the pop of the photographers flashbulb, the General maintains his poise, unperturbed.

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