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Félix J. Palma - The Map of Time

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Félix J. Palma The Map of Time

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THE PHENOMENAL INTERNATIONAL BESTSELLER Set in Victorian London with characters real and imagined, The Map of Time boasts a triple-play of intertwined plots in which a skeptical H.G. Wells is called upon to investigate purported incidents of time travel and thereby save the lives of an aristocrat in love with a murdered prostitute from the past; of a woman bent on fleeing the strictures of Victorian society; and of his very own wife, who may have become a pawn in a 4th-dimensional plot to murder the authors of Dracula, The Time Machine and The War of the Worlds, in order to alter their identities and steal their fictional creations. But, what happens if we change history? F?lix J. Palma raises such questions in The Map of Time. Mingling fictional characters with real ones, Palma weaves a historical fantasy as imaginative as it is exciting, a story full of love and adventure that also pays homage to the roots of science fiction while transporting its readers to a fascinating Victorian London for their own taste of time travel.

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FLIX J. PALMA - THE MAP OF TIME

Set in Victorian London with characters real and imagined, The Map of Time is a page turner that boasts a triple play of intertwined plots in which a skeptical H.G. Wells is called upon to investigate purported incidents of time travel, save lives and literary classics, including Dracula and The Time Machine, from being wiped from existence.

What happens if we change History? Flix J. Palma raises such questions in The Map of Time. Palma weaves a historical fantasy as imaginative as it is exciting, a story full of love and adventure that transports readers to a haunting Victorian London for their own taste of time travel.

Flix J. Palma has been unanimously acclaim ed by critics as one of the m ost brilliant and original storytellers of our time. His d evotion to the short story genre has earned him more than a hundred awards. The Map of Time is his first book to be published in the United States. It received the 2008 Ateneo d e Sevila XL Prize and w ill be published in more than 30 countries.

The distinction between past,

present and future is an illusion,

but a very persistent one.

Albert Einstein

Mankinds most perfectly

terrifying work of art is the

division of time.

Elias Caneti

What is waiting for me in the

direction I dont take?

Jack Kerouac



Andrew Harrington would have gladly died several times over if that meant not having to choose just one pistol from among his fathers vast collection in the living room cabinet. Decisions had never been Andrews strong point. On close examination, his life had been a series of mistaken choices, the last of them threatening to cast its lengthy shadow over the future. But that life of unedifying blunders was about to end. This time he was sure he had made the right decision, because he had decided not to decide. There would be no more mistakes in the future because there would be no more future. He was going to destroy it completely by putting one of those guns to his right temple. He could see no other solution: obliterating the future was the only way for him to eradicate the past.

He scanned the contents of the cabinet, the lethal assortment his father had lovingly set about assembling after his return from the war. He was fanatical about these weapons, though Andrew suspected it was not so much nostalgia that drove him to collect them as his desire to contemplate the novel ways mankind kept coming up with for taking ones own life outside the law. In stark contrast to his fathers devotion, Andrew was impassive as he surveyed the apparently docile, almost humdrum implements that had brought thunder down to mens fingertips and freed war from the unpleasantness of hand-to-hand combat.

Andrew tried to imagine what kind of death might be lurking inside each of them, lying in wait like some predator. Which would his father have recommended he blow his brains out with? He calculated that death from one of those antiquated muzzle-loading flintlocks, which had to be refilled with gunpowder and a ball, then tamped down with a paper plug each time they were fired, would be a noble but drawn-out, tedious affair. He preferred the swift death guaranteed by one of the more modern revolvers nestling in their luxurious velvet-lined wooden cases.

He considered a Colt Single Action revolver, which looked easy to handle and reliable, but discarded it when he remembered he had seen Buffalo Bill brandishing one in his Wild West Shows. A pitiful attempt to reenact his transoceanic exploits with a handful of imported Red Indians and a dozen lethargic, apparently opium-drugged buffalo. Death for him was not just another adventure. He also rejected a fine Smith & Wesson: that was the gun that had killed the outlaw Jesse James, of whom he considered himself unworthy, as well as a Webley revolver, specially designed to hold back the charging hordes in Britains colonial wars, which he thought looked too cumbersome. His attention turned next to his fathers favorite, a fine pepperbox with rotating barrels, but he seriously doubted whether this ridiculous, ostentatious-looking weapon would be capable of firing a bullet with enough force. Finally, he settled on an elegant 1870 Colt with mother-of-pearl inlays that would take his life with all the delicacy of a womans caress.

He smiled defiantly as he plucked it from the cabinet, remembering how often his father had forbidden him to meddle with his pistols. But the illustrious William Harrington was in Italy at that moment, no doubt reducing the Fontana de Trevi to a quivering wreck with his critical gaze. His parents decision to leave on their trip to Europe the very day he had chosen to kill himself had also been a happy coincidence. He doubted whether either of them would ever decipher the true message concealed in his gesture (that he had preferred to die as he had livedalone), but for Andrew it was enough to imagine the inevitable look of disgust on his fathers face when he discovered his son had killed himself behind his back, without his permission.

He opened the cabinet where the ammunition was kept and loaded six bullets into the chamber. He supposed that one would be enough, but who knew what might happen. After all, he had never killed himself before. Then he tucked the gun, wrapped in a cloth, inside his coat pocket, as though it were a piece of fruit he was taking with him to eat later on a stroll. In a further act of defiance, he left the cabinet door open. If only he had shown this much courage before, he thought. If only he had dared confront his father when it had mattered, she would still be alive. But by the time he did, it was too late. And he had spent eight long years paying for his hesitation. Eight years, during which his pain had only worsened, spreading its slimy tendrils through him like poison ivy, wrapping itself around his insides, gnawing at his soul. Despite the efforts of his cousin Charles and the distraction of other womens bodies, his grief over Maries death refused to be laid to rest. But tonight it would all be over.

Twenty-six was a good age to die, he reflected, contentedly fingering the bulge in his pocket. He had the gun. Now all he needed was a suitable place to perform the ceremony. And there was only one possible place.

With the weight of the revolver in his pocket comforting him like a good-luck charm, he descended the grand staircase of the Harrington mansion in elegant Kensington Gore, a stones throw from the Queens Gate entrance to Hyde Park. He had not intended to cast any farewell glances at the walls of what had been his home for almost three decades, but he could not help feeling a perverse wish to pause before his fathers portrait, which dominated the hall. His father stared down at him disapprovingly out of the gilt frame, a proud and commanding figure bursting out of the old uniform he had worn as a young infantryman in the Crimean War until a Russian bayonet had punctured his thigh and left him with a disturbingly lopsided gait. William Harrington surveyed the world disdainfully, as though the universe were a botched affair on which he had long since given up. What fool was responsible for that untimely blanket of fog which had descended on the battlefield outside the besieged city of Sebastopol, so that nobody could see the tip of the enemys bayonets? Who had decided that a woman was the ideal person to preside over Englands destiny? Was the East really the best place for the sun to rise? Andrew had never seen his father without that cruel animosity seeping from his eyes, and so could not know whether he had been born with it or had been infected with it fighting alongside the ferocious Ottomans in the Crimea. But in any event, it had not vanished like a mild case of smallpox, leaving no mark on his face, even though the path that had opened up in front of his hapless soldiers boots on his return could only be termed a fortunate one. What did it matter that he had to hobble along it with the aid of a stick if it helped him reach his present position? For, without having to enter any pact with the Devil, the man with the bushy moustache and clean-cut features depicted on the canvas had become one of the richest men in England overnight. Trudging around in that distant war, bayonet at the ready, he could never have dreamed of possessing a fraction of what he now owned. How he had amassed his fortune though, was one of the familys best-kept secrets, and a complete mystery to Andrew.

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