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Brian Stableford - Architects of Emortality

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Brian Stableford Architects of Emortality

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Brian Stableford launched an ambitious future history series with Inherit the Earth, to widespread praise. Stableford has created in this novel a totally believable world, and wrapped it around a series of mysterious events, surprise revelations, double crosses, confused motivations, rumors, lies, plots, and counterplots. . . . Tightly controlled and suspenseful throughout, said Science Fiction Chronicle. Library Journal said, The ethical questions posed by the prospect of conquering the aging process underscore this fast-paced SF adventure, adding depth to a story that will appeal to fans of high-tech SF and conspiracy theories. This future world is a complex society obsessed with the technology of life extension and on the brink of creating true immortals.Now, in Architects of Emortality, Stableford gives us a story set hundreds of years in the future, filled with people who can hope for 300-year lifespans and a fortunate few whose lives will be in the thousands of years. This society is on the edge of radical change, where people have the time to develop eccentric lifestyles and personal obsessions, a world sometimes reminiscent of the distant future of Michael Moorcocks Dancers at the End of Time series. And there has been a series of murders that threaten the future stability of the world, murders executed by bioengineered flowers. Police officers Watson and Holmes investigate, but the central figure quickly becomes the amateur detective Oscar Wilde, a student of history who has taken on the persona of his namesake. And the question is not so much who the murderer is, but how and why.Filled with memorable characters and powerful and striking images of the richly altered world of the future, Architects of Emortality is a satisfying and complete story that also adds depth and detail to the evolving series.

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Table of Contents
Front

Architects of Emortality Brian Stableford This is a work of fiction All - photo 1

Architects of Emortality

Brian Stableford

This is a work of fiction. All the characters and events portrayed in this book are either products of the authors imagination or are used fictitiously.

ARCHITECTS OF EMORTALTTY

Copyright 1999 by Brian Stableford

All rights reserved, including the right to reproduce this book, or portions thereof, in any form.

Edited by David G. Hartwell

A Tor Book Published by Tom Doherty Associates, LLC 175Fifth Avenue New York,NY10010

www.tor.com

Tor is a registered trademark of Tom Doherty Associates, LLC.

ISBN: 0-812-57643-8 Library of Congress Catalog Card Number: 99-22201 First, edition: October 1999 First mass market edition: May 2000 Printed in the United States of America0987654321 For Jane, and all who nourish fond remorse Acknowledgments A much shorter and substantially different version of this story was published in the October 1994 issue of Asimovs Science Fiction. I owe considerable debts of gratitude to Gardner Dozois, for publishing that novella and reprinting it in his annual collection of the Years Best Science Fiction, and to Charles Baudelaire, Oscar Fingal OFlahertie Wills Wilde, the original Gustave Moreau, John Milton, and Nathaniel Hawthorne, without whose contributions and general inspiration the story would have been much slighter. I should also like to thank Sonia Feldman for the shamirs, Jane Stableford for proofreading services and helpful commentary, and Andy Robertson for being prepared to claim that he had read every word.

Redundant returns removed. TOC Added. eBookMan v1.1


CONTENTS


Initiations: A King in His Countinghouse

Gabriel King stared out of the window of his thirty-ninth-floor apartment in the TrebizondTower. He was looking at theislandofManhattan, where the apparatus of civilization was being slowly but surely demolished. The old skyline was decaying; the sharp sharks teeth of the traditional skyscrapers were collapsing into mere blun t ed molars. One by one, the oldest buildings in the world were gently folding into themselves, meekly putting themselves away.

The sight made Gabriel feel slightly sad. It should, in theory, have had the opposite effect; he, after all, was the man primarily responsible for the many kinds of rot that had set in and the voracity of their consumption. Every minute diminution of the classic silhouette sent a surge of credit into his multifarious bank accounts. The MegaMall was paying him generously for his efforts, as it always did. Those who had served the MegaMall wellas Gabriel always had, in dealings under the counter as well as above itwere always well served in their turn*****.

The squat foundations of the new city were already in place behind and among the decaying edifices, and the shamirs were ready to begin the reshaping. They too were Gabriels slaves, and their labors would maintain the flow of his capital, but contemplation of the endeavors and rewards to come could not lift his mood.

The simple fact was that New York had always stood, in Gabriels quintessentially American consciousness, for the world, and he could not see a world the without a slight pang of regret. He had not been born in the USNAhis nominal citizenship was Australianbut he had always been a demolition and construction man, a materialist, and an ardent champion of progress. Those were the core values of the real America: the America that knew no geographical boundaries, because it was a dream. To witness the demolition ofNew Yorkwas, for Gabriel, to witness the end of a historical epoch. He had witnessed the ending of mere eras and felt nothing but joy in the contemplation of progress, but this was different. The new dawn which his shamirs were programmed to break for the MegaMall was the dawn of an epoch: the epoch of the New Human Race. It was not merely Old New York that had been declared redundant; it was the people who had lived in it for the last few hundred years.

The personal shamirs that had seen Gabriels body through two full rejuvenations and countless cosmetic patch-ups had all but exhausted their resources. With luck he might live for another thirty or forty years, but the chances of his mind surviving a third full rejuve were very slim indeed. For the moment, he was compos mentis, with no more holes in his memory than the average one-hundred-and-ninety-four-year-old, but the integrity of his personality had grown perilously brittle; any sudden jolt might shatter it. The shadow of death was hanging over him, ready to descend upon his person as it was now descending upon Old New York.

When he looked upon the rotting of New York, therefore, Gabriel saw the end of his world, and everything that it had meant. At long last, progress had outstripped him and all of his kind. Progress would go on, but he and others like him could not. Even if he survived another sixty years, or a hundred, he could make no further progressand nor could any man of his obsolete kind.

He was what he was; for him, the process of becoming was finished. Any sons born after him would be members of a new species, children of the MegaMall and the Architects of Emortality.

The miracle was, he supposed, that he only felt slightly sad. Fortunately, he had led a good and productive life, as a loyal servant of the MegaMall. He had never reached the upper echelons even of its servant class, let alone its Inner Circle, but he had been richly rewarded. Nor was wealth the limit of his good fortune, he told himself; although he could not claim a place in the new world that he was helping to build, he still had pleasures in store. There was much in life that could still be savored. Within the hour, he knew, his sadness would be liftedfor a while.

Gabriel brushed the back of his right hand over his lips, wiping away a trace of moisture which had accumulated in the corner of his mouth. He had no difficulty whatsoever in visualizing the new skyline which would eventually replace the one already decayed. He had seen it often enough in virtual reality, modeled with exquisite care, lit by a sky much brighter than the sullen one which loomed over the city now.

The new edifices would not reach for the heavens in the same thrusting and predatory fashion as the old. Their discreet curves would be the harbingers of a new era of harmony and stability: an era in which the New Human Race would put an end forever to death and its terrible handmaidens, angst and war.

The carefully worded but unvoiced thought brought forth an unexpectedly sour surge of resentment. The Age of the Human Herbivores, he murmured, speaking loudly enough for the apartments recorders to catch the words, although he was not entirely sure that he wanted evidence of a childish explosion of envy to remain on the record. The Cud-Chewing Era. The wave of resentment died quickly enough, and the manufactured contempt with it. Intellectually, Gabriel did not begrudge the New Human Race its dreams, and he was not a man to let his emotions get the better of his intellect. The judgment of his intellect wasas it had to bethat the demolition of New York was work of which a man of his sort should be proud. It was, after all, a fitting culmination of his career.

Long ago, while Gabriel had been a student at Wollongong, someoneprobably Magnus Teidemannhad told him that sharks teeth were not like the teeth of humans. Sharks teeth were continually renewed, new ones growing in the rear and migrating forward to replace the old as they were worn down by use. New Yorks skyscrapers had followed that pattern for more than five hundred years; whenever one had been removed, another had sprung up to take its place, usually brighter, sharper, and more durable. Despite piecemeal change, the whole ensemble had remained essentially the same. No one had ever taken on the entire island before, let alone the entire city. This was the first time that the whole set of sharks teeth had been swept away, along with the implicit shark. From now on, New York would be the mouth of a very different social organism. Gabriel was proud to have been the man appointed to that task. In fact, he was very proudintellectually speaking, of course.

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