Jim Korkis - Whos Afraid of the Song of the South? And Other Forbidden Disney Stories
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- Book:Whos Afraid of the Song of the South? And Other Forbidden Disney Stories
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Disney Stories
Disney Legend Floyd Norman
Orlando, Florida
Jim Korkis has come up with material that deepens our understanding and appreciation of Walt Disneys work on Song of the South and puts it into a proper historical context. I learned a lot I didnt know before, and Im sure other Disneyphiles will feel the same way.
Leonard Maltin
Film Critic, Historian, and Author of The Disney Films
Everything the Disney Company did in its Golden Age is worth watching and discussing and nobody discusses it better and with such accuracy and passion as Jim Korkis. Korkis digs into the nooks and crannies of the most obscure politically incorrect films not covered by the Studios approved historians. A must-read!
Jerry Beck
Animation Historian, Author, and Webmaster of CartoonBrew.com
Jim Korkis has accomplished what Disney hasnt done present us with the facts on Song of the South, and let us be the judge. Jims excellent book should be a poignant reminder that censorship is not the answer.
Christian E. Willis
Webmaster of SongoftheSouth.net
Jim Korkis cuts skillfully through decades of misunderstandings and inaccuracies to confront the positive and negative issues many of which are emotionally charged and culturally significant presenting the most comprehensive examination to date of a unique films odyssey from one century into another.
Greg Ehrbar
Musicologist, Co-Author of Mouse Tracks: The Story of Walt Disney Records, and Webmaster of MouseTracksOnline.com
Disney stories are insightful as well as fun, and no one tells them better than Jim Korkis. Jim truly loves his material and so will you. I heartily recommend his new book.
Floyd Norman
Disney Legend and Disneys First Black Animator and Storyman
2012 Jim Korkis
All rights reserved
No part of this publication may be reproduced, distributed, or transmitted in any form or by any means, including photocopying, recording, or other electronic or mechanical methods, without the prior written permission of the author, except in the case of brief quotations embodied in critical reviews and certain other noncommercial uses permitted by copyright law.
This book is neither authorized nor sponsored nor endorsed by the Disney Company or any of its subsidiaries. It is an unofficial and unauthorized book and not a Disney product.
The mention of names and places associated with the Disney Company and its businesses are not intended in any way to infringe on any existing copyrights or registered trademarks of the Disney Company but are used in context for educational purposes.
The opinions and statements expressed in the quotations and text are solely the opinions of those people who are quoted and do not necessarily reflect the opinions and policies of the Disney Company and its businesses nor the author nor Theme Park Press.
While every precaution has been taken in the preparation of this book, the Publisher and Author assume no responsibility for errors or omissions. Neither is any liability assumed for damages resulting, or alleged to result, directly or indirectly from the use of the information contained herein.
Please keep your arms and legs inside the book at all times and no flash photography.
No animated characters were harmed in the making of this book.
Editor: Bob McLain
Cover Photo: A group of integrated protesters march outside the Paramount Theater in Oakland, California, on April 2, 1947. Image from the collection of the Oakland Museum of California, Collections and Information Access Center.
Cover Concept: Pentakis Dodecahedron
Cover Design: Glendon Haddix, Streetlight Graphics
Layout: Bob McLain, Theme Park Press
Theme Park Press
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This book, as always, is dedicated to my father and my mother, John and Barbara Korkis, who passed away less than a decade ago but whose unconditional love, constant support, common sense, and good humor continue to inspire me to this day. I wish they were here today for me to give them a copy of this book.
Alice: Would you tell me, please, which way I ought to go from here?
The Cat: That depends a good deal on where you want to get to.
Alice: I dont much care where.
The Cat: Then it doesnt matter which way you go.
Lewis Carroll , Alice in Wonderland
Had you visited a black home in the late Forties, it would not be unusual to find a copy of Ebony magazine on the family coffee table. I never paid much attention to the monthly publication, but this particular issue caught my eye. A full-page photograph of actors James Baskett, Bobby Driscoll, and Luana Patten was featured next to an opinion piece on Walt Disneys new motion picture Song of the South.
To the best of my knowledge, this was the first time in my young life that I took issue with a magazines editorial, and I regretted not having the writing chops to respond. Even though I was just a ten-year-old kid, I took issue with the editors for their unfair characterization of the film and of Walt Disney in particular. I had recently seen Song of the South at our local theater and found the movie delightful. Had they even seen the same film, I wondered?
Many years passed, and when this young artist and others arrived at the Walt Disney Studios in the Fifties, we found ourselves having access to the coveted Disney vaults. This meant any movie we wanted to see was suddenly available for screening. Naturally, one of our first choices was Song of the South.
However, I took this a step further. Because employees were able to check out 16mm prints on occasion, I set up a special screening of the Disney film in a local Los Angeles church. The screening of the Disney motion picture proved insightful. The completely African-American audience absolutely loved the movie and even requested a second screening of the Disney classic.
Ill admit I probably bring less baggage to the table than most. I was lucky enough to grow up in affluent, enlightened Southern California in the Forties and Fifties. My hometown of Santa Barbara was hardly the segregated South, and this unique environment influenced my view of society. My parents and grandparents welcomed people of all colors into their home, so my perspective on race might not reflect the average African Americans view of society.
I am a cartoonist, not an academic, so this will not be an in-depth analysis of ethnic insensitivity. However, I have had the pleasure of speaking with filmmakers and animation old-timers about this rather touchy subject. It might be interesting to note that the funny images they put on paper and on the screen were there not to denigrate but to entertain.
Its a long time from Song of the Souths initial release and a magazines strident editorial. Yet even today the film continues to be mired in controversy, and thats a shame. I often remind people that the Disney movie is not a documentary on the American South.
The film remains a sweet and gentle tale of a kindly old gentleman helping a young child get through a troubled time. The motion picture is also flavored with some of the most inspired cartoon animation ever put on the screen. If youre a fan of classic Disney storytelling, I guarantee youll not find a better film.
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