• Complain

Jim Korkis - The Vault of Walt (Volume 4): Still More Unofficial Disney Stories Never Told

Here you can read online Jim Korkis - The Vault of Walt (Volume 4): Still More Unofficial Disney Stories Never Told full text of the book (entire story) in english for free. Download pdf and epub, get meaning, cover and reviews about this ebook. year: 2015, publisher: Theme Park Press, genre: Detective and thriller. Description of the work, (preface) as well as reviews are available. Best literature library LitArk.com created for fans of good reading and offers a wide selection of genres:

Romance novel Science fiction Adventure Detective Science History Home and family Prose Art Politics Computer Non-fiction Religion Business Children Humor

Choose a favorite category and find really read worthwhile books. Enjoy immersion in the world of imagination, feel the emotions of the characters or learn something new for yourself, make an fascinating discovery.

Jim Korkis The Vault of Walt (Volume 4): Still More Unofficial Disney Stories Never Told
  • Book:
    The Vault of Walt (Volume 4): Still More Unofficial Disney Stories Never Told
  • Author:
  • Publisher:
    Theme Park Press
  • Genre:
  • Year:
    2015
  • Rating:
    5 / 5
  • Favourites:
    Add to favourites
  • Your mark:
    • 100
    • 1
    • 2
    • 3
    • 4
    • 5

The Vault of Walt (Volume 4): Still More Unofficial Disney Stories Never Told: summary, description and annotation

We offer to read an annotation, description, summary or preface (depends on what the author of the book "The Vault of Walt (Volume 4): Still More Unofficial Disney Stories Never Told" wrote himself). If you haven't found the necessary information about the book — write in the comments, we will try to find it.

Disney History at Its Best
No one knows Disney history, or tells it better, than Jim Korkis, and hes back with a new set of 20 stories from his Vault of Walt. Whether its Disney films, Disney theme parks, or Walt himself, Jims stories will charm and delight Disney fans of all ages.
The best-selling Vault of Walt series has brought serious, but fun, Disney history to tens of thousands of readers. Now in its fourth volume, the series features former Disney cast member and master storyteller Jim Korkis home-spun, entertaining tales, from the early years of Walt Disney to the present.
Step inside the vault with Jim to hear about:
  • Walt Disneys Hollywood homesand his Hollywood studios and hangouts, too
  • The influence of a dinosaur named Gertie and a rabbit named Oswald on the evolution of the Disney Company
  • Why you wont find Roger Rabbit in the Disney theme parks
  • The original storyline for the Haunted Mansionand why its nothing like whats there today
  • Why even the best of intentions couldnt save the Fort Wilderness Railroad

Discover these and many other new tales of Disney history, as only Jim Korkis can tell them, in The Vault of Walt: Volume 4.
Then be sure to check ALL the volumes in The Vault of Walt!

Jim Korkis: author's other books


Who wrote The Vault of Walt (Volume 4): Still More Unofficial Disney Stories Never Told? Find out the surname, the name of the author of the book and a list of all author's works by series.

The Vault of Walt (Volume 4): Still More Unofficial Disney Stories Never Told — read online for free the complete book (whole text) full work

Below is the text of the book, divided by pages. System saving the place of the last page read, allows you to conveniently read the book "The Vault of Walt (Volume 4): Still More Unofficial Disney Stories Never Told" online for free, without having to search again every time where you left off. Put a bookmark, and you can go to the page where you finished reading at any time.

Light

Font size:

Reset

Interval:

Bookmark:

Make
The Vault of Walt:
Volume 4

Still More Unofficial Disney Stories Never Told

Jim Korkis

Foreword by Jeff Kurtti

THEME PARK PRESS

www.ThemeParkPress.com

2015 Jim Korkis

All rights reserved. Except as permitted under the United States Copyright Act of 1976, no part of this publication may be reproduced or distributed in any form or by any means, or stored in a database or retrieval system, without prior written permission of the publisher.

Although every precaution has been taken to verify the accuracy of the information contained herein, no responsibility is assumed for any errors or omissions, and no liability is assumed for damages that may result from the use of this information.

Theme Park Press is not associated with the Walt Disney Company.

The views expressed in this book are those of the author alone, and do not necessarily reflect those of Theme Park Press.

Theme Park Press publishes its books in a variety of print and electronic formats. Some content that appears in one format may not appear in another.

Editor: Bob McLain
Layout: Artisanal Text

Theme Park Press | www.ThemeParkPress.com

Address queries to bob@themeparkpress.com

This book is dedicated to Didier Ghez, an outstanding friend and fellow Disney historian, whose persistence, patience, generosity, and enthusiasm enriches Disney scholarship and inspires so many other people.

Didier is responsible for many great books sharing Disney history, including the critically praised Walts People series available from Theme Park Press. Without him, many Disney stories, including some in this book, would have been lost forever.

Contents
Foreword

In the age of the internet, Disney historians are a dime a dozen. There appears to be a conventional wisdom that if you like something, and can cobble some cohesive sentences together, and post them for people to read, some degree of expertise is inherent, or at least implied.

Nothing could be further from the truth. I recently spent far too many hours on a web site trying to pull the plug on yet another Disney myth being put forward as truth by an overly enthusiasticand quite ill-informedfan. (Seriously, his resource was that a bartender at [the location being discussed] told me. So much for scholarship.)

In their eagerness to be a part of the community, too many people dont start from the beginning. Its important to learn from those who have gone before. Bob Thomas. Pete Martin. Christopher Finch. Frank Thomas and Ollie Johnston. John Canemaker. Brian Sibley. J.B. Kaufman. The collected works of Didier Ghez and his colleagues. And as many eyewitnesses as might be left.

Information needs to be weighed in an overall balance, contextualized, and perpetually cross-referenced, checked, and confirmed (or denied). Too much scholarship is left by the wayside as people rush to publish without seeking proper sources. Even eyewitness accounts are often questionable, altered by time, enhanced for retelling, and requiring context and corroboration. Thats one of the reasons historians have to be careful, Jim Korkis says, even if they are getting the information from a first-hand source.

As a writer, documentarian, curator, lecturer, consultant, Disney historian, and overall fan, Im delighted to tell you that what you hold is the genuine article. I have known Jim Korkis for years (decades?) since our first collaborations during the glory days of The Disney Institute at Walt Disney World.

Over the years I have relied on Jim as a resource, researcher, sounding board, and contributor to many projects, including the member newsletter and blog for The Walt Disney Family Museum in San Francisco. Jim balances deep and informed research and investigation with a proper amount of skepticism and questioning. Jim has certitude where appropriate, and doubt where necessary. He is a confident historian, and a fearless yet humble enquirer.

Its a boon to any Disney fan of any level of interest to have another collection of Jims excellent essays to call on. The stories here are varied and fascinating, and shed light on frequently unknown or unconnected bits of Disney history, or illuminate the character and personality of Walt Disney himself. There is a wonderful alchemy that results from Jims combination of scrupulous research, informed passion, and the felicity of well-turned storytelling.

As the years move by, so many of these stories, and the thoughts and memories of the people who tell them, would have been lost to time. In addition to the value of preserving this information, Jim has done so in a way that educates and entertains his readers, and I believe not only inspires their own scholarship, but also informs how they seek their informationand how much they trust their sourcesand challenges those who wish to follow in his footsteps as historians.

So its time again to open up The Vault of Walt and enjoy the work of Walt Disney, his colleagues, and creative heirspresented by someone who carries on a tradition of quality and value commensurate with his subject matter.

Enjoy!

Jeff Kurtti

Jeff Kurtti is one of the leading authorities on The Walt Disney Company and its history. The author of more than 25 books, Kurtti worked for Walt Disney Imagineering, the theme park design division of the company, and then for Disneys Corporate Special Projects Department. He was creative director, content consultant, and media producer for The Walt Disney Family Museum.

Introduction

Is there anything new still left to be said about anything in Disney history?

There are a plethora of books, websites, blogs, and podcasts devoted to sharing stories of Disney history.

In fact, most of them simply repeat the same stories and secrets over and over, indicating that all there is to know about Disney is already known, or will never be known since the people involved have passed away and documentation has disappeared.

Ironically, there is more to be discovered and shared about Disney today than at any other time in recorded history.

Several unpublished memoirs and scrapbooks have been recently uncovered and put into print. Thanks to the internet, people now have access to international sources as well as newspaper archives, previously out-of-print material, and even direct contact with people who worked at Disney.

Countless books, especially from Theme Park Press, have unlocked previously unknown stories and insights, and many more are slated to be published in the near future.

When it came time to put together this latest volume in the Vault of Walt series, I worried that I might not have enough good and rarely shared stories, especially compared to the previous editions. That was not the problem.

The problem was that I had too many good stories and I had to decide which ones to leave on the cutting room floor, perhaps for a future edition. The original table of contents changed several times from first submission to the publisher to final proof copy.

Like the previous editions in this series, I think I can guarantee that these are Disney stories that you have not heard before, or at least not with this amount of detail and documentation.

Of course, new information is always appearing. Everyone knew that Walt Disney must have climbed into the cabin of a train on the Santa Fe & Disneyland Railroad to take over as engineer every now and then, but there was no proof.

Yet, just last year, an old Retlaw Enterprises (Walts private company that owned the trains and the use of his name) itinerary kept by a former employee who was getting rid of it clearly showed that every Sunday in 1957 at 2:00 pm, Walt would tap out the engineer and, dressed in his overalls and cap, take the train around the park for a few hours without the guests ever knowing.

Next page
Light

Font size:

Reset

Interval:

Bookmark:

Make

Similar books «The Vault of Walt (Volume 4): Still More Unofficial Disney Stories Never Told»

Look at similar books to The Vault of Walt (Volume 4): Still More Unofficial Disney Stories Never Told. We have selected literature similar in name and meaning in the hope of providing readers with more options to find new, interesting, not yet read works.


Reviews about «The Vault of Walt (Volume 4): Still More Unofficial Disney Stories Never Told»

Discussion, reviews of the book The Vault of Walt (Volume 4): Still More Unofficial Disney Stories Never Told and just readers' own opinions. Leave your comments, write what you think about the work, its meaning or the main characters. Specify what exactly you liked and what you didn't like, and why you think so.