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Charles Wilkins - In the Land of Long Fingernails: A Gravedigger in the Age of Aquarius

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Charles Wilkins In the Land of Long Fingernails: A Gravedigger in the Age of Aquarius
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A darkly comic insiders view of the morbidly fascinating cemetery industry.
Shortlisted for the Trillium Book Prize, Stephen Leacock Memorial Medal for Humour, and the City of Toronto Book Prize
A university student during the hazy summer of 1969, Charles Wilkins took a job as a gravedigger in a vast corporate cemetery in the east end of Toronto. The bizarre-but-true events of that timea midsummer gravediggers strike, the unearthing of a victim of an unsolved murder, and a little illegal bone-shiftingplay out among a Barnum-esque parade of mavericks and misfits in this macabre and hilarious memoir.
With relentless gallows humor, In the Land of Long Fingernails is a story of mortality, materialism, friendship, and sexualityand the gradual coming-of-age of an impressionable young man.
If Raymond Chandler had written a memoir, I could imagine it reading like this. Mary Roach, New York Timesbestselling author of Stiff

Charles Wilkins: author's other books


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Table of Contents ACKNOWLEDGEMENTS I HAVE MANY FRIENDS TO THANK for - photo 1
Table of Contents

ACKNOWLEDGEMENTS

I HAVE MANY FRIENDS TO THANK for their contributions, large and small, to this bookamong them, Dan Diamond, Carol McLaughlin, Lillian Napierala, Jake MacDonald, Jackie DAcre, Kathy Beckett, George Morrissette, Vivian Palin, Nelson King, Gerry Waldren, Scot and Anthea Kyle, Richard Cleroux, Rob Lannon, Roz Maki, Dorothy and Pete Colby, Doug Hill, Eden Robbins, Tom Hazenberg, Elizabeth Kouhi, Mary Frost, Margie Bettiol, Doug Flegel, Jari and Maija Sarkka, Kevin Parkinson, Bob Kyte, John Warner and Doug Livingston.

I am particularly indebted to my friend Philip Syme, who for the past year has been a patient and generous confidant as I worked out the details of my story.

The book would not exist, of course, without my friends at Penguin Canada. In particular, I owe a debt of gratitude to my talented and painstaking copy editor, Eleanor Gasparik, who did so much for the manuscript, and to my editor, Helen Reeves, whose upbeat direction and down-to-earth literary acumen have been an indispensable part of the making of the book.

I am profoundly grateful, as well, to my New York editors, Brando Skyhorse and Alaina Sudeith, who have worked with great energy and skill to deliver the book to readers in the United States.

Major thanks are also due my agent, Jackie Kaiser, at Westwood Creative Artists, who for years has been my trusted adviser and friend, and whose faith in my capabilities is at the foundation of my work as a writer.

Quite apart from the specifics of this book, I would be remiss if I did not thank my sisters, Ann and Susan, and their families, for both recent and lifelong contributions to my professional and personal well-being.

Finally, I wish to thank my friend, Trish Wilson, who in a variety of ways has been as much a catalyst as anyone to the creation of the work at hand. And as always, my children, Matt, Georgia and Eden, whose love, encouragement and forbearance I could not do without.

I deeply appreciate you all.

One
AND SO IT BEGINS

MONDAY MORNING AT the cemetery, hangover and confusionPeter the Dutch gravedigger high atop his massive hydraulic thunder-lizard, revving it to the deepest recesses of its innards, forcing out such putrid clouds of exhaust that nobody in the repair shop can get a lungful of breathable air; Hogjaw, Peters Belgian assistant, ramming the tail end of a pineapple and peanut butter sandwich into his mouth, galloping across the lawn as Peter screams at him in Dutch to move his skinny zitvlak because a funerals arriving in an hour and they havent even marked out the grave; Scotty, the autocratic old foreman, a snappish slug-eyed little general, tossing back a three-ounce bracer of whisky to fortify himself against the day, emerging from his second-story office and descending the stairs just in time to see his teenaged grandson mistakenly pouring latrine disinfectant into the gas tank of a brand new Lawn-Boy; Scotty firing his grandson on the spot then lurching out after him into the Garden of the Immaculate Conception, rehiring the boy if for no other reason than it will enable him to fire him the next Monday and the next; Scotty shambling back into the shop now, where Luccio, the big Calabrese doctoral candidate, is absorbing a last-minute passage of James Joyce, while over in the corner, the cemeterys one-armed gardener mixes up a batch of diabolically smelly Robusto-brand nitrates and horseshit...

It is at this point that I make my own rather impertinent appearance, a curly-headed kid with a summer job, clattering down the cemeterys main road in my decrepit Sunbeam Alpine, late as usual, fishtailing on the gravel where the pavement branches into the Garden of the Apostles of the Living Christ, coasting the last hundred feet to a halt under a spready silver maple just as Scotty descends the stairs from his second life-sustaining gurgle of cut-rate 40-proof blended screaming Where the hell were you? and reminding me that the next time Im late Im fired once and for all, docking me a half hours pay and ordering me to get out there pronto to help Luccio get a grave ready because the mourners are gonna be there in a gawdam wink and because the dead man is the former reeve of East Township, and so on, and so on...

Meanwhile, under the customary Monday morning cloud of laziness, pettiness, halitosis, chaos, and inertia, three or four other lowly employees trudge off with the enthusiasm of ripening stiffs to begin their temporary spiritless bottom-feeding bonehead jobs, their only consolation being that, even in 90 degrees of heat, work in the cemetery is relatively easy and that if theyre resourceful they can sleep two or three hours a day under the honeysuckles out by the paupers graves where Scotty only goes when hes caught short and cant make it back to the shop to piss out all the whiskey hes consumed since the day began with its customary fits, farts and befuddlements at eight oclock in the morning.


I PROMPTLY JOIN LUCCIO, who is away out in the Garden of the Apostles, lying reading under an ornamental willow while Peter finishes the digging. The digger is a formidable long-necked mantis of a thing with a snakes knot of intestines and a barrel-sized scoop whose teeth take a bite exactly the width of a standard grave. The machine is so strong it can crash its way through two feet of ground frost in winter. Yet Peter handles it with such delicacy that Scotty, in a rare moment of appreciation, declared one day that Peter could change gawdam diapers with it. All very neat, except that this time Peter is rattled because the side walls of the grave keep caving in. As usual at Willowlawn, the neighboring graves have been dug too close in order to save space; and, sure enough, as I peer into the hole I can see the old outer boxes, single on one side, two deep on the other, the three of them as rotten as compost, the top one in danger of collapsing into the new pit.

Luccio rises on his elbow and declares that Joyce is a long-winded bore. Fortunately the man is brilliant, he adds, which prevents him from being an ordinary bore like you, Wilkins. He looks at me solemnly, reaches into his pocket and withdraws the tiny bag of marijuana that he carries constantly. He has a patch of the stuff growing somewhere on the back acres of the cemeteryhis secret garden he calls it. He rolls a stout little reefer and hands it to me to light. Peter gets a whiff and comes over, then Hogjaw the Belgian who has just driven up on the tractor hauling the coffin-lowering frame and the rugs of fake grass and all the other widgets and tittybits required to get the reeve into the ground with a proper portion of dignity. One of Scottys inarguable ordinances is that seamy earthly realities never be permitted to impinge on what he refers to as the integrity of the rites. To that end, we are diligent in disguising any stray suggestion that, say, soil is dirty, or puddles wet, or rotting flesh or embalming chemicals anything less than another olfactory grace note in a world of honeysuckle and lilacs.

Today, to quell the stink seeping from the neighboring graves, which are in effect open from the sides, Scotty has ordered the application of BalsamBlast grave disinfectant and, in order to gussy up appearances, his prized German Gratzenturf rather than plain old outdoor carpeting. The turf , he feels bound to remind us, is a luxury he is not obliged to provide, even at what he calls celebrity interments. He couldnt even offer such sumptuousness, he protests, had the citys only cemetery supply dealer not recently run out of regular indoor-outdoor, enabling him to acquire Aryan superiority at pre-Hitlerian prices. The true burn for Scotty, it might be noted, is that there actually are no celebrity interments at Willowlawn, the jockeys and mobsters and whisky magnates of the city having for decades preferred burial among the more influential stiffs in, say, Pine Hills or Mount Pleasant, real cemeteries, where the tonnage of marble alone makes it considerably less likely that the place will one day be excavated, its swamp of embalming chemicals purged from the soil, to make way for the gracious duplexes and affordable executive estates that are spreading across the city like a contagion.

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