Lars Anderson - The First Star: Red Grange and the Barnstorming Tour That Launched the NFL

ALSO BY LARS ANDERSON

Carlisle vs. Army

For Rosanne Jane Anderson Bratz
and Gordy

Not the victory but the action;
Not the goal but the game;
In the deed the glory.

H ARTLEY B URR A LEXANDER

14.

C arrying a polished walking stick, he strode through the chill of the Chicago night, moving under the bright lights of the Madison Street marquee of the Morrison Hotel. He pushed through the lobby doors, a Lucky Strike cigarette dangling from his thin lips, and passed the marble front desk and richly paneled walls that rose twenty-eight feet. The plush high-rise hotel was the center of Chicagos business and social life, housing the Boston Oyster House restaurant and Terrace Garden dinner theater. Now, on the evening of November 22, 1925, this forty-five-year-old man had his own business to take care of.

He reached the elevator. After making sure he wasnt being followed, he stepped inside. He wore a black overcoat, a double-breasted charcoal-gray suit, spats, a silk tie with a diamond pin, and a fine derby hat. With his dapper outfit reflecting in the mirrors of the elevators three walls, he told the red-capped operator that he needed to go to the seventeenth floor. The sparkling golden doors shut.

The man had a thin, neatly manicured mustache. His dark but graying hair, which was immaculately trimmed nearly every day, was slicked back with pomade. He cut the figure of a smooth, fast-talking salesman, which he was. As the elevator rose through the skeleton of the forty-five-story hotel, he puffed on his Lucky and stood by the mirrored wall in silent contemplation. His mind was afire with possibilities, because he believed he was on the cusp of making history, of negotiating a deal that would change forever the landscape of professional football in America.

The elevator doors slid open, and Charles C. Pyle stepped forward, a rippling line of smoke rising from the red-orange ember of his cigarette. He looked to his left, to his right. No reporters. Walking down the thickly carpeted hallway, he stopped in front of room number 1739, where hed been told the clandestine meeting would take place. He rapped his fist on the door. Moments later it swung open. Pyle walked inside, his chest thrust forward as usual, and extended his hand to the man he was meeting for the first time.

Outside the windows of the newly opened hotel, darkness fell and a bitterly cold winters night enveloped the city. Pyle shed his overcoat and settled into a high-backed chair at a table, and took measure of the man that sat opposite him: George Stanley Halas, the head coach and owner of the Chicago Bears, a National Football League franchise that was on the verge of bankruptcy, just like nearly every other team in the NFL. Pyle, the son of a preacher, was blessed with a golden smile and a silver tongue. He could talk to anybody about anythingand he also could convince anybody to do most anything. For a few minutes, the two made small talk.

Lighting another Lucky and drawing long on it, Pyle finally launched into the subject he had come to discuss: money. Pyle, the first agent in football history, wanted to broker a deal for his client, a football player who had just dropped out of the University of Illinois and who days earlier Pyle had boldly promised to make the richest young athlete in America. Not only that, but Pyle had guaranteed that he could turn him into someone as famous as baseballs Babe Ruth, as beloved as the thoroughbred Man o War, as iconic as pugilist Jack Dempsey. The young mans name was Harold E. Red Grange, and Pyle had an ambitious plan for him: He was going to make him the NFLs first star.

L ike all originals in business, the underworld, and sports, Grange already had a nickname: the Galloping Ghost. It was a lyrical, apt sobriquet, because it instantly conveyed what made him so special on the football fieldhow, from his halfback position, he ran with a never-before-seen mixture of speed and power and elusiveness; how he seemed to see holes in the line before they actually opened; how he threw thunderbolts with his stiff arm at defenders who tried to take him down; how his hips swiveled in a flourish to sidestep and juke defenders and leave them lying on the ground along his zigzag trail; how he made them feel as if they were trying to corral a phantom.

Grange, age twenty-two, even looked somewhat ghostlike. Standing five foot nine and weighing 170 pounds, Grange had deep-set, haunting gray eyes. It was as if a shadow were always falling over his eyes, yet when he gazed at you, those same eyes projected such a liquid intensitya narrow beam of brightnessthat it made people feel like he was looking through them, not at them. He was classically handsome: His nose was straight and powerful; his lips were full, a little like those of a poster girl but slightly downturned in a continual frown; and his jaw was square and rock solid, like that of a Roman centurion. Everything about Grangefrom his angular features to his granite-sturdy build that had been sculpted by hauling one-hundred-pound blocks of ice in his youthsuggested fitness and hard work.

Short film clips of Granges games at the University of Illinois were frequently shown in movie houses across the country before the feature show. There on the big screens, in black and white, moving at sixteen to eighteen frames a second, audiences saw the feats of Ruth, Dempsey, and Man o War. But in the closing days of 1925the high point of the golden age of sports in Americait was Grange who especially held moviegoers and sports fans spellbound.

By 25, nearly three-fourths of Americans went to movie houses at least once a week, and what played on the big screen greatly shaped popular culture. Sitting in the cool darkness of picture palacesas the most grandiose theaters were calledmoviegoers from New York to Los Angeles marveled at Granges exploits. Watching him perform up on the flickering screen, audiences were mesmerized by his improbably fluid shifts and feints, by his jazzlike improvisation on the field, by his absurdly long touchdown runs. The fluttering clips even made Grange look more spectacular than he was in real life, because their herky-jerky nature created the illusion that he moved faster than he really was; the illusion that maybe he actually was a ghost.

Grange particularly captured the hearts and hopes of fans in the lower classes of society and those who had been away overseas. Thousands of immigrants who came to America in the 1890s and those who had endured the battles of world war were now flocking in droves to the fields of sport. The economy was booming, jobs were plentiful, and people who had struggled to make ends meet just a few years earlier now had extra money for the first time. Transportation was affordable. Model Ts rolled off the Ford assembly line at a rate of one every ten seconds and cost only $290. People had more leisure time, too, as most Americans no longer had to work seven days a week. Boxing was immensely popular with ethnic fighters generating pride among new Irish-Americans, German-Americans, Italian-Americans, and Jewish Americans. Baseball also flourished. Tickets were cheap, and many of its stars, like Ruth, looked and acted like nine-to-five guys getting dirt underneath their fingernails while making a living.