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Greg Melville - Over My Dead Body - Unearthing the Hidden History of America’s Cemeteries

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Greg Melville Over My Dead Body - Unearthing the Hidden History of America’s Cemeteries
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A lively tour through the history of US cemeteries that explores how, where, and why we bury our deadThe summer before his senior year in college, Greg Melville worked at the cemetery in his hometown, and thanks to hour upon hour of pushing a mower over the grassy acres, he came to realize what a rich story the place told of his town and its history. Thus was born Melvilles lifelong curiosity with how, where, and why we bury and commemorate our dead.Melvilles Over My Dead Body is a lively (pun intended) and wide-ranging history of cemeteries, places that have mirrored the passing eras in history but have also shaped it. Cemeteries have given birth to landscape architecture and famous parks, as well as influenced architectural styles. Theyve inspired and motivated some of our greatest poets and authorsEmerson, Whitman, Dickinson. Theyve been used as political tools to shift the countrys discourse and as important symbols of the United States ambition and reach.But they are changing and fading. Embalming and burial is incredibly toxic, and while cremations have just recently surpassed burials in popularity, theyre not great for the environment either. Over My Dead Body explores everythinghistory, sustainability, land use, and moreand what it really means to memorialize.Locales visited in Over My Dead BodyShawsheen Cemetery Bedford, MassachusettsThe 1607 Burial Ground Historic Jamestowne, VirginiaBurial Hill Plymouth, MassachusettsColonial Jewish Burial Ground Newport, Rhode IslandMonticellos African American Graveyard Charlottesville, VirginiaMount Auburn Cemetery Cambridge, MassachusettsGreen-Wood Cemetery Brooklyn, New YorkLaurel Grove Cemetery Savannah, GeorgiaSleepy Hollow Cemetery Concord, MassachusettsCentral Park New York, New YorkGettysburg National Cemetery Gettysburg, PennsylvaniaArlington National Cemetery Arlington, VirginiaWoodlawn Cemetery Bronx, New YorkBoothill Graveyard Tombhill, ArizonaForest Lawn Memorial-Park Glenwood, CaliforniaThe Chapel of the Chimes Oakland, CaliforniaHollywood Forever Cemetery Los Angeles, CaliforniaNatures Sanctuary Philadelphia, Pennsylvania

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Copyright 2022 - photo 1Copyright 2022 Greg Melville Photograph credits can be found on Cover 2022 - photo 2Copyright 2022 Greg Melville Photograph credits can be found on Cover 2022 - photo 3Copyright 2022 Greg Melville Photograph credits can be found on Cover 2022 - photo 4Copyright 2022 Greg Melville Photograph credits can be found on Cover 2022 - photo 5

Copyright 2022 Greg Melville

Photograph credits can be found on

Cover 2022 Abrams

Published in 2022 by Abrams Press, an imprint of ABRAMS. All rights reserved. No portion of this book may be reproduced, stored in a retrieval system, or transmitted in any form or by any means, mechanical, electronic, photocopying, recording, or otherwise, without written permission from the publisher.

Library of Congress Control Number: 2022933716

ISBN: 978-1-4197-5485-2

eISBN: 978-1-64700-304-3

Abrams books are available at special discounts when purchased in quantity for premiums and promotions as well as fundraising or educational use. Special editions can also be created to specification. For details, contact specialsales@abramsbooks.com or the address below.

Abrams Press is a registered trademark of Harry N. Abrams, Inc.

Picture 6
ABRAMS The Art of Books
195 Broadway, New York, NY 10007
abramsbooks.com

To Joan and Dave
with love and gratitude

GRAVEDIGGER : Come, my spade. There is no ancient gentleman but gardeners, ditchers, and grave-makers.

They hold up Adams profession.

HAMLET , ACT 5 , SCENE I

CONTENTS

1. CANNIBALS, A COFFIN, AND A CAPTAINS STAFF
Colonial Jamestowns original graves reveal Americas distinctly uncivilized beginnings

2. PILGRIMS PROGRESS?
To trace Americas long, ongoing history of desecrating the Native dead, start at Plymouth Rock

3.... OR GIVE ME DEATH
Jewish cemeteries are Americas first and most enduring public expressions of religious libertywhich makes them targets for intolerance

4. WHERE THE BODIES ARE BURIED
Southern plantation owners concealed the evidence of their moral crimes by hiding the bones of the enslaved

5. OUT OF THE CHURCHYARD, INTO THE WOODS
Rural-style cemeteries transformed Americas landscape, turning burial grounds into tree-filled tourist destinations

6. UNDERGROUND ART
The Brooklyn cemetery that turned New York into Americas cultural capital

7. DEATH COMES EQUALLY TO US ALL
Racial segregation in American cemeteries is still very much alive

8. THE TONIC OF WILDNESS
How Emerson and Thoreau turned a new cemetery into the countrys first conservation project

9. A CEMETERY BY ANY OTHER NAME
Central Park, built on burial grounds, has become Manhattans most active repository for human remains

10. FOUR SCORE AND SEVENTY-NINE YEARS AGO
The Civil War opened the gates to the capitalism of corpsesand death in America has never been the same

11. SWEET AND FITTING TO DIE FOR ONES COUNTRY
How Arlington National Cemeterys success as a monument to war made Americans too eager to fill it

12. KEEPING UP WITH THE CORPSES
The way cemeteries set the mold for Americas suburban subdivisions

13. LASTING IMPRESSIONS
Tombstones in old boot hill graveyards keep alive the lost story of Chinese immigrants in the nineteenth-century American West

14. THE DISNEYLAND OF GRAVEYARDS
How a Los Angeles cemetery corporatized mourning in America

15. WE DIDNT START THE FIRE
Cremation now outnumbers burials in America and has surprisingly led some dying cemeteries to rise from the ashes

16. LEVERAGING BURIED ASSETS
Facing an existential threat from Digital Immortality, cemeteries are staging a gritty fight for survival

17. BACK TO NATURE
Green cemeteries return Americas burial practices to the countrys earliest days

PROLOGUE

Shawsheen Cemetery

Bedford, Massachusetts

Established: 1849

The first time I put a body in the ground was on a clear June morning before my senior year of college. I was in my hometown of Bedford, Massachusetts, sitting behind the wheel of a pickup truck dressed in blue jeans, steel-toed work boots, and my favorite Aerosmith T-shirt. I generally saved the Journey T-shirt for nicer occasions.

From the truck, I watched the claw of a yellow, exhaust-belching backhoe tear a hole into a patch of grass about fifty feet away, between granite gravestones. To my right sat my nineteen-year-old coworker, Billy, leafing through the pages of an adult magazine. Above the backhoes rumble, Billy gave meunsolicitedthe synopsis of a short story that caught his attention. Ever the literature lover, he was. Billy and I both worked as summer employees for the Bedford Department of Public Works, our main job being to mow the grass at the local Shawsheen Cemetery and help dig graves for the occasional funeral.

Gravediggers, as I know firsthand, get a raw deal. In return for doing societys dirty work, society looks down its nose at them. The job title equates in peoples minds to low-wage, menial labor. Never mind the fact that just about all of us will hire one someday. Abraham Lincoln once worked as a gravedigger. So did rocker Tom Petty, who said he took the job because you didnt have to look too sharp. Amen.

After the backhoe finished scooping out the Shawsheen Cemetery soil and depositing it onto a piece of plywood, Billy and I exited the truck, reached for our shovels, and dropped into the newly dug hole. Machines do much of the heavy work these days, except in hard-to-reach nooks where only a shovel can reach. The smell of fresh earth enveloped us as we shaved the grave shafts sides and leveled the floor to the proper sizeabout eight feet long, three feet wide, and five feet in depth.

I was surprised to discover that Shawsheens graves werent six feet deep, as horror movies led me to believe. The six-foot rule likely originated during a plague outbreak in mid-fifteenth-century England, when Londons mayor required all bodies to be placed at that depth in the vain hope of preventing the spread of diseaseand to stop animals and grave robbers from unearthing the corpses.

But six feet also made the job much harder. It takes five or six hours for a skilled person to shovel out a single grave of that depth in ideal conditions, when the soil is relatively soft and rock free. Six-foot graves were also more prone to cave-ins, which eventually meant abandoning the rule. Now, most graves dug in American cemeteries are four to five feet deep, which leaves a layer of between one and two feet of soil above the casket or burial vault.

As I stood in the fresh grave, I couldnt help but feel a little claustrophobic. Or maybe I was just freaking outa littleabout the prospect of someday being deposited in a hole like this one for eternity, or at least a long time.

We completed our task and climbed out of the grave before a crane lowered a concrete vault into the space, to house the casket. Shawsheen required that all caskets be placed within a concrete vault, to prevent the ground from collapsing over time. This is a standard rule for many modern American cemeteries, and one enthusiastically backed by the opportunistic funeral industry; it adds anywhere from $1,000 to as much as $10,000for the over-the-top, needlessly ornate modelsin expenses piled onto a grieving family. Billy and I then unfurled rolls of artificial turf around the rectangular holes edges to hide the bare ground and placed a polished aluminum casket holder above it. As far as graves go, it looked almost inviting.

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